Monday Morning Wake-Up Call


True gardeners cannot bear a glove
Between the sure touch and the tender root,
Must let their hands grow knotted as they move
With a rough sensitivity about
Under the earth, between the rock and shoot,
Never to bruise or wound the hidden fruit.
And so I watched my mother’s hands grow scarred,
She who could heal the wounded plant or friend
With the same vulnerable yet rigorous love;
I minded once to see her beauty gnarled,
But now her truth is given me to live,
As I learn for myself we must be hard
To move among the tender with an open hand,
And to stay sensitive up to the end
Pay with some toughness for a gentle world.

May Sarton, “An Observation” in “A Private Mythology: Poems.” (W.W. Norton & Co. in 1996)

Notes: Poem via Exhaled-Spirals. Photo via Pexels by Karolina Grabowska.

Quiet, please. We are not alone.

Spring unfolds each year in color, yes, but also in sound. And, regrettably, in noise — some of it emanating from our gardens.

When Nancy Lawson, a Maryland-based naturalist and nature writer, speaks about the voices of frogs or birds, she uses the word “sound.” When she refers to humanity’s voice — the din of mowers, blowers and chain saws — she describes it as noise, specifically “anthropogenic noise.”

Her definition: something that is “disrespectful of all the other sounds and runs roughshod over them,” she said, with “often unnecessary rudeness.”

These days, we’re not just driving one another crazy with the racket that fills most neighborhoods. We’re “smothering some of the opportunities for animals to communicate through their senses,” she said, “to perceive the world through their senses.”

That means communications are masked and predator alarms and other critical life cues are stifled.

The challenge she poses for us: “Let’s think about the fact that these are our neighbors, too. And they can’t just run inside and put on noise-canceling headphones.” […]

In other words: Easy does it.

“If you treat the local environment like the homeland it’s meant to be,” she writes in “Wildscape,” “you’ll be exposed to more cultures and ideas and ways of life than if you visited with people from every country in the world.”

Sometimes, she said, that’s not about doing something, but the opposite: Stop mowing so often; stop leaf blowing. “Stop these sensory disruptions,” she said.

Even with actions we know can cause harm, like using pesticides, it’s not just the direct damage that she alerts us to.

“It turns out that putting out scents into the world that cause odor pollution can disrupt flower fragrances, and bees’ ability to find the floral resources that they need,” she said of an often unnoticed violation of the Scentscape.

Noise has unexpected effects, too, like reducing the nesting success of bluebirds and tree swallows, and decreasing the foraging ability of owls and bats.

Or this: As cars drove past, Ms. Lawson noticed a monarch caterpillar flinching upward from the milkweed it was feeding on near her roadside. A paper she found cited the same reaction — and how traffic-stressed animals even bit the researchers, something they had never documented before.

Quiet, please. We are not alone.

— Margaret Roach, from “Quiet, Please: You Are Not Alone in Your Garden


Notes:

Truth

This is the blessing for the first garden tomato: Those green boxes of tasteless acid the store sells in January, those red things with the savor of wet chalk, they mock your fragrant name. How fat and sweet you are weighing down my palm, warm as the flank of a cow in the sun. You are the savor of summer in a thin red skin. ~ Marge Piercy, from “The Art of Blessing the Day” in The Art of Blessing the Day: Poems with a Jewish Theme. © Knopf, 1999.
Notes: Photo – Katharine Hanna with Organic vine-ripened tomatoes. Poem – A Year of Being Here

Sunday Morning


My mother’s need for order has nothing to do with the chaos of a life with too little space and too little money and almost no chance to make something beautiful of it all. The chance to create loveliness is always waiting just past the door of our matchbox rental. She never prepares for gardening—no special gloves, no rubber garden clogs, no stiff canvas apron with pockets for tools. No tools, most of the time. She steps out of the house—or the car, setting her bags down before she even makes it to the door—and puts her hands in the soil, tugging out the green things that don’t belong among the green things that do. Now another bare square of ground appears, and there is room for marigold seeds, the ones she saved when last year’s ruffled yellow blooms turned brown and dried to fragile likenesses of themselves. The light bill might be under the covers at the foot of her bed, the unsigned report card somewhere in the mess of papers on the mantel, but she can always put her hands on last year’s seeds. And later, in the summer, the very ground she walks on will be covered in gold.

~ Margaret Renkl, from “My Mother Pulls Weeds, Birmingham, 1978,” Late Migrations: A Natural History of Love and Loss


Photo: Cindy Garber Iverson

Riding Metro North. A Voyeur.

6:25 pm train home. Tuesday. It’s been a very long day.

I’m 8 minutes early. I find my aisle seat, set my bag down, remove my coat and place it on the luggage rack overhead. I close my eyes, and pause. My right hand clutches my iPhone – activity is frantic inside the device. News. iMessages. Emails. Work. All churning forward. Just let it be for a moment. Rest. Let it be.

My eyes remain closed. Thoughts flicker, and latch onto Jack Kornfield’s “Your Mind: Friend or Foe” as he passes a cautionary road sign, “Your own tedious thoughts the next 200 miles.

I hear footsteps. She settles one seat up and to my left. She slouches in her seat, knees up against the seat in front of her.

She scratches items on a yellow note pad with a 2H pencil, her to-do list for tomorrow.
List fills, too far away for me to see details. Neat, on the lines. Cursive.

She then grabs her smartphone. Pans through a long list of emails. Then text messages. Then back to emails. Then back to her yellow note pad, to jot down another to-do.

She puts down her phone, and stares out the window. Hair, shoulder length, rests on a light, Patagonia windbreaker.  Clean, white sneakers, must have a long walk from the office to the train. Her heels tucked in her bag.

She lifts her phone, and scans more emails. Sends a few more text messages. Flicks through a few web sites. For some reason, you can’t take your eyes off this woman, her show, her frenetic activity in her private space. A peeping voyeur. Continue reading “Riding Metro North. A Voyeur.”