It’s been a long day

friendly-monster-tired


Notes:

A small, sweet, plosive sound comes from his lips, after each entreaty the same noise, a breath out and a consonant mixed with spit.

baby-drawing

Four days later, Ev starts to talk. His sounds have been buffering at meaning for weeks, but now they emerge as his own handiwork and he sets them gently one beside another in lines. […]

Children are born into language. They understand the nuances of speech at birth and Ev has been listening to our ceaseless chatter for months in the womb. He has been read to and sung to and laughed at. He knows the pattern of our voices and by its cadence he knows too that something is happening. My face signals it, and the sudden sparks of urgent conversation, the gaps that follow.

Ev’s vocabulary as he presents it to us is superlatively normal. He has no words for fear. He says Daddy to mean either of us, kee for monkey and Oh no! at all upsets. Ssss serves for snake, the letter S, and any linear thing like a belt or bit of his railway track. He says click for light and sta for monster, gakator for tractor and soon has a small handy clip of words like digger, apple, spoon, butter, cardi, eye, toast, brush. Seem means machine. He can do two, three and four. And in a way that is entirely normal too, we poke him and spur him on. This is what you do with children, goad them for your own enjoyment. Make a noise like a volcano, we say. Make a noise like a firework. Make a noise like a dinosaur. His eyes are merry. A small, sweet, plosive sound comes from his lips, after each entreaty the same noise, a breath out and a consonant mixed with spit. […]

He is the size of a cat; a thing of gold fur and whitened sunshine. His hands paw and pat the textures of the food as he draws each substance one by one into his mouth: sour, sweet, char, salt, pulp, oil and leaf.  […]

He goes at food with intellectual interest and straight joy in taste. It is bonny. If I had known how much pleasure I would get from watching my baby eat I would have thought it an argument for more babies. It is such a treat I can’t take my eyes off him and I mask my keenness in case it makes him suspicious that there is something more at stake. So I eat with him, or look out the window or pretend to read the paper. He spoons up lentils, snuffles through tomato sauce with basil and surges his pasta round in it, he dips bread in spinach soup till soup and bread are one and sucks it. He holds broccoli like a cudgel and stuffs one, then two, three, four trees into his mouth. He eats liver! He eats bananas and garlic and stir-fry! We goggle at him. We win and he wins. We all triumph together.

~ Marion Coutts, The Iceberg: A Memoir


Baby Drawing: Ben Connell

 

It’s been a long day

28_four-women-mark-horst

I remember too much;
I am like the air on a calm day
as it holds itself still,
letting nothing escape.
As the world holds it breath,
I keep memory in.

~ Colm Tóibín, The Testament of Mary


Notes:

Perspective of time and distance alter substance

pascal-campion-drawing-illustration-jump-child-youth-memories

In the poems I have been thinking of and writing the last few years, I have grown aware that childhood is a subject somehow available to me all over again. The perspective of time and distance alter substance somewhat, and so it is possible to think freshly of things that were once familiar and ordinary, as if they had become strange again. I don’t know whether this is true of everybody’s experience, but at a certain point childhood seems mythical once more. It did to start with, and it does suddenly again.

~ Donald Justice, from an interview with The Missouri Review, quoted by Linda Pastan, “Yesterday’s Noise: The Poetry of Childhood Memory,” Writer (vol. 105, no. 10, 1992)


Credits: Art – Pascal Campion. Quote: Memory Landscape

 

Guess.What.Day.It.Is?

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Notes: