Lightly child, lightly.

I’d go out into a great big field all alone or in the deep, deep woods and I’d look up into the sky—up—up—up—into that lovely blue sky that looks as if there was no end to its blueness.

And then I’d just feel a prayer.

~ L. M. Montgomery, Anne of Green Gables 


Notes:

  • Photo: blue sky thinking by Mick.  Quote: (via antigonick)
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Blue Planet II: Take a Deep Breath.

Flying Over I-40 N. Moments, Sparkling. Moments, Not.

2006. July. (I think.) Barcelona. I’m sitting in a conference room in the basement level of an aging hotel. You know the hotel – the one where all of the investment was poured into the lobby, and you don’t need to search to find disappointment, it finds you, at every turnThis Barcelona could have been anywhere – a Days Inn within a cab ride of O’Hare in Chicago, or a budget hotel in Newark, or a refurbished hotel in downtown Philadelphia serving small, short tenor business meetings. Yet, it wasn’t. The room was windowless, the walls were free of art. There was dim overhead lighting, the florescent tubes emitting a low sizzle. There was a whiff of fresh blue paint, cheap plastic surgery fooling no one. Beneath its blue skin, the bones of the room emit traces of hand rolled tobacco from 50 years ago.  It’s an hour after the working lunch, Hour Six of a day long meeting, and stupor is settling in. There was no audio visual equipment. There were no extra notepads or pens. There was no coffee. No bottled water. In the center of the table, stood a one quart jug, fingerprints visible on its belly, and a slice of lemon, not dressed in its distinctive canary yellow, but a dull yellow mustard clinging to the wall of the jug as if it were licked and pressed like a postage stamp, desperately seeking escape. The jug sweats, the air is thick, the overhead aluminum ducts rattle with the firing and re-firing of the AC system that was built for a building half the size. Hard back chairs surround the table and line the walls, with the butt cheeks of thousands of prior occupants having grooved and flattened the frayed cushions. Butt to cushion to metal, do-over and over and over.  I can see the blue palette. I can smell the decaying Gyprock. I can feel the heaviness of the air. Yet, I can’t extract a single shred of why I was there and what was accomplished, not on this day, not on Day 2 which ran ten hours.  The Blue Room returns and returns and returns and returns. The question is: Why?

~ DK


Notes:

  • Inspired by: Saabye Christensen: “You store everything inside yourself and then one day, wherever you are, whatever the time, it appears just like that, just like I could smell wet lilac now, lilac after the rain, even though we were well into autumn.”
  • Image Credit: Marius Tamosauskas with Blue Room 1
  • Related Posts: Commuting Series.

When you are alone and you look in a mirror you never put on a pleasing smile. Well, you don’t, do you?

David Hockney was way ahead of today’s ubiquitous selfies. In the 1980s—already famous for his painted landscapes of California pools and suburban houses—he threw himself into drawn, painted and photographed self-portraits…

At first the Hockney self-portraits showed vulnerability and self-consciousness, according to Dr. Brooks. But over the years, he adds, they showed intense self-examination. Mr. Hockney has depicted himself with his mouth wide open in surprise, with a scowl or with a cigarette hanging out of his mouth at an angle.

The results, as well as Mr. Hockney’s wider interest in photographic collage, are the main focus of “Happy Birthday, Mr. Hockney,” a celebration of his turning 80 at the Getty Center in Los Angeles, opening in two stages, June 27 and July 18. Most of the versions of Mr. Hockney on view, though, don’t make for a cheery celebration. “I usually only draw myself in down periods,” Mr. Hockney told London’s Telegraph newspaper in 2001. “I suppose that’s why I often draw myself looking grim. I just think, ‘Let’s have a look in the mirror.’ When you are alone and you look in a mirror you never put on a pleasing smile. Well, you don’t, do you?”

~ Alexandra Wolfe, from Self-Portraits and Photos for David Hockney Birthday (wsj.com, June 23, 2017)


Notes:

  • Photograph top: David Hockney with ‘Blue Terrace Los Angeles March 8th 1982’.
  • Drawing: David Hockney ‘Self Portrait, 20 March 2012 (1219), iPad drawing printed on paper, mounted on Dibond.

 

Morning Call

Today, if you’re confronting an issue for the ten thousandth time, or feeling that your life is going nowhere, or panicking over how little you’ve achieved, stop and breathe. You’re not falling behind on some linear race through time. You’re walking the labyrinth of life. Yes, you’re meant to move forward, but almost never in a straight line.

Martha Beck, from The Labyrinth of Life


Notes: