Monday Morning

The plan is obvious. Earth will become more and more beautiful until I can’t stand it. Then I will vanish.

—  D. Nurkse, from his poem ‘A Clearing on Ruth Island’, published in Sangam House, March 2022


Notes:

  • Photo: DK @ Cove Island Park @ Daybreak. 5:03 am. 59° F. May 30, 2022.  See more photos from today’s glorious morning here.
  • Poem Source: indeskidgepoetry
  • And a final thought…the biggest thought fluttering around (more like cutting) —  today being Memorial Day, a day we remember and honor those who sacrificed everything for our freedoms – – those Patriots who vanished before they were able to see another moment of our Earth’s beauty.  I am grateful for them and honor them today. And perhaps there is a bigger, grander plan, for the wars, for the children slaughtered at elementary schools, for the incomprehensible racist killings at our neighborhood grocery stores – – because I can’t see any plan that includes killing fields in schools and grocery stores.  Thomas Friedman: “But with every passing day, every mass shooting, every racist dog whistle, every defund-the-police initiative, every nation-sundering Supreme Court ruling, every speaker run off a campus, every bogus claim of election fraud, I wonder if he can bring us back together. I wonder if it’s too late. I fear that we’re going to break something very valuable very soon. And once we break it, it will be gone — and we may never be able to get it back…We are staring into that abyss right now.”

Unselfing

Beauty, (Iris) Murdoch argues, gave us an opportunity for an “unselfing.” She writes:

I am looking out my window in an anxious and resentful state of mind, oblivious of my surroundings, brooding perhaps on some damage done to my prestige. Then suddenly I observe a hovering kestrel. In a moment everything is altered. The brooding self with its hurt vanity has disappeared. There is nothing now but kestrel. And when I return to thinking of the other matter it seems less important.

Chloé Cooper Jones, Easy Beauty: A Memoir (Avid Reader Press / Simon & Schuster, April 5, 2022)


Notes:

  • Kestrel. Cardinal. Same. Shot taken of Red Cardinal overhead this morning @ 8 am in backyard.
  • Photos from Daybreak walk this morning here.

You ask me am I crazy for playing the cello in a war zone

One night, I dreamed that I was meeting my friend, a poet named Mariana, in Sarajevo, the city of love. I woke up confused. Sarajevo, a symbol of love? Wasn’t Sarajevo the site of one of the bloodiest civil wars of the late twentieth century? Then I remembered. Vedran Smailović. The cellist of Sarajevo…

You ask me am I crazy for playing the cello in a war zone, he says. Why don’t you ask THEM if they’re crazy for shelling Sarajevo?

His gesture reverberates throughout the city, over the airwaves. Soon, it’ll find expression in a novel, a film. But before that, during the darkest days of the siege, Smailović will inspire other musicians to take to the streets with their own instruments. They don’t play martial music, to rouse the troops against the snipers, or pop tunes, to lift the people’s spirits. They play the Albinoni. The destroyers attack with guns and bombs, and the musicians respond with the most bittersweet music they know.

We’re not combatants, call the violinists; we’re not victims, either, add the violas. We’re just humans, sing the cellos, just humans: flawed and beautiful and aching for love.

Susan Cain, “Bittersweet: How Sorrow and Longing Make Us Whole” (Crown, April 5, 2022)


Image: Manny Becerra via Unsplash

Lightly Child, Lightly

He felt at peace only in the hour before dawn, when the darkness seemed to give way slowly to a mist, and it was at this hour that he would wake and sit by his window.

—  Peter Ackroyd, from Hawksmoor (Hamish Hamilton, May 25, 2010)


Notes:

  • Quote: Thank you The Hammock Papers
  • Photo: DK  @ Daybreak. 6:35 a.m. Sunday, August 25, 2021. Cove Island Park, Stamford, CT.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

wasn’t just matter, but that it was actually alive…

Ms. Tippett:  I know that “landscape” is a really pivotal word for you that you use, not just in describing the natural world, but an important word in talking about how human beings know themselves and move through the world. I haven’t been to precisely the place you’re from, but I think the west coast of Scotland, the west coast of Ireland, it is this completely unusual, this wild, raw, bleak beauty. But talk to me about how you have come to understand landscape as something that forms each of us.

Mr. O’Donohue: Well, I think it makes a huge difference, when you wake in the morning and come out of your house, whether you believe you are walking into dead geographical location, which is used to get to a destination, or whether you are emerging out into a landscape that is just as much, if not more, alive as you, but in a totally different form, and if you go towards it with an open heart and a real, watchful reverence, that you will be absolutely amazed at what it will reveal to you.

And I think that that was one of the recognitions of the Celtic imagination — that landscape wasn’t just matter, but that it was actually alive. What amazes me about landscape — landscape recalls you into a mindful mode of stillness, solitude, and silence, where you can truly receive time.

—  John O’Donohue, “The Inner Landscape of Beauty” in On Being Krista Tippett (August 31, 2017)


Notes: