Lightly Child, Lightly.

It sometimes sweeps through him in quick glimpses like an illumination and yes, yes, then he’s filled with a kind of happiness and he thinks that there might be a place somewhere… what if everything could be like that? … He thinks about a place like that, which is obviously no place, he thinks, he falls into a kind of sleep that isn’t like sleep but more a bodily movement where he’s not moving… everything’s heavy and hard and there’s a place in the big heaviness that’s an unbelievably gentle shining light, like faith, yes, like a promise.

Jon Fosse, The Other Name: Septology I-II.


Notes:D

  • DK Photo @ Daybreak. 67° F, with light rain. 6 am. November 12, 2022. Cove Island Park, Stamford, CT.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Lightly Child, Lightly.

I saw a man once, I waved to him and he did not wave back; I felt very self-conscious, partly because of how often I was walking this road. I walked until I got to the small cove we had driven past the first day we came here that had thrilled me so quietly; it still gave me a quiet sense of awe… And then I would walk back again.

— Elizabeth Strout, Lucy by the Sea: A Novel (Random House, September 20, 2022)

Notes:

  • Elizabeth Strout’s words spoke to me, this 905th consecutive day (almost, like in a row) on my morning walk at Cove Island Park.
  • Photos from yesterday’s morning walk @ Cove Island Park. More photos from yesterday’s walk here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

wasn’t just matter, but that it was actually alive…

Ms. Tippett:  I know that “landscape” is a really pivotal word for you that you use, not just in describing the natural world, but an important word in talking about how human beings know themselves and move through the world. I haven’t been to precisely the place you’re from, but I think the west coast of Scotland, the west coast of Ireland, it is this completely unusual, this wild, raw, bleak beauty. But talk to me about how you have come to understand landscape as something that forms each of us.

Mr. O’Donohue: Well, I think it makes a huge difference, when you wake in the morning and come out of your house, whether you believe you are walking into dead geographical location, which is used to get to a destination, or whether you are emerging out into a landscape that is just as much, if not more, alive as you, but in a totally different form, and if you go towards it with an open heart and a real, watchful reverence, that you will be absolutely amazed at what it will reveal to you.

And I think that that was one of the recognitions of the Celtic imagination — that landscape wasn’t just matter, but that it was actually alive. What amazes me about landscape — landscape recalls you into a mindful mode of stillness, solitude, and silence, where you can truly receive time.

—  John O’Donohue, “The Inner Landscape of Beauty” in On Being Krista Tippett (August 31, 2017)


Notes:

One pair of eyes is simply not enough


Notes:

  • DK. Daybreak. December 9, 2020. 6:16, 6:52 & 7:00 am. 30° F feels like 23° F. Cove Island Park, Stamford CT
  • Post Title: One pair of eyes is simply not enough. Mary Ruefle, from “The Life of a Poet: Mary Ruefle” (Library of Congress, May 15, 2015)

Walking. With the Spirit Flock.

It was Tuesday.

Another morning walk. 140 days, 140 consecutive days in a row.

My 5 mile loop to start each day. Same time. Same path.

I’m crawling out of bed a bit slower now, and wondering, “Maybe I take today off?” Days are getting shorter. Mornings darker. The sheen of watching daybreak, the first light illuminating the horizon, do I dare say, is becoming boring?

But we keep it going. If nothing else, it gives me something to boast about. Work that fragile ego. 

And Tuesday morning was setting up to be a replay of so many other mornings. Few surprises. My Swan sleeping alone at the edge of the cove. My Spirit Bird, the cormorant, fishing solo. That’s a photo I took of her —  her elegant curved neck, the matte black finish of her back, her gulping a breath before diving again.

I keep walking.

My camera goes back in the bag, and doesn’t leave the bag. Been here. Done that. Seen it before. Not worth the energy to pull it out of the sling.

I reach the Park and I approach the break wall. I’m looking out on Long Island Sound.  It’s quiet this morning. Few walkers. Calm. No wind.

I re-grip my camera bag to hoist myself up on the break wall and at that moment a flock of ~20 Canada Geese lift off the water, and surge low over my head. Those in the back honking to encourage those up front to keep up their speed.  It was one of those moments — the beat of 40 wings, the urgency of their calls.  I’ll knew that I’d remember this. Write about this.

I keep walking.

I’m thinking about why that moment was a moment. I was startled…a break of the silence. An interruption of the thoughts banging around in my head.  A piercing of the quiet, almost to say: Awaken Man. Look around you.

I keep walking.

I see another Cormorant feeding.  2 Spirit Birds in one Day. Now that’s Something. I take my camera out of my bag and snap a few shots.

I keep walking.

I notice another flock across the pond, but its not Geese. Smaller, darker, flying lower, wings flapping with greater urgency.

I stop to watch.

I swing my sling around to grab the zoom lens. Heart beating.  Come on Dave. Come on.

It was another Moment.

They were too far out even with the zoom.

I turned to walk back to the Park to see if I could get a better shot.

Hand shake. No time for tripod. No time to adjust camera settings. Blurry! It will be blurry!

25? 50? More?

Continue reading “Walking. With the Spirit Flock.”