Running. Not with Lorena.

Thanksgiving Day.

8 a.m.  43° F.

I haven’t run in weeks. Weeks. I don’t wanna run.

The TV in background is running a Netlix preview for The Irishman. Ah, yes. I’ve been waiting for this flick. I pause to watch the trailer.

The momentum is shifting here, I’m wobbly, a topple back onto the couch is so seductive. Rest DK. Take the morning off.

I stand shirtless in front of the mirror. And stare.  Eyes drop to the nipples*, they are firm, no slouching, and in so much better shape than the rest of me.  I apply Body Glide, like an amateur cross-country skier rubbing the wax stick on his skis, or in this case my entire upper torso. God knows, if I get going, chafing could run wild. The rest of me may come apart on this run, but there’s no chance Boobies** are going down.

Mind drifts to a short (but moving) 28-minute documentary I watched the night before: Lorena, Light-Footed Woman. Lorena is a 22-year old indigenous Raramuri woman from the Chihuahua region of Mexico (think mountainous territory, no others within miles.). She’s been a top finisher in ultramarathons (up to 62 miles) and runs in Raramuri dresses and sandals. Sandals! And not made by Tory Burch. A notable scene has her opening up a gift from a running shoe manufacturer, a pair of fluorescent orange, slick all-pro running shoes. She delicately opens the package, looks at the shoes, carefully places them back in the shoe box and says: “I don’t think I’ll use them. The people who do…are always running behind me.” And she bows her head turning away from the camera.  Don’t you just love her!

And so it goes, Lorena the night before, and the indigenous Connecticut Man on Thanksgiving Day.

On goes my sweat-wicking running shirt.

On go my running shorts.

On go my smart-wool socks.

On go my running pants.

On goes my running jacket.

On goes my Apple watch.

On go my running shoes.

On goes my fanny pack.

       In goes my Smartphone in the fanny pack.

       In goes the bottle of water in fanny pack.

On goes the Tuk.   And it’s a Tuk. Not Touque. Not Tuque. Or whatever else the French Canadians want to take credit for. Tuk was founded in Western Canada in the mid to late 60’s in a town called Castlegar. Don’t like it, re-write the story on Wiki. Continue reading “Running. Not with Lorena.”

Truth

In “How Steam and Chips Remade the World” (op-ed, Oct. 19), John Steele Gordon remarks that “a man from half a century ago would surely regard the . . . smartphone as magic.” As one of those men, who keeps his phone more off than on, I disagree. Driving cross country as a 19-year-old in a beat-up car with only $50 cash and a gas-station map, without interstates, was a magical experience. Magic today would be a young person doing the same, or finding a parent who would let them.

~ Stephen Borkowski (Pittsburg, Texas). In letters to the Editor. (wsj.com, October 24, 2019)


Photo: Ansel Adams, Desert Road, NV 1960 (via Newthom)

But our reality, some blend of print and digital, material and immaterial

The more we use our screens, it seems, the more power we assign to books as objects, and to turning their literal pages as a timeless icon of languor. But our reality, some blend of print and digital, material and immaterial, is perhaps no less picturesque. On this beautiful summer morning, while finishing this piece, I was happily distracted by the Twitter feed of a poet named Jeremy Proehl, who, like the mad, poverty-stricken Romantic poet John Clare, inscribes his verse on birch bark. Clare, who also concocted his own ink out of “a mix of bruised nut galls, green copper, and stone blue soaked in a pint and a half of rain-water,” was after permanence, not planned transience: he would not recognize his art in the notion that Proehl’s own bark poems will “fade and break apart in the weather.”

The Internet has no weather, and these dissolving poems will be preserved in every state of decay. What part of my summer morning was “reading,” and what part of it was distraction? Once I put the period on this sentence, I’m headed outside with a copy of John Clare’s poetry, along with my phone, in case I need to look up some images of chaffinches, hedge roses, or whitethorn shrubs.

~ Dan Chiasson, from “Reader, I Googled It” in The New Yorker, August 26, 2019


Photo: Jeremy Proehl – “I write poems on birch bark and hang them in the woods. I call them prayer poems. As they fade and break apart in the weather, like prayer flags, I hope the thoughts of the poems travel on.

About right…


The New Yorker Magazine

Truth


Source: Mantra Wellness Magazine