Tag: Rebecca Solnit

That’s my diagnosis

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That’s my diagnosis. My prescription might be simple: be kind to each other, remembering the distress we’ve all lived through; defend the facts with ardor; fight fascism and climate chaos in the ways you’re best equipped to (and if you’re lucky, that will connect you to other good people doing that crucial work). And if you’re lonely know that even in that you’re not alone; millions are, in large part because of how our world got rearranged. But diagnosis is the first step of treatment or cure, and just talking about how personal the impact is of this chaotic new era matters.

— Rebecca Solnit, from “Trump, Covid, the climate crisis – we’ve had a hard few years. The wounds linger.” (The Guardian, June 4, 2024)

It felt like a bird when I held it: almost weightless…

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When I first learned the age of the instrument (1721) I was filled with wonder that a delicate piece of craftsmanship could endure for centuries, that something so small and light could do so much, that an instrument made in the 18th century could have so much to say in the 21st. It felt like a messenger from the past and an emblem of the possible, a relic and a promise…

One evening not long ago, I went to see the San Francisco Symphony’s annual concert with the Oakland Interfaith Gospel Choir. The symphony musicians sat in a semicircle that began with violins and violas and ended with cellos and bass viols, and, thanks to the time I’d spent contemplating David Harrington’s violin, I saw it as a forest of wooden instruments. The gospel singers stood above them, and at one moment when I could see dozens of bows moving in unison in the dimness, see 50 mouths open in song, it felt like some kind of truce between our species and the trees had been struck.

Maybe that’s the promise David’s violin seemed to hold when I discovered how long it had been playing. At my request, he brought it over to my apartment and took it out of its case. I was a bit overawed and ready to spread a clean cloth to lay it on but he put it on my table without any fuss, and let me pick it up. It felt like a bird when I held it: almost weightless, incredibly powerful and extremely delicate. And then I saw Kronos perform one more time, and there it was, in David’s hands, making music as it had for three centuries, seeming strong enough to go on indefinitely.

— Rebecca Solnit, from “‘A truce with the trees’: Rebecca Solnit on the wonders of a 300-year old violin” (July 7, 2022, The Guardian)

Saturday Morning Walk

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Where does it start? Muscles tense. One leg a pillar, holding the body upright between the earth and sky. The other a pendulum, swinging from behind. Heel touches down. The whole weight of the body rolls forward onto the ball of the foot. The big toe pushes off, and the delicately balanced weight of the body shifts again. The legs reverse position. It starts with a step and then another step and then another that add up like taps on a drum to a rhythm, the rhythm of walking. The most obvious and the most obscure thing in the world, this walking that wanders so readily into religion, philosophy, landscape, urban policy, anatomy, allegory, and heartbreak.

—  Rebecca Solnit, Wanderlust: A History of Walking (Penguin Books (June 1, 2001)

Photo: Bjorn Breimo, Walking (Norway)

Walking. In Search of my Spirit Bird.

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4:25 am. I’m out the door. Dark Sky app recap: 74° F, 100% humidity, cloud cover 89%.

It’s dark. A wafer thin haze hangs below the street lamps.

I walk.

A firefly flickers, gets caught up in a light wind gust, and disappears. And at that moment, unexplainably so, I felt Small, Little, against the backdrop of the World. This flickering, illuminating, little miracle. “What is life? It is the flash of a firefly in the night. It is the breath of a buffalo in the wintertime. It is the little shadow which runs across the grass and loses itself in the sunset.” (Crowfoot, the Blackfoot warrior, 1890)

Me and Crowfoot?  Crowfoot and me? Crowfoot and I? Oh, for God Sake, let it go.

I walk.

Same route. 5-mile loop. Since May 5th, daily, without interruption. Same camera bag sling, slung over my right shoulder, camera affixed with strap to right wrist. The Autonoman. 

Raccoon up ahead, picking away at the remains of road kill. He skitters away as I approach. Sprinkler systems fire off at 4:30 am, hissing as water hits the street.

I walk.

I note the silence. This narrow slice of time, before daybreak. Nocturnal creatures and me. Afraid of horror movies, the dark and tripping in a pothole and taking a header, I march through the suburban streets on my way to the waterfront.

I take my first shots of The Cove, high tide.  And 78 additional shots that morning.  Little did I know, that 90 minutes later I would learn that all but 10 photos, would be blurry because of some dial I inadvertently depressed. Fuming, at my desk panning through the photos, rubbing my eyes, thinking it’s my f*cking eyes going, because it just can’t be this expensive camera. I move closer to the screen. It’s not my eyes.  My God. You are an Amateur. What a waste. Continue reading “Walking. In Search of my Spirit Bird.” →

Monday Morning Wake-Up Call

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“In fact, from the first clasped stick and improvised carrier, tools have extended the body’s strength, skill, and reach to a remarkable degree. We live in a world where our hands and feet can direct a ton of metal to go faster than the fastest land animal, where we can speak across thousands of miles, blow holes in things with no muscular exertion but the squeeze of a forefinger. It is the unaugmented body that is rare now, and that body has begun to atrophy as both a muscular and a sensory organism. In the century and a half since the railroad seemed to go too fast to be interesting, perceptions and expectations have sped up, so that many now identify with the speed of the machine and look with frustration or alienation at the speed and ability of the body. The world is no longer on the scale of our bodies, but on that of our machines, and many need—or think they need—the machines to navigate that space quickly enough. Of course, like most “time-saving” technologies, mechanized transit more often produces changed expectations than free time; and modern Americans have significantly less time than they did three decades ago. To put it another way, just as the increased speed of factory production did not decrease working hours, so the increased speed of transportation binds people to more diffuse locales rather than liberating them from travel time (many Californians, for example, now spend three or four hours driving to and from work each day). The decline of walking is about the lack of space in which to walk, but it is also about the lack of time—the disappearance of that musing, unstructured space in which so much thinking, courting, daydreaming, and seeing has transpired. Machines have sped up, and lives have kept pace with them.”

— Rebecca Solnit, Wanderlust: A History of Walking

Image: rpffm58 with speed