Dzing!


Notes: Review by Luca Turin, “Perfumes: The A-Z Guide” (via see more). Image Source: Pinterest

the simplicity, flexibility and tactility of the page

moleskine

“Sometimes, I just want to get rid of all the technology and sit down in a quiet space with a pen and paper,” she says. “There are so many apps out there and I feel like no one app gives me everything that I need. I’ve tried and really given them a go, doing those to-do lists of having your priorities or brain storming using lots of different apps … [but] when I get a pen and paper, or when I’m using my old-fashioned diary and pen, it just feels more flexible to me. I can always pull it out. I can focus.”

Angela Ceberano is anything but a technophobe. A digital native with a strong social-media presence, she splits her time between traditional and new media, and between Australia and San Francisco.  For certain tasks, she just prefers the simplicity, flexibility and tactility of the page.  But instead of spreadsheets and fancy smartphone apps, the Melbourne, Australia-based founder of public relations firm Flourish PR, uses notepads, an old-fashioned diary, coloured pens and a stack of magazines.

~ Alison Birrane, from Why paper is the real ‘killer app’


Photo of Moleskine Notebook by extrasist0le

Reading the newspaper? Yes? Think about it.

coffee-paper-newspaper

A large stump raised six feet above ground on buttressed roots offers a good lookout. The man who felled this tree cut two deep notches in its base, which I use to clamber on top. It’s about five feet in diameter and nearly flat, except for a straight ridge across the center where the cutter left hinge wood to direct the tree’s fall.  The surface is soggy and checked, but still ridged with the concentric growth rings. On hands and knees, nose almost touching the wood, using my knife blade as a poster, I start to count.  In a short while, I know the tree died in its four hundred and twenty-third year. […]

Now I gaze into a valley miles deep, laid bare to its high slopes, with only patches of living timber left between the clearcut swaths.  Where I stand now, a great tree once grew. The circle that mark the centuries of its life surround me, and I dream back through them. It’s difficult to imagine the beginnings – perhaps a seed that fell from a flurry of crossbills like those I saw a while ago.  More difficult still is the incomprehensible distance of time this tree crossed, as it grew from a limber switch on the forest floor to a tree perhaps 150 feet tall and weighing dozens of tons. Another way to measure the scope of its life is in terms of storms. Each years scores of them swept down this valley – thousands of boiling gales and blizzards in the tree’s lifetime – and it withstood them all.

The man who walked up beside it some twenty years ago would have seemed no more significant than a puff of air on a summer afternoon.

Perhaps thin shafts of light shone onto the forest floor that day, and danced on the velvet moss. I wonder what that man might have thought, as he looked into the tree’s heights and prepared to bring it down. Perhaps he thought only about the job at hand, or his aching back, or how long it was until lunch. I would like to believe he gave some consideration to the tree itself, to its death and his responsibilities toward it, as he pulled the cord that set his chainsaw blaring. […]

The clearcut valley rumbled like an industrial city through a full decade of summers, as the island’s living flesh was stripped away. Tugs pulled great rafts of logs from Deadfall Bay, through tide-slick channels toward the mill, where they were ground into pulp and slurried aboard ships bound for Japan. Within a few months, the tree that took four centuries to grow was transformed into newspapers, read by commuters on afternoon trains, and then tossed away.

~ Richard Nelson, The Island Within


Notes:

Love Paper

photography, fall

From Rob Firchau @ The Hammock Papers: Love Paper

A tree gave its life for what you are about to attempt. Don’t let the silicon chip or computer monitor cause you to forget this. That ex-tree material stacked in your printer is so dead as you begin to write that its bark-skinned, earth-eating, oxygen-producing, bird-supporting, squirrel-housing body has been reduced to an inert blank expanse of white. To find the life of language and lay that life down on the paper is to redeem the sacrificed life of the tree…

David James Duncan

If you write, blog and/or read, DON’T MISS the entire post: Love Paper

Photograph: skubmic titled Autumn Lines


Ayse Juaneda

Sleeping-Birds-soft-pastel-on-paper-art-by-ayse-juaneda

venice-water color-on-paper-ayse-juaneda


Ayse Juaneda found my blog yesterday (how Ayse?) and I followed her back after browsing her wonderful posts.  What amazing talent…

Ayse is from France.  She’s an artist, teacher and designer.  Her first illustration is a soft pastel on paper – it is titled “Sleeping Birds.”  The second is watercolor on paper and is titled “Venice.”

Her work reminds me of a quote by Vincent van Gogh:

“…and then, I have nature and art and poetry, and if that is not enough, what is enough?”

You can find Ayse’s blog at aysejuaneda.wordpress.com.  Be sure to check it out.


%d bloggers like this: