Indigo. Indigoing. Indigone.

Kate Powell“At birth we are red-faced, round, intense, pure. The crimson fire of universal consciousness burns in us. Gradually, however, we are devoured by our parents, gulped by schools, chewed up by peers, swallowed by social institutions, wolfed by bad habits, and gnawed by age; and by that time we have been digested, cow style, in those six stomachs, we emerge a single disgusting shade of brown. The lesson of the beet, then, is this: hold on to your divine blush, your innate rosy magic, or end up brown. Once you’re brown, you’ll find that you’re blue. As blue as indigo. And you know what that means, Indigo. Indigoing. Indigone.”

~ Tom Robbins

 

 

 


Sources: Image –  1000drawings via society6.com.  Quote: gene-how

Eyvind Earle’s Magic Realism…

Eyvind Earle (Artist); Magic Realism (Style); Titles: “Big Sur” (1991). “Valley” (1974). “Autumn Sunset” (1987)

Eyvind Earle (1916 – 2000) was an American artist, author and illustrator.  He was noted for his contribution to the background illustration and styling of Disney animated files in the 1950s.”  See link below for more magic and big color…


Source: Eyvind Earlie @ Wikipaintings.org – “Big Sur” (1991). “Valley” (1974). “Autumn Sunset” (1987)

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I’d drink this sun with my veins if I were green and growing…

olganoes.com; painting; woman; august; drawing; sketch“Winter convinced me I was impermeable.
Today I’ve moved a lawn chair
close enough to prop my legs on the fence
and doze, light pressed like thumbs
against my eyelids. I’d drink this sun
with my veins if I were green and growing,
with chloroplasts instead of follicles.
When I blink away phantom spots, I see a wasp
clinging to the fence board. It strokes
the pine grain with its front legs, back legs
braced as the head bobs, mandibles
harvesting whatever flushes from vesicles
of rotted wood—whatever it is, I can’t see.
The wasp pauses, then flies to my leg
and fondles the stubble there. I will myself
to breath calmly, relaxed, focused
on observing this infinitely interesting
living thing. Then I give way to instinct,
My gasp wrenched to wide-open shout
at the inevitable sting. Once there was
a ceramicist who cast vessels on the scale
of human beings. Asked why he punctured each
one by striking the soft clay with a two-by-four,
he answered, “To let the darkness out.”

~ Laura-Gray Street, Phosphenes and Entopics


Quote Source: atomiclanterns.  Image Source: olganoes.com via mydivine–cloudnumber9

Take me back down memory lane…


Rob Firchau’s blog @ The Hammock Papers, is a frequent stop. His recent post highlights one of James Young’s sketches which catapulted me back to my youth – farming, fields, barns, trees, birds, streams and tranquility.  I find his art to be simple (in the finest sense of this word), serene and soothing.  James is an artist from Alexandria, Ohio. You can find his portfolio at this link.  And his WordPress blog can be found at jamesyoungartist.com.


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Prints by Squirrell…

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


Source: Society6.com

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