Truth…

BBC Radio 4 - Home Front - Olive Hargreaves

When you write something, it feels like you’re taking a bit of your brain out and letting other people look and judge – and hoping they won’t just be confused and mildly disgusted and ask you to pop it back into your skull, please.

— Rhiannon Neads, Why I quit Depression. I gave up believing depression had to be serious —  there’s humor even in the darkest moments. Neads is a British writer and actor. (The Guardian, April 26, 2023)

Lightly Child, Lightly

 

I wish, for the me I was then, that I could add one more flash, much further forward. I wish that the me nodding out in a cold cinderblock cell could see ahead five years, or even ten… I wish she could see who she will become, and the parts of herself she will leave behind. The darkness that she will learn to live with, and the light she will learn to let in.

Keri Blakinger, random excerpts from Corrections in Ink: A Memoir (St. Martin’s Press, June 7, 2022)


Notes:

  • See prior post on Blakinger’s new book, here.
  • Book Review by David Sheff in NY Times: A Harrowing Journey From Cornell to Addiction to Prison
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Monday Morning Wake-Up Call

“As much as I liked the fast pace of that hardboiled world, in the slow moments I wondered about the point of it all.”

“I learned quickly that there’s an intrinsically desolate feeling to being homeless. It was something I did not expect, and it cut far deeper than the simple, logistical difficulties and social stigmas of being dirty and unhoused. There’s something specific about not having a place where you are welcome or safe when the sun goes down. For an underage girl fresh on the street, safe was not really an option—but after a few days, I found welcome: the Family under the parking garage. The Family was a motley collection of a couple dozen young homeless goths and assorted street people dwelling beneath the first level of the curving parking garage across the street from the Alewife train station—the end of the line.”

I’ll have a year clean on the 20th and I won’t get a certificate for that, but it’s the only thing that I deserve one for. But then, I guess maybe nothing really important in life can be validated by a piece of paper.

“I was not tempted; drugs finally felt like a past life, an escape I did not miss. Unlike so many of my friends, I was not haunted by cravings or drug dreams, and I felt like I’d almost cheated my way out of addiction. Sometimes, I’m still not sure to what extent I got sober and to what extent I just found more socially acceptable obsessions like running and crosswording and writing.”

“When the end is near (in prison, time slows to a trickle. Not the way it does on the ice at Nationals, when adrenaline moves faster than the ticking clock. Not the way it does at the top of a gorge, when the world is frozen. And not the way it does in The Place, when the hours blend together and disappear. This is not reality fading away or closing in but simply refusing to move forward, with such stubbornness that it seems physically painful—like the struggle of a wild animal trapped in a tar pit and straining to break free. In prison terms, this is getting short. That’s the word for when your bid is almost over, and you are about to go home.”

Keri Blakinger, random excerpts from Corrections in Ink: A Memoir (St. Martin’s Press, June 7, 2022)


Notes:

Crisis? Go Watch the Rain for 10 minutes.

It rained one morning this week. I moved back to Texas last year, in part for the rainstorms. Here, it rains decisively, gloriously, like it really means it. It explodes, pounds, roars, thunders and then, suddenly, moves on. I stepped on my back porch, not wanting to miss the show.

I sat, silent, smelling that indescribable rain scent and stretching out my hands, palms open in supplication, the same position I use in church to receive communion. The physicality of the experience, the sensual joy of sounds, smells, touch and sight, was profoundly humanizing. In a very real way, I am made for that. I am made to notice the rain. I’m made to love it.

But digitization is changing our relationship with materiality — both the world of nature and of human relationships. We are trained through technology (and technology corporations) to spend more time on screens and less time noticing and interacting with this touchable, smellable, feelable world. Social media in particular trains us to notice that which is large, loud, urgent, trending and distant, and to therefore miss the small, quiet importance of our proximate and limited, embodied lives…

Both Richtel’s article and another article released the same week by The Times highlight the emerging trend of people having romantic relationships with fictional characters, rather than human beings. There is evidence that teenagers are consuming more pornography, even as fewer are having sex. In a piece for The Atlantic, Derek Thompson highlights the growing concern that screen habits are displacing beneficial experiences for kids, noting that compared with the early 2000s, teenagers are less likely to “go out with their friends, get their driver’s license or play youth sports.” They are also less likely to get enough sleep.

“Children today spend less time outdoors than any other generation,” the National Recreation and Park Association reports, “devoting only four to seven minutes to unstructured outdoor play per day while spending an average of seven and a half hours in front of electronic media.” I realized recently that I can identify more apps by sight than species of trees.

We are made to enjoy the physical presence of other human beings. We are made to enjoy rainstorms or sunshine or walks in the woods. We are made to enjoy touchable things. We cannot escape or overcome this need through technology. Our attempts to do so go against the grain of our deepest human needs and longings…

In the same way, I think we are finding that there is something essential and mysterious — dare I say, holy — about human beings interacting in person and with the natural world that simply cannot be replicated in virtual reality.

So what do we do? In his book “Strong and Weak: Embracing a Life of Love, Risk and True Flourishing,” Andy Crouch writes, “Perhaps the two best beginning moves, for those of us swaddled in affluence and intoxicated by our technology, are into the natural world — the world of stars, snow and rain, trees and deserts — and into the relational world — the world of real bodies and heartbeats, hands and faces.”

Just as people have worked to revive slow, unprocessed and traditional food, we need to fight for the tangible world, for enduring ways of interacting with others, for holism. We need to reconnect with material things: nature, soil, our bodies and other people in real life. This doesn’t necessarily have to be big and dramatic. We don’t have to hurl our computers into the sea en masse.

But we do have to intentionally resist the siren song of digitization, which by and large promises far more than it can deliver. We have to be cautious and wise about introducing devices into our lives that fundamentally change how humans have interacted since time immemorial. We have to plunge ourselves primarily into the natural world and embodied human relationships, with all the complexity, challenges, inconvenience and pain that entails.

Go watch the rain for 10 minutes. Go on a walk with a friend. Get off social media and meet one neighbor. Keep your kids offline. Put your hands in the dirt. Play an instrument instead of a video game. Turn off your smartphone and have dinner with people around a table. Search for beauty and goodness in the material world, and there, find joy. The way back to ourselves, as individuals and a society, runs through old, earthy things.

Tish Harrison Warren, from “We’re in a Loneliness Crisis: Another Reason to Get Off Our Phones” (NY Times, May 1, 2022). Warren is an Anglican priest reflects on matters of faith in private life and public discourse.


Photo: Ahmed Nishaath of Manipal Lake, Udpi, India via Unsplash.

Walking. And licking the wounds.

697 days, almost consecutive. Like in a row. This daybreak walk at Cove Island Park.

38° F, feels like 30° F, flashes Dark Sky app. Sorry, but that’s crap. Winds gusting up to 35 mph.

Just look at those clouds overhead in the photo. Even they’re huddled together trying to stay warm.

I’m standing in the exact same spot as my last post. That pure and clean moment. That soul lifting moment, lifting me, elevating me up and over my pesky, 1st world problems.

And here we are, a week later, and I’m feeling nothing. Nothing spiritual. Nothing soul lifting.

Jill Horton’s words are pumping into my earbuds on Audible from her title “We are All Perfectly Fine.” No, we’re not perfectly fine Jill. “What’s that like? It’s like bullshit…it’s like violence to my soul.

So the picture must be crystalizing for you this morning. We’re cold, we’re in a pissy mood, and not really sure why. Why not turn this bus around, suspend this walk, go back home, roll under the covers and sleep it off? Whatever the hell ‘this’ is. But I know that I excel at wallowing in it.

I keep walking.

I pull the hoody (‘hoody’ Dale, not ‘hoodie’, or some other French Canadian separatist derivation) over my head to cut some of this wind. And I pick up the pace to warm these bones.

I walk the breakwall, taking care to avoid the slime, to avoid a headlong tumble, to add to the morning woes.

I hear a scurrying in the stones.

I hit pause on Audible, yank my ear buds out and stop.

Continue reading “Walking. And licking the wounds.”