Thanksgiving Morning

Quiet has many moods. When our sons are home, their energy is palpable. Even when they’re upstairs sleeping I can sense them, can feel the house filling with their presence, expanding like a sail billowed with air. I love the dawn stillness of a house full of sleepers, love knowing that within these walls our entire family is contained and safe, reunited, our stable four-sided shape resurrected.

~ Katrina Kenison, Magical Journey: An Apprenticeship in Contentment 


Photo: DK, home, Thanksgiving Day, Nov 26, 2020. 55° & Rain.

Truth

Have you ever held a three year old by the hand on the way home from preschool?…

You’re never more important than you are then.

— Fredrik Backman, “Anxious People: A Novel” (Atria Books, September 8, 2020)


Eric Kanigan @ 4 years old. He used to clutch on to his Momma’s hand, tears welling up, before he released her on his way into pre-school. 26 years old now. Still clutching on to his Momma. 🙂

Lightly Child, Lightly

DSCF1450

For him, love of art is inseparable from love of the outdoors—not raw wilderness, but the landscape of a dirt road cutting through a barren landscape, abandoned boats lying on a shore, an orchard or (a theme he returns to several times in his work) a church in the woods. My father possesses a pure love of light, and trees, the curve of a hill, the angle of a barn roof—shadows and colors. Weekends, as early as I can remember—age five or six maybe—we head out to the horticulture farm of the university with our walking sticks. Now and then, my mother and sister come, but often it’s just the two of us under the experimental apple trees sketching a field of cows or a stretch of abandoned railroad tracks. Sometimes, walking along the path on our way, my father stops so suddenly it seems as though he’s been jolted by electrical current. He points his walking stick toward the sky. “Look at that, chum,” he says. “What?” “See how the light hits that branch?” he says. “Study that cloud formation.”

Joyce Maynard, At Home in the World: A Memoir 


Notes:

  • Photo: DK, 5:46 a.m., June 9, 2020, Weed Ave. Stamford, CT
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

 

Lightly child, lightly

I want to record these first sounds of our trip together, maybe because they feel like the last sounds of something. But at the same time I don’t, because I don’t want to interfere with my recording; I don’t want to turn this particular moment of our lives together into a document for a future archive. If I could only, simply, underline certain things with my mind, I would: this light coming in through the kitchen window, flooding the entire cottage in a golden warmth as I prepare the coffeemaker; this soft breeze blowing in through the open door and brushing past my legs as I turn on the stove; that sound of footsteps—feet little, bare, and warm—as the girl gets out of bed and approaches me from behind, announcing: Mama, I woke up!

~ Valeria Luiselli, Lost Children Archive: A Novel 


Notes

  • Photo: Common Muse (sunlight, shadow, light)
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Orange

I once watched my father peel an orange
without once removing the knife from the fruit.
He just turned and turned and turned it like a globe
being skinned. The orange peel becoming a curl,
the inside exposed and bleeding. How easily he separated
everything that protected the fruit and then passed the bowl
to my mother, dropping that skin to the floor
while the inside burst between her teeth.

~ Elizabeth Acevedo, “Things You Think While You’re Kneeling on Rice That Have Nothing to Do with Repentance” in The Poet X 


Photo: Orange Peel by Alicia D’Ors