Take a look at those sentences, thundering across the page

Novelists rarely retire in the formal sense, and tend not to stage news conferences when they do. Philip Roth…who died in Manhattan on Tuesday at age 85, took a different approach six years ago when he let it be known through the press that he had quit writing fiction — after more than 50 years of near-constant scribbling.

He had nothing more to say, he contended, and was happy to put the struggle of writing behind him. He envied the “gush of prose” he attributed to two of his rivals, John Updike and Saul Bellow, but lamented his own writing process as a grueling “fight for my fluency” that dragged on sentence to sentence, paragraph to paragraph, until the novel reached the finish line.

It seems doubtful that writing came easily for Mr. Updike or Mr. Bellow, and it could well be that the smoldering and hard-edge style he sought was simply more difficult to come by. Those Rothian sentences can be felt slamming across the page like tennis aces or marching forward in a phalanx, giving the reader no refuge from the argument the author is making…

Take a look at those sentences, thundering across the page, one after another, like an advancing line of earth movers.

~ Brent Staples, from “Philip Roth’s Earth-Moving Prose” (NY Times, May 23, 2018)


Photo of Philip Roth via Telegraph

Truth

Culture replaces authentic feeling with words. As an example of this, imagine an infant lying in its cradle and the window is open, and into the room comes something, marvelous, mysterious, glittering, shedding light of many colors, movement, sound, a transformative hierophany of integrated perception. The child is enthralled, and then the mother comes into the room and says to the child, “That’s a bird, baby, that’s a bird.” Instantly the complex wave of the angel, peacock, iridescent, transformative mystery is collapsed into the word. All mystery is gone, the child learns this is a bird, this is a bird, and by the time we’re five or six years old all the mystery of reality has been carefully tiled over with words. “This is a bird, this is a house, this is the sky,” and we seal ourselves in within a linguistic shell of disempowered perception.

~ Terence McKenna, Ordinary Language, Visible Language and Virtual Reality 


Notes: Quote via cobotis. Photo: Ahmed via Eyeem via Newthom.com

Saturday Morning

Morning was calm and early afternoon beautiful, with temps near sixty degrees. Then the wind rose out of the canyons and the trees on the mountaintop bowed to some unseen god in the east…The greatest gift of life on the mountain is time. Time to think or not think, read or not read, scribble or not scribble – to sleep and cook and walk in the woods, to sit and stare at the shapes of the hills. I produce nothing but words; I consume nothing but food, a little propane, a little firewood. By being utterly useless in the calculations of the culture at large I become useful, at last, to myself.

~ Philip Connors, from “Diary of a Fire Lookout” in Paris Review


Notes: Quote – Thank you Beth at Alive on All Channels. Photo: FOTO:MOG

Lightly child, lightly.

But words light up in the head
To take their deep place in the darkness,
Arcing quickly from image to image
Like mica catching the sun.

~ James Dickey, from “A Letter,” Falling, May Day Sermon, and Other Poems 


Notes:

  • Quote Source: Memory’s Landscape. Photo: Philippe conquet 
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

It all began with her

Bob Greene, excerpts from I Actually Thanked A TeacherNow 88, she gave me a refresher in the lesson I’d learned in first grade: how to read the word ‘look.’ (wsj.com, April 12, 2017):

…My first-grade teacher was named Patricia Ruoff…I still recall the day she helped me learn the first word I could ever read…and she showed me what the shape of the four letters on the first page meant, and what they sounded like. That one word: “Look.”

I went home so thrilled that day. I knew how to read a word. “Look.” When the day had begun I hadn’t known it, and now I did. Such a magical feeling, accompanied by the sure knowledge that other words would soon follow. […]

it became important to me to find that teacher. It took some doing—it turns out she has been twice widowed, and thus has had two different last names since back then—but I reached a woman on the telephone who I thought might be her.

“I’m sorry if I have the wrong number,” I said. “But I’m looking for a Patricia Ruoff, who once was a schoolteacher.”

“Yes,” the voice said. “You have the right person.”

“You taught me to read,” I said.

I told her my name.

“Oh, Bobby,” she said. […] Continue reading “It all began with her”