The glowing screens need a gargantuan diet

29. …The glowing screens need a gargantuan diet in order to distract mankind and destroy consciences….

43.  For some years now there has been a constant onslaught of images, lights, and colors that blind man. His interior dwelling is violated by the unhealthy, provocative images of pornography, bestial violence, and all sorts of worldly obscenities that assault purity of heart and infiltrate through the door of sight.

44. The faculty of sight, which ought to see and contemplate the essential things, is turned aside to what is artificial. Our eyes confuse day and night because our whole lives are immersed in a permanent light. In the cities that shine with a thousand lights, our eyes no longer find restful areas of darkness… To a large extent, humanity has lost an awareness of the seriousness of sin…

~ Cardinal Robert Sarah, excerpts from “The Power of Silence: Against the Dictatorship of Noise” (April, 2017).


Smartphone Gif Photo: Grizzly Street

we stare rapt into its bright light

The smartphone is an intimate device; we stare rapt into its bright light and stroke its smooth glass to coax out information and connect with others. It seems designed to help us achieve Westin’s functions of privacy*, to enable emotional release and moments of passive reflection. We cradle it in bed, at dinner, on the toilet. Its pop-up privacy policies are annoying speed bumps in the otherwise instantaneous conjuring of desires. It feels like a private experience, when really it is everything but. How often have you shielded the contents of your screen from a stranger on the subway, or the partner next to you in bed, only to offer up your secrets to the data firm tracking everything you do?

~ Amanda Hess, excerpt from “How Privacy Became a Commodity for the Rich and Powerful” (NY Times, May 9, 2017)


Notes:

Does just asking the question make you feel ill?

Try to pinpoint the last time you took a purposeless walk through the late spring breeze, when there was no itch in your hand to reach for a mobile device, and you felt like the wind and sky around you had nothing to disclose to you other than the vast and mysteriously sympathy of existence itself. Was it 2007? Or as far back as 1997? Does just asking the question make you feel ill?

~ Michael Brendan Dougherty, from I write on the internet. I’m sorry. (The Week, May 1, 2007)

 


Art: Eiko Ojala with “I found my silence“. The Estonian artist famous for his paperwork released a new personal project with no clue on what media is used in it. This could be a beautiful mix of paper, photography and illustrations but we are gracefully confused, but incline to paper. The only thing we know – it is beautiful (via DesignCollector)

Everyone knows this. Everyone knows what it looks like.

Everyone knows this. Everyone knows what it looks like. I can’t count how many pieces I’ve read about how alienated we’ve become, tethered to our devices, leery of real contact; how we are heading for a crisis of intimacy, as our ability to socialise withers and atrophies. But this is like looking through the wrong end of a telescope. We haven’t just become alienated because we’ve subcontracted so many elements of our social and emotional lives to machines. It’s no doubt a self-perpetuating cycle, but part of the impetus for inventing as well as buying these things is that contact is difficult, frightening, sometimes intolerably dangerous Your favourite part of having a smartphone is never having to call anyone again, the source of the gadget’s pernicious appeal is not that it will absolve its owner of the need for people but that it will provide connection to them –connection, furthermore, of a risk-free kind, in which the communicator need never be rejected, misunderstood or overwhelmed, asked to supply more attention, closeness or time than they are willing to offer up.

~ Olivia Laing, The Lonely City: Adventures in the Art of Being Alone


Photo: Luca Pietrobono with smartphone

No other warm-blooded creature lives this way. We alone keep working 24/7, under the false suns of our fluorescent lights.

Swiping (by Eszter Balogh) DESIGN STORY: | Tumblr | Twitter | Facebook | Google+ | [[MORE]]

38 percent of Americans describe themselves as “always” feeling rushed. No other warm-blooded creature lives this way: ignoring seasonal patterns, ignoring rest. We alone keep working 24/7, under the false suns of our fluorescent lights. It is as if we hope to rid ourselves of the natural world entirely: discarding not just our own circadian rhythms, but also the larger cycles of the moon and stars, the tides, the solar year. And yet, it is useful, surely, to have some grasp of what the experts call “chronobiology”—to recognize the ways in which our bodies are in fact entrained not to clocks or computers or our weekly schedules, but to the ancient, powerful rhythms of the larger universe. In the course of a day, our hearts will pound out a quiet drum of sixty to eighty beats per minute, speeding up as we race to catch a bus, slowing down when we take a nap. Our body temperatures will rise and fall by a degree or two, reaching peak efficiency late in the afternoon. Our cells will multiply and divide and replace themselves as necessary; hormones and enzymes will be produced. Women in their child-bearing years will move with greater or lesser ease through the different stages of their monthly cycles. Meanwhile, rain or shine, our attention will ebb and flow throughout the day: an hour and a half of concentrated attention, a short break; another hour and a half, another break.

~ Christian McEwen, World Enough & Time: On Creativity and Slowing Down.


Notes: