That one. The quiet healing road.

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I am torn between two ways to handle this doldrum that has been going on for weeks, really since January, when I did at least get down a few small poems. The first way is to give in, to enjoy the light on flowers— yesterday white daffodils and white iris in the dusk— to enjoy this beautiful place, rejoice in the animal presences (Bramble at last comes up here to my study and curls up on the daybed…), to live the slow quiet rhythm of a day as a kind of healing. The other way is to ask a great deal more of myself, to drive myself, and hope to break through into deeper, more valid places.

~ May Sarton, Tuesday, March 9th. The House by the Sea: A Journal


Notes:

  • Image via Mennyfox55
  • Related posts: May Sarton
  • Inspired by Robert Frost’s “The Road Not Taken” – […] I shall be telling this with a sigh / Somewhere ages and ages hence: Two roads diverged in a wood, and I – / I took the one less traveled by, / And that has made all the difference.

Time to pull in the boundaries and lift the drawbridge

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It’s a season when one gets spread out almost too thin in too many human directions, but come January first I am determined to batten myself down, tighten up, go inward. I feel the day must be marked by a change of rhythm, by some quiet act of self-determination and self-assertion. Everyone earns such a day after the outpourings of Christmas. We are overextended. Time to pull in the boundaries and lift the drawbridge.

~ May Sarton, The House by the Sea: A Journal


Notes:

I just don’t see the connection

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Once he heard the gunfire stop, Matthieu made his way back to the restaurant. “I saw a lot of women dead on the ground,” he said, his voice catching on the “f” of “femmes.” “It was mostly women that I saw.” He found one of his friends, a Brazilian studying in Paris, lying in the middle of the street. She had been seated across from him, and was shot in the chest. Matthieu sat on the ground and held her legs, feeling her shallow breathing. She would survive.

People were running through the streets in an eruption of panic, shouting as the police arrived and tried to establish order. The scene couldn’t be secured; Matthieu worried that the shooters might return. Next to him, a man without injuries held his girlfriend’s lifeless body in his arms. Then, without warning, he ran off. The woman was about twenty-five and very beautiful. Matthieu searched for words to describe her perfect, uncanny stillness. […]

Last week’s victims were normal people doing normal Parisian things: eating and drinking together, going out at night to hear a concert or watch a soccer game. After a few days, the rhythm of Parisian life returned, but a new fatalism hung in the air. People seemed resigned to the idea that more attacks would happen, maybe soon. […]

I remembered that when Matthieu and I first met we’d discussed our upbringings, and religion had come up. His family was Catholic, but I couldn’t remember if he was religious. “I’m more agnostic than Catholic, though I come from the Catholic culture,” he said. “In any case, this isn’t really a moment when I’m thinking about religion. When I think about religion, I always think about it in connection with what’s beautiful, what’s good. But never in connection with evil. I just don’t see the connection.”

~ Alexandra Schwartz, Letter from Paris: The Long Night. Terrorist attacks and a city changed.


Illustration: Arc De Triomphe by Christoph Niemann in The New Yorker

It’s been long day. Ta-Da — done.

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Source: poppins-me

Why?

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Not exactly sure.


Source: Bizarbazar