Hope is a muscle.

GQ: On Being sometimes seems like an outlier in today’s culture, in terms of its themes: patience, civility, mystery, asking questions rather than supplying answers. Why do you think it has resonated so deeply?

And simple ones.

Or something we can implement now.

Do you have hope that we’re going to get them back on the right track?

I think that hope is a muscle. The hope that I see to be transformative and modeled in very wise people who have shifted something in their world—civil rights leaders to [social justice activist] Bryan Stevenson to [labor activist] Ai-jen Poo—it’s not [idealistic]. I don’t use the word idealism. I don’t use the word optimism. It’s not wishful thinking. It’s not assuming that things will turn out all right. It’s an insistence, looking at the world straight on as it is and rejecting the idea that it has to be that way, and then throwing your light and your pragmatism as much as your spirit at [that]. What does it look like if you don’t accept it? That’s how I think of it…

One of the criticisms that gets lobbed at these conversations is that they’re too—and I know you just said you don’t like this word—idealistic, and perhaps not as important as conversations about politics or policy. You worked in Berlin in the 1980s and you saw geopolitics up close and personal, what it can do and the effect it can have on people’s lives. And yet you still came away to have these conversations. So you seem uniquely suited to respond to someone who’s skeptical, who says, why do these conversations matter?

We have a bias—which I also inherited, it’s in our education—to take what is dysfunctional and catastrophic and frightening and failing more seriously than what works well and what is quietly flourishing. The bias is a really powerful one. We’re learning about our bodies and brains—which is an incredible frontier. They’re so mobilized by threat or fear. There’s a level at which we’re so sophisticated, and then there’s this animal creature. We don’t investigate: what is generative? This is one of the motivations for me in starting the show. The question for me in the beginning is, how can we make goodness as riveting as evil and destruction? …

In science fiction, or even at the far edges of quantum physics, you hold this idea that there are parallel universes; that there are equal realities that may be wildly divergent. Because I have trained my eyes on this, I’m looking for it, I see it. There’s a phrase that came out of a study about the incredible health benefits from an intentional practice of gratitude: Take in the good. It’s not even about getting more optimistic. It’s just saying, I’m going to attend to that. I’m going to give that my attention. Maybe that’s the spiritual practice. That has become a discipline [for me]. What we practice becomes instinctive.

Krista Tippett, excerpts from “Hope is a Muscle”: Why Krista Tippett Wants You to Keep the Faith” in an interview with Clay Skipper. (GQ, July 21, 2022)

Are you religious?

Easter, Passover, spring break, holiday weekend. Let us unfurrow the brow and look at something elevated. It’s a small thing, a half-hour television interview from 60 years ago, but it struck me this week as a kind of master class in how to be a public figure and how to talk about what matters…

Is he religious? Here Hammerstein told a story. A year ago he was rushing to work and jaywalked. A policeman called out; Hammerstein braced for a dressing down. But the officer recognized him and poured out his appreciation for his work. Hammerstein thanked him and moved to leave, but the policeman had a question. “He said, ‘Are you religious?’ And I said, ‘Well, I don’t belong to any church,’ and then he patted me on the back and he said, ‘Ah, you’re religious all right.’ And I went on feeling as if I’d been caught, and feeling that I was religious. He had discovered from the words of my songs that I had faith—faith in mankind, faith that there was something more powerful than mankind behind it all, and faith that in the long run good triumphs over evil. If that’s religion, I’m religious, and it is my definition of religion.”

~ Peggy Noonan, excerpts from The Wisdom of Oscar Hammerstein II (wsj.com, March 29, 2018)

Monday Morning Wake-Up Call

Zofia Nalkowska writes in Medallions that we’re never given reality in its entirety, it reaches us only in “fragments of events,” and this alone permits us to bear periods of historical catastrophes. But isn’t it just the opposite? We manage to survive great misfortunes, times of terror, only because we receive an excess of reality. Of course, tyrants waste no time, but a bird is still singing somewhere, a tram bell rings, rain begins falling, a neighbor asks to borrow a pinch of sugar, I hear my heart beating, stars burn at night as they always do. Someone plays cards in the suburbs, a bottle of rotgut stands in the grass, green tomatoes ripen in the sun.


Notes:

  • Post Inspiration: A gunman walked into a small Baptist church in rural Texas on Sunday and opened fire, killing at least 25 people and turning a tiny town east of San Antonio into the scene of the country’s most recent mass horror. (NY Times, November 5, 2017)
  • Photo: Harvest to Table
  • Related Posts: Adam Zagajewski

I just don’t see the connection

Paris-the-newyorker-red-blood-terrorist

Once he heard the gunfire stop, Matthieu made his way back to the restaurant. “I saw a lot of women dead on the ground,” he said, his voice catching on the “f” of “femmes.” “It was mostly women that I saw.” He found one of his friends, a Brazilian studying in Paris, lying in the middle of the street. She had been seated across from him, and was shot in the chest. Matthieu sat on the ground and held her legs, feeling her shallow breathing. She would survive.

People were running through the streets in an eruption of panic, shouting as the police arrived and tried to establish order. The scene couldn’t be secured; Matthieu worried that the shooters might return. Next to him, a man without injuries held his girlfriend’s lifeless body in his arms. Then, without warning, he ran off. The woman was about twenty-five and very beautiful. Matthieu searched for words to describe her perfect, uncanny stillness. […]

Last week’s victims were normal people doing normal Parisian things: eating and drinking together, going out at night to hear a concert or watch a soccer game. After a few days, the rhythm of Parisian life returned, but a new fatalism hung in the air. People seemed resigned to the idea that more attacks would happen, maybe soon. […]

I remembered that when Matthieu and I first met we’d discussed our upbringings, and religion had come up. His family was Catholic, but I couldn’t remember if he was religious. “I’m more agnostic than Catholic, though I come from the Catholic culture,” he said. “In any case, this isn’t really a moment when I’m thinking about religion. When I think about religion, I always think about it in connection with what’s beautiful, what’s good. But never in connection with evil. I just don’t see the connection.”

~ Alexandra Schwartz, Letter from Paris: The Long NightTerrorist attacks and a city changed.


Illustration: Arc De Triomphe by Christoph Niemann in The New Yorker

Flying over I-95 S. With Germanwings Flight 9525.

plane-window-touch

Flight departure: 6:59am. From LGA to points South.
A restless night. I’m tossing. Turning. Weary.
Up before the alarm. I shower, shave, dress, zip up suitcase.
And, bolt out the door at 4:30 am.

Good Morning.
This is Captain Greg with First Officer John.
We’ve reached our cruising altitude at 38,000 feet

We’re expecting a smooth flight this morning.

The German newspaper Bild reports that 1.5 hours of audio was obtained from the black box and shows the plane reaching a cruising altitude of 38,000 at 10:27 am local time.

The morning sun beams through the window. The sky is marked with thin wispy clouds, but otherwise steely blue. Another spectacular day on Planet Earth.

The recordings picked up every detail of the co-pilot’s actions – suggesting that he was conscious and alert. “We could hear him breathing. He breathed normally.”¹

The stewardess doles out water and soft drinks. My noise canceling headphones are feeding in Jackson Browne. Sky Blue and Black. I’m in an aisle seat 14D. The aisle is clear. My line of sight to the cockpit door is clear. The door is reinforced with a four-inch steel plate. Gray, cool, steel.

The Germanwings Flight 9525 blackbox audio indicates the captain attempted to break down his flight’s cockpit door with an ax as the Airbus A320 accelerated into the French Alps.²

Continue reading “Flying over I-95 S. With Germanwings Flight 9525.”