Riding Metro North. Giving Up the Ghost.

Takashi-Kawashima-photography-block

Hump Day. Hump it was.

It’s the 9:06 pm train from Grand Central. A 15-hour day and it wasn’t over.

I sit with other weary commuters heading home. The train is silent.

I can’t get comfortable. I shift left, and then right and then lean against the window. I give up. I need to be horizontal, in my bed.

It’s Haunting. A Ghost. It’s Hilary Mantel’s Giving Up the Ghost:

The faintest movement, a ripple, a disturbance of the air. I can sense a spiral, a lazy buzzing swirl, like flies; but it is not flies. There is nothing to see. There is nothing to smell. There is nothing to hear. But it is motion, its insolent shift, makes my stomach heave. I can sense— at the periphery, the limit of all my senses— the dimensions of the creature. It is as high as a child of two. Its depth is a foot, fifteen inches. The air stirs around it, invisibly. I am cold, and rinsed by nausea. I cannot move. I am shaking. . . . This is the beginning of shame.

You are tired. You know that’s it.  Let it go Man. Continue reading “Riding Metro North. Giving Up the Ghost.”

Brown is creeping up on us, take my word for it

autumn-fall-photography

Autumnal – nothing to do with leaves. It is to do with a certain brownness at the edges of the day… Brown is creeping up on us, take my word for it… Russets and tangerine shades of old gold flushing the very outside edge of the senses… deep shining ochres, burnt umber and parchments of baked earth — reflecting on itself and through itself, filtering the light. At such times, perhaps, coincidentally, the leaves might fall, somewhere, by repute. Yesterday was blue, like smoke.

~ Tom Stoppard


Notes:

 

 

Lightly child, lightly

jo-cardin

I think 99 times and find nothing.
I stop thinking,
swim in the silence,
and the truth comes to me.

~ Albert Einstein


Notes:

  • Photography by jo cardin (comfort in chaos); Quote: a dream within a dream
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Kate Winslet: “I’m proud of those silences”

At home, on most days, she is up at 6 a.m., cooking breakfast and getting the kids ready for school—not the stereotypical image of a movie star. “Do you have to use that word?” she asks, wincing. “I’ve always been so uncomfortable with that. I just don’t feel like one, and I don’t live like one either—not the way I imagine a proper movie star living.” […]

I didn’t plan on its being that way,” Winslet says. “And f— me, it hasn’t been easy, you know.” Noting that the tabloids tried and failed to detail how and why her earlier marriages unraveled, she adds, “No one really knows what has happened in my life. No one really knows why my first marriage didn’t last; no one knows why my second didn’t. And I’m proud of those silences.” […]

She admits to a lot of self-criticism when she was younger, but “thank God all that s—’s evaporated,” she says. “We all focus on our bodies in our late teens and our early 20s, in a way that is just not cool or healthy. In your 30s, you become aware of staying fit. Now I view my physical self as an instrument that I have to keep going because I’m a mother, and I have to be as healthy as I can for those three people who need me—more than I need for myself to be in a f—ing nude scene.” […]

Recently, Winslet has found herself in a new phase of her career. “When you get older, you’ve got to become more interesting. That’s why you have to choose the right parts,” says Primorac, mentioning the resolution of today’s digital cameras, which magnify every physical flaw. “I’ve done lots of films where Kate is the amazingly sexy leading lady, but now she’s more interested in the parts where she can frown and she can have wrinkles in her forehead. Instead of worrying, ‘Am I going to look good next to Liam Hemsworth?’—which she still does, by the way—she’s more interested in a great role.” […]

I want to read a script and go, ‘Holy s—, how the hell would I ever play that role?’ And then find myself somehow playing it,” she says, laughing. “I want to always be doing this. I want to grow and I want to change and I want to freak myself out.” Part of that process will be turning 40 this month, a birthday Winslet is sanguine about. “I have not wasted a second,” she says with a smile. “Good God, have I made the most of those 40 years.”

~ Elisa Lipsky-Karasz, Interview with Kate Winslet


Read entire interview here: Director’s Darling: Kate Winslet Stars in the Highly Anticipated Film ‘Steve Jobs’

The secret is that we don’t. We don’t, and don’t, and don’t.

petals

There’s actually no such thing as an adult. That word is a placeholder. We never grow up. We’re not supposed to. We’re born and that’s it. We get bigger. We live through great storms. We get soaked to the bone. We realize we’re waterproof. We strive for calm. We discover what makes us feel good. We do those things over and over. We learn what doesn’t feel good. We avoid those things at all cost. Sometimes we come together: huge groups in agreement. Sometimes we clap and dance. Sometimes we look like a migration of birds. We need to remind ourselves—each other—that we’re mere breaths. But, and this is important, sometimes we can be magnificent, to one person, even for a short time, like the perfect touch—the first time you see the ocean from the middle. Like every time you see the low, full moon. We keep on eating: chewing, pretending we know what’s going on. The secret is that we don’t. We don’t, and don’t, and don’t. Each day we’re infants: plucking flower petals, full of wonder.

~ Micah Ling, from “Bon Iver: Holocene,” published in Hobart


Notes: Quote Source: My mind, it wanders. Photo: Maureen F. with (orange flower petals) picking up the light