Lightly Child, Lightly.


Notes:

  • Photo: Hans Hammarskiöld (via newthom)
  • Prior “Lightly child, lightly” Posts? Connect here.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

 

Sunday Morning

If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary’s cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight…
so they could walk out,
holding hands and squinting
into this larger dome of blue and white,
well, today is just that kind of day.

– Billy Collins, from “Today” in Poetry Magazine,  April 2000


Notes: Photo: Kittux with Canary. Quote: Thank you Whiskey River

Monday Morning Wake-Up Call


Photo: (via mennyfox55)

Monday Morning Wake-Up Call: Rise!

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Source: Slow Motion Dandelion bloom by octomoosyey (via Newthom)

It’s Beginning To Look A Lot Like…

LOANHEAD, SCOTLAND - NOVEMBER 18: Edite Galite from Latvia, holds up a Poinsettia plants ready to be dispatched for the Christmas season at the Pentland Plants garden centre on November 18,2016 in Loanhead, Scotland. The garden centre grows around 100,000 poinsettias, a traditional Christmas house plant. The Midlothian business supplies a host of garden centres and supermarkets across Scotland and the north of England in time for the festive season. (Photo by Jeff J Mitchell/Getty Images)


100,000 poinsettias are ready to be dispatched for the Christmas season in a Loanhead, Scotland garden center.  (November 18, 2016. Photo by Jeff J Mitchell/Getty Images)

Don’t other fantastic shots here: Prepping the Poinsettias for Christmas

A hundred thousand times a day. 10 pints a minute.

photography, RedF Nam Le Hoang Vietnam

The thing about Simon Limbres’s heart, this human heart, is that, since the moment of his birth, when its rhythm accelerated, as did the other hearts around it, in celebration of the event, the thing is, that this heart, which made him jump, vomit, grow, dance lightly like a feather or weigh heavy as a stone, which made him dizzy with exhilaration and made him melt with love, which filtered, recorded, archived — the black box of a twenty-year-old body — the thing is that nobody really knows it; only a moving image created by ultrasound could echo its sound and shape, could make visible the joy that dilates it and the sadness that tightens it; only the paper trace of an electrocardiogram, set in motion at the very beginning, could draw the shape, describe the exertion, the quickening emotion, the prodigious energy needed to contract almost a hundred thousand times a day, to pump nearly ten pints of blood every minute, yes, only that graph could tell a story, by outlining the life of ebbs and flows, of gates and valves, a life of beats — for, while Simon Limbres’s heart, this human heart, is too much even for the machines, no one could claim to really know it, and that night, that starless and bone-splittingly cold night on the estuary and in the Pays de Caux, as a lightless swell rolled all along the cliffs, as the continental shelf retreated, revealing its geological bands, there could be heard the regular rhythm of a resting organ, a muscle that was slowly recharging, a pulse of probably less than fifty beats per minute, and a cell-phone alarm went off at the foot of a narrow bed, the echo of a sonar signal translated into luminescent digits on the touchscreen — 05:50 — and suddenly everything raced out of control.

~ Maylis de Kerangal, The Heart: A Novel (Farrar, Straus and Giroux. 2016)


Photo: RedF by Nam Le Hoang, Vietnam

 

Everywhere the cliffrose is blooming, the flowers shivering in the wind

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“Mallow blooms in the Atacama region of Chile, 466 miles north of Santiago de Chile. Every five to seven years, the arid Atacama desert becomes a flower carpet. The amount of rain that came down in recent months has led to the most spectacular blossoming of the past 18 years.” (Maria Ruiz, European Press Photo Agency, October 25, 2015)


Post inspiration – “Everywhere the cliffrose is blooming, the yellow flowers shivering in the wind” by Edward Abbey in Desert Solitaire: A Season in the Wilderness.

The secret is that we don’t. We don’t, and don’t, and don’t.

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There’s actually no such thing as an adult. That word is a placeholder. We never grow up. We’re not supposed to. We’re born and that’s it. We get bigger. We live through great storms. We get soaked to the bone. We realize we’re waterproof. We strive for calm. We discover what makes us feel good. We do those things over and over. We learn what doesn’t feel good. We avoid those things at all cost. Sometimes we come together: huge groups in agreement. Sometimes we clap and dance. Sometimes we look like a migration of birds. We need to remind ourselves—each other—that we’re mere breaths. But, and this is important, sometimes we can be magnificent, to one person, even for a short time, like the perfect touch—the first time you see the ocean from the middle. Like every time you see the low, full moon. We keep on eating: chewing, pretending we know what’s going on. The secret is that we don’t. We don’t, and don’t, and don’t. Each day we’re infants: plucking flower petals, full of wonder.

~ Micah Ling, from “Bon Iver: Holocene,” published in Hobart


Notes: Quote Source: My mind, it wanders. Photo: Maureen F. with (orange flower petals) picking up the light

Be silent. Listen. Let it overflow.

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Notes:

With each step, the wind blows

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The mind can go in a thousand directions,
but on this beautiful path, I walk in peace.
With each step, the wind blows.
With each step, a flower blooms.

~ Thich Nhat Hanh


Credits: Photography Source – Colombadoro. Poem Source – Thank you Make Believe Boutique

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