Sunday Morning

You live a decent length you get an appreciation for the individuality of creation. You understand there’s no such thing as the common man, and certainly not woman. But even then, in those first moments beside him on the windowsill, I think I knew there was something arresting about him. Everybody carries a world. But certain people change the air about them. That’s the best I can say. It can’t be explained, only felt. He was easy in himself. Maybe that was the first thing. He didn’t feel the need to fill the quiet and had the confidence of the storyteller when the story is still unpacked, its snaps not yet released. His hair had not been barbered in some time, his beard rose into his cheeks and descended inside the collar of his shirt, around the top-button of which was grey with finger-grease. The flesh of his face had the same travelled quality as his clothes and belongings, as if cured by hot suns and cold winds. He was deep-wrinkled, like a chamois. His life was written all over him. His eyes I’ve mentioned. I can see them still. It seems to me the true and individual nature of a human being’s eyes defy description, or at least my capabilities. They’re not like anything else, or anyone else’s, and may be the most perfect proof of the existence of a Creator. Maybe that old thing about eyes and the soul is true, I can’t say, but I did wonder the first time I saw him what gave a person eyes like that.

~ Niall Williams, “This Is Happiness” (Bloomsbury Publishing; December 3, 2019)


Notes: Photograph: Amanda Dalbjörn with eyes

Riding Metro North. No Wings.

Tuesday.

Low 30’s F.

Walking to catch the 6:16 a.m. train to Manhattan, irritated that I have a late jump, and finding a seat is now a 50% probability. $15.25 for a ticket, and I have to worry about getting a seat.

I’m 1000 ft away from the stairs to the platform, and the cyclops eye beams through the morning fog illuminating the track.  This is followed by a short horn blast signaling its arrival at the station.

It’s 3 minutes early.

I run.

I catch the train.

NO SEAT.

I stand for 55 minutes.

I’ve started a new book by Niall Williams titled “This is Happiness.” And this ain’t bloody Happiness. Continue reading “Riding Metro North. No Wings.”

Saturday Morning

And for moments, nothing more.

Some people understand the privilege of stillness and can sit and breathe and look and hear and smell the world turning and let what’s next wait the while.

~ Niall Williams, “This Is Happiness” (Bloomsbury Publishing; December 3, 2019)

 


Photo: Levas Žiriakovas with Spring Sun

Sunday Morning

The longer my father lived in this world the more he knew there was another to come. It was not that he thought this world beyond saving, although in darkness I suppose there was some of that, but rather that he imagined there must be a finer one where God corrected His mistakes and men and women lived in the second draft of Creation and did not know despair. My father bore a burden of impossible ambition. He wanted all things to be better than they were, beginning with himself and ending with this world. Maybe this was because he was a poet. Maybe all poets are doomed to disappointment. Maybe it comes from too much dazzlement. I don’t know yet. I don’t know if time tarnishes or polishes a human soul or if it’s true that it’s better to look down than up.

~ Niall Williams, History of the Rain.


Notes:

  • Photo by Indonesian Photographer Sukron Ma’mun.
  • Another inspiring quote from same book: “The River Shannon passes below our house on its journey to the sea. Come here, Ruthie, feel the pulse of the water, my father said, kneeling on the bank and dipping his hand, palm to current, then reaching up to take my hand in his. He put your arm into the cold river and at once it was pulled seaward like an oar. I was seven years old. I had a blue dress for summertime. Here, Ruthie, feel.”