You live a decent length you get an appreciation for the individuality of creation. You understand there’s no such thing as the common man, and certainly not woman. But even then, in those first moments beside him on the windowsill, I think I knew there was something arresting about him. Everybody carries a world. But certain people change the air about them. That’s the best I can say. It can’t be explained, only felt. He was easy in himself. Maybe that was the first thing. He didn’t feel the need to fill the quiet and had the confidence of the storyteller when the story is still unpacked, its snaps not yet released. His hair had not been barbered in some time, his beard rose into his cheeks and descended inside the collar of his shirt, around the top-button of which was grey with finger-grease. The flesh of his face had the same travelled quality as his clothes and belongings, as if cured by hot suns and cold winds. He was deep-wrinkled, like a chamois. His life was written all over him. His eyes I’ve mentioned. I can see them still. It seems to me the true and individual nature of a human being’s eyes defy description, or at least my capabilities. They’re not like anything else, or anyone else’s, and may be the most perfect proof of the existence of a Creator. Maybe that old thing about eyes and the soul is true, I can’t say, but I did wonder the first time I saw him what gave a person eyes like that.
~ Niall Williams, “This Is Happiness” (Bloomsbury Publishing; December 3, 2019)
Notes: Photograph: Amanda Dalbjörn with eyes