Sunday Morning

You live a decent length you get an appreciation for the individuality of creation. You understand there’s no such thing as the common man, and certainly not woman. But even then, in those first moments beside him on the windowsill, I think I knew there was something arresting about him. Everybody carries a world. But certain people change the air about them. That’s the best I can say. It can’t be explained, only felt. He was easy in himself. Maybe that was the first thing. He didn’t feel the need to fill the quiet and had the confidence of the storyteller when the story is still unpacked, its snaps not yet released. His hair had not been barbered in some time, his beard rose into his cheeks and descended inside the collar of his shirt, around the top-button of which was grey with finger-grease. The flesh of his face had the same travelled quality as his clothes and belongings, as if cured by hot suns and cold winds. He was deep-wrinkled, like a chamois. His life was written all over him. His eyes I’ve mentioned. I can see them still. It seems to me the true and individual nature of a human being’s eyes defy description, or at least my capabilities. They’re not like anything else, or anyone else’s, and may be the most perfect proof of the existence of a Creator. Maybe that old thing about eyes and the soul is true, I can’t say, but I did wonder the first time I saw him what gave a person eyes like that.

~ Niall Williams, “This Is Happiness” (Bloomsbury Publishing; December 3, 2019)


Notes: Photograph: Amanda Dalbjörn with eyes

Sunday Morning

 

Thank you, Creator, that you created pigs and elephants with long snouts, that you shredded leaves and hearts, that you gave beets their sweetness. Thank you for nightingales and bedbugs. That girls have breasts, that fish breathe air, that we have lightning and cherries. That you commanded us to multiply in most eccentric ways, that you gave thought to stones, seas, and people.

~ Anna Kamienska, from A Nest of Quiet: A Notebook


Photo: © Patrick Gonzalès )via Newthom)

The whole show has been on fire from the word go

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“We bump against another mystery: the inrush of power and light, the canary that sings on the skull. Unless all ages and races of men have been deluded by the same mass hypnotist (who?), there seems to be such a thing as beauty, a grace wholly gratuitous. About five years ago I saw a mockingbird make a straight vertical descent from the roof gutter of a four-story building. It was an act as careless and spontaneous as the curl of a stem or the kindling of a star. The mockingbird took a single step into the air and dropped. His wings were still folded against his sides as though he were singing from a limb and not falling, accelerating thirty-two feet per second per second, through empty air. Just a breath before he would have been dashed to the ground, he unfurled his wings with exact, deliberate care, revealing the broad bars of white, spread his elegant, white-banded tail, and so floated onto the grass. I had just rounded a corner when his insouciant step caught my eye; there was no one else in sight. The fact of his free fall was like the old philosophical conundrum about the tree that falls in the forest. The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there…

We don’t know what’s going on here. If these tremendous events are random combinations of matter run amok, the yield of millions of monkeys at millions of typewriters, then what is it in us, hammered out of those same typewriters, that they ignite? We don’t know. Our life is a faint tracing on the surface of mystery, like the idle, curved tunnels of leaf miners on the face of a leaf. [Read more…]

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