Sunday Morning

In a May 1952 paper for her religion class, “Religion as I See It,” Plath laid out her “basic tenets”: man was “born without purpose in a neutral universe,” without inherent morals, and was responsible for his own destiny. There was no afterlife. “His mind may live on, as it were, in books, his flesh may continue in his children. That is all.” God was not to blame for man’s evils or triumphs. Plath claimed that she could “never find my faith through the avenue of manmade institutions,” and called herself an “agnostic humanist.” She happily admitted she was a pantheist at heart: “For my security, I resort not to the church, but to the earth. The impersonal world of sun, rocks, sea and sky gives me a strange courage.” For her, the vital world was earthly and present.

— Heather Clark, Red Comet: The Short Life and Blazing Art of Sylvia Plath (Knopf; October 27, 2020)


Notes:

  • Plath was 19 years old in May 1952.
  • Photographs: DK @ Daybreak. Jan 10, 2021. 6:43 to 7:20 am. 28° F, feels like 18° F. Cove Island Park, Stamford CT. More photos from this morning here.

Sunday Morning

The Sun’s rays shimmered through the needles of the tall pine tree overhead, and the grass glistened with dew as Joshua walked through the meadow, deep in thought. Sunday morning was quiet in Auburn. No noisy traffic broke the peaceful silence of the Sabbath rest. Sunday should be that way everywhere so people could give their wearied souls a rest from the nerve-shattering noise of their workdays. The quiet of nature is God’s tranquilizer.

— Joseph F. Girzone, from “Joshua: A Parable for Today” (Macmillan Publishing Company, 1983)


Notes:

  • Joshua, a Parable for Today” was a gift to me from our virtual blogging friend Ray Visotski. Ray’s Blog can be found at Mitigating Chaos. Ray, I’m grateful for the gift (which will stay with me) and for the friendship. (BTW, to tie into this quote, I looked for a pine tree and could not find one, and the grass was glistening but not with dew but with ice – and the meadow will have to be replaced with Long Island Sound and the Atlantic – – but the tranquilizer was all there.)
  • Photo: DK, Cove Island Park this morning @ 7:28 a.m.

Sunday Morning

I didn’t know if there was anything like a God. I didn’t care. But it was mostly clear to me we were not just castaways in some tohubohu bearing an ensign of meaning only for those desperate enough to concoct one: I felt mostly certain more was going on than met the eye—despite not having a real clue just what that “more” might entail. My assuredness on these matters owed less to faith than it did to experience, for I’d been hearing echoes of the uncanny since early childhood.

— Ayad Akhtar, Homeland Elegies: A Novel (Little, Brown and Company, September 15, 2020)


Photo: DK, Daybreak. December 20, 2020. 6:23 am. 28° F. Cove Island Park, Stamford CT

Sunday Morning

[She] says Remember, you’re writing these poems for god.
I’m about to ask her what type of poems god likes
when the wind picks up, sending a flood of small, round leaves down the street. Got it, I say.

—  Chessy Normile, from “There Was a Forest of Pines I Loved for Years,” The American Poetry Review (vo. 49, no. 6, November/December 2020)

 


Notes: Poem Source – Memory’s Landscape. Photo: DK, Cove Island Park, Nov 12, 2020, 6:45 a.m.

Walking. With M-G.

Head Cold. Nasal drip. Nagging cough. Light nausea. Friday the 13th. Feels about right.

6:10 am. Cove Island Park. 192 days. Consecutive, and getting long in the tooth.

45° F. Wind gusts up to 25 mph. Drizzle. Wet. Cold.

Cloud cover: 100%. Like a million %.

M-G: You’re dragging.

DK: It’s that obvious?

M-G: Snarky too.

M-G: COVID?

DK: Can’t be.

M-G: How’s that?

DK: Hood Brand Ice Cream Sandwiches.

M-G: Ice Cream Sandwiches? [Read more…]

Sunday Morning

The natural world is not, to me, a fabric of stuff that gleams with revelation of a singular creator god. Those moments in nature that provoke in me a sense of the divine are those in which my attention has unaccountably snagged on something small and transitory – the pattern of hailstones by my feet upon dark earth; a certain cast of light across a hillside through a break in the clouds; the face of a long-eared owl peering out at me from a hawthorn bush – things whose fugitive instances give me an overwhelming sense of how unlikely it is that in the days of my brief life I should be in the right place at the right time and possess sufficient quality of attention to see them at all. When they occur, and they do not occur often, these moments open up a giddying glimpse into the inhuman systems of the world that operate on scales too small and too large and too complex for us to apprehend.

—  Helen Macdonald, Vesper Flights (Grove Press, August 25, 2020)


Photo: Mand. “We had hail one day and I noticed that one hail stone managed to get trapped on a single web strand.”

Sunday Morning

I don’t believe in religion, but the aesthetics of Catholicism have stuck with me. I love the way church incense coats my hair and skin. It is a safe smell, like a blanket, waiting for me to curl up in it. I love stained-glass windows and religious portraits, the colours of Mary’s clothes and the bright red drops of blood on Jesus’s face. I like the Stations of the Cross. I like pausing to run my finger along an emaciated rib and wrinkle my nose at the thought of the vinegar being offered on a sponge. I like prayer cards and medallions and rosary beads. I like advent candles and Bibles edged in gold and the way the skirt over the tabernacle matches the colour of the priest’s robes. There is so much attention to detail.

I envy the faithful. There are shrines dotted around the hillsides here in Ireland, places where saints have supposedly appeared and healed the sick. There are wells of holy water and statues in the rocks, huts filled with prayer cards and gardens filled with painted stones in memory of loved ones who have passed away. I like to visit them occasionally. I sit in the stillness and observe people crying and praying and I close my eyes and try to let some of their hope get carried on the air and through my pores. I would like to believe that everything is accounted for, that there is life after this one, and that all of our decisions hold some kind of significance or moral worth. There is weight in religion. It is an anchor of sorts.

I cannot believe in the vengeful patriarch of the Catholic Church but sometimes, in the daytime, when there’s no one around, I go into the church and light a candle. I like sitting in the quiet and sensing my own insubstantiality against such old and serious things. I am learning that there is a good kind of smallness; a smallness in the face of the universe rather than a smallness in my own body. I like the ritual of prayer and reverence, even though I can’t identify with it. I like the feeling that other people believe in something.

~ Jessica Andrews, Saltwater: A Novel (Farrar, Straus and Giroux, January 14, 2020)


Photo Credit

Walking. With Airborne Droplets.

2:30 am. I flick open Sleep app. 4 h 25 m.  Hmmmm. Dale-like. How does she do it? Lori’s magnesium? Something. Something.

Morning papers. COVID-19. Masks. No masks. Airborne Droplets. Transmission. Virus is a hoax? Monty Python and the Holy Grail: “Bring out your dead!

4:50 am.  I pack my sling…phone, camera, earbuds, water…and I’m out the door. This unknown life force pulls me forward.

57° F.  Special Alert: Dense Fog. Exactly how my head feels. Dense fog.

I walk.

Dark.

Walking under street lamps to Cove Island Park.

Infinitesimal droplets fall on my face. Airborne droplets.

I roll up my sleeves, first right, and then left.  Droplets land on the inside of my forearms, and they tingle.

“Hey you, Agnostic!”

“You talking to me?”

“See anyone else?”

“Can you feel that?

“I’m feeling Something. Something.”

Droplets stop. Infinitesimal, ephemeral, and gone.

Gull cries overhead.

They trigger David Gray’s tune “Gulls.” I search and play it on a loop:

This land belongs to the gulls
And the gulls to their cry
And their cry to the wind
And the wind belongs to no one…
Toward the sea that god sewn
Toward the sea that god sewn

And I walk, looking out over Long Island Sound, fog beginning to lift.

Feelin’ something…


Notes: Photo mine. Weed Avenue, Stamford, CT. This morning.

Sunday Morning

The day after the waxwings appeared at my birdbath, I found one of them, its flock long gone, panting on the driveway below a corner of the house where two windows meet and form a mirage of trees and distances. When I stooped to look at the bird, it lay there quietly. Though I could see no sign of injury, I knew it must be grievously hurt to sit so still as I gently cupped my hands around it to move it to a safer place in the yard. It made a listless effort to peck at my thumb, but it didn’t struggle at all when my fingers closed around its wings, and I didn’t know what to do. So much beauty is not meant to be held in human hands.

~ Margaret Renkl, from “Masked” in Late Migrations: A Natural History of Love and Loss 


Photo: Livescience.com

Sunday Morning

One of the earliest texts on the eye—its structure, its diseases, its treatments—Ten Treatises on Ophthalmology, was written in the ninth century by the Arab physician Hunayn ibn Ishaq. The individual components of the eye, he wrote, all have their own nature and they are arranged so that they are in cosmological harmony, reflecting, in turn, the mind of God.

~ Colum McCann, Apeirogon: A Novel (Random House, February 25, 2020)


Photo: A Photographer’s Eye, Nicholas Nixon

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