There is nothing, and there is not one bloody thing.

mary-louise-parker-aberash-daughter

In September, 2007, Mary-Louise Parker adopted a child from an orphanage in Ethiopia.  The child’s Uncle walked a distance that Parker stated she would complain if she had to travel to in a car. The journey was made with his children, three of which were under 10. The baby was carried on his hip. This excerpt is from a letter written by Parker (“Dear Uncle“) as a tribute to him.  In their first meeting, he said: “I hope that she will be taken care of, go to school and perhaps one day be something, a doctor.”


There are so many reductive adjectives used to describe those materially less fortunate, words the privileged use to anoint them. Words like proud, or graceful…It never rings true. Having seen what I saw when you brought me to the hut where my daughter was born, and introduced me to the people in your village, I felt like I was hovering over every judgment of my reality and yours, unable to land. None of the families I met were intact, everyone had lost children, parents, or a spouse. There was not enough of anything for anyone. The only bounty was in categories of suffering or possible ways to die. I didn’t feel them looking at me with distance, they all smiled and shook my hand.

I hid my embarrassment at how stupid I felt when I entered your hut and was alarmed by the darkness that swallowed me despite it being late morning. Of course I knew there was no electricity, no light would be there except for what might creep in through that ceiling of straw. I knew it, but I couldn’t fathom it until I stood inside with you and stared at an actual nothingness and my eyes adjusted to near black. There is nothing, and there is not one bloody thing. As you pointed at different parts of the hut that were designated for the cows to sleep, or the spot where your family of twelve eats when there is food, or where you slept, I saw spots with absolutely nothing in them. There was an absence of comment on your situation that made you seem twenty feet tall. It’s something I could never know if I hadn’t stood there, with you showing me what life is like on another planet where there is no complaining, or showing disappointment. Continue reading “There is nothing, and there is not one bloody thing.”

Feel as if the top of my head were taken off

In 1870, Emily Dickinson was said to describe poetry this way:

 “If I read a book and it makes my whole body so cold no fire can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only way I know it. Is there any other way?”

 And, then you read a book, that does exactly that.

Continue reading “Feel as if the top of my head were taken off”

Dear Daddy

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Going up Sixth Avenue in a taxi, your grandson said, “Mommy, aren’t there so many amazing things in the world? Aren’t we so lucky to be alive?” That’s you in him, Daddy. He’s so like you, full of extremes and heavy on the dream space. Both kids put their fists up for each other and I know that would make you happy.

[…]

My children may never see me hunched over a checkbook and sense my mounting panic, or come home late and find me in the street armed with a shovel as I take the driver of a car by the neck when liquor is smelled on him. They will watch me make much of their victories and hold a grudge until my last breath if someone treats them cruelly. This is your family I am running here. I can’t take credit for more than remembering to point to you when I do something right and for continuing to put one foot in front of the other when I lose heart. We all miss you something fierce, those of us who wouldn’t exist had you not kept walking when an ordinary person would have fallen to his knees. To convey in any existing language how I miss you isn’t possible. It would be like blue trying to describe the ocean.

[…]

Most of all to you, Daddy. That’s you in me, the far-off gaze. The poems are you, as are the good deeds and the jars of candy I hide everywhere. You are what makes me indomitable and how I know to keep walking when I feel crippled in every conceivable way.

~ Mary-Louise Parker, ‘Dear Daddy’ from Dear Mr. You


I bought this book yesterday and I’m finding it hard to put down.

“A wonderfully unconventional literary debut from the award-winning actress Mary-Louise Parker. An extraordinary literary work, Dear Mr. You renders the singular arc of a woman’s life through letters Mary-Louise Parker composes to the men, real and hypothetical, who have informed the person she is today.”


See NY Times Book Review: In ‘Dear Mr. You,’ Mary-Louise Parker Writes to Men, With Lust and Rue.  “That Ms. Parker’s book is so seriously good seems like overkill. But it is…”

I wonder what she prays for, and if you hear her.

feet-souls

[…]

When I got to the waiting room I saw your mother perched there with her incurable stare. She was in that place where the high probability of failure intersects with a two percent chance of success. Hope at its most corrosive. […]

How is your boy

She didn’t move or look at me, but there was graciousness in her tone when she said

He’s just not so good

When I returned the next day I peeked in to see my dad and then I darted over to look for those feet of yours. When I didn’t see them I stopped a nurse and said, the boy, the tall one, where is he? It was a nurse I didn’t recognize and she clearly didn’t know that you were supposed to be a big basketball star and live to be eighty, she clearly knew none of that because she did not look up and said flatly that they had taken your body away.

That day was over twenty years ago. I’ve been witness to great tragedy since but I’ve never forgotten you. I created different details to your narrative to go along with what I knew and it never seems like what I assume is inaccurate. I feel like by having some understanding of your latitude I can deduce your center, like quantum gravity, which I can comprehend about as much as I can a mother burying her son, but if certain scientists are correct and it becomes possible to bend time, then I’ll be able to ask you if any of my assumptions were correct. I don’t need answers until then, unless the idea of God becomes willing to explain itself, in which case I am up for that Q& A. Where your story intersects mine is at my refusal to accept things too sad for me to process; my reimagining endings that haunt me. It’s hard to reconcile that God is either entirely too secretive or has a totally deficient ability to prioritize. I hear people say, “It happened for a reason,” or “It’s part of God’s plan,” and I wish that made sense to me but it doesn’t. I carry you around still and who knows why. Perhaps there are no answers for us poor humans, but we know a handful of things. We know there exists a planet with four thousand versions of songbirds. Because that is possible and because on that same planet can exist sentient beings made up almost entirely of stardust, and because bonafide poetry erupts mightily from some of those beings, and there is music, sex, and babies that laugh in their sleep; because we are roaming a universe that may be a hologram, with another dimension consecutively projecting itself outside this construct of relativity and gravity; because of all that, there is no reason why my prayers shouldn’t be able to reach your mother whose name I didn’t even know. There is no reason why not, when nothing is completely harmonious with its description, not really, and there is a flaw in every theory of time and space.

From time to time I picture it. I see her watching while you go flying down that court. I see her shoulders moving almost imperceptibly to mimic your bobs and weaves around the other players. She is going where you go without thinking about it, tied to you, following and winning when you win, until you turn to wave and that puts her on her feet and beaming. I do know that if your mother is alive today she is thinking of you right this minute. I wonder what she prays for, and if you hear her.

~ Mary-Louise Parker, “Dear Mr. Big Feet” from Dear You 


Photo: derrosenkavalier titled Feet part ten