Few lines and blocks of color carry an explosive and mystical power

georgia-o-keefe-red-canna

It is interesting to observe that what (Georgia) O’Keeffe wanted to achieve was achieved from the start, and has hardly changed— the reducing of a landscape, a flower, or whatever to essence, the isolation of a powerful image which she then enlarges. Sometimes the effect is merely pictorial, and becomes banal and even sentimental (the famous skull with roses), but at her best a very few lines and blocks of color carry an explosive and mystical power. These are paintings that expand the mind, and I imagine living with one very happily.

~ May Sarton, Journal of a Solitude


Source: The Red List: Georgia O’Keeffe, Red Canna, 1924

 

Sunday Morning. Only one possible prayer.

woman-red-dress-painting-art

There is really only one possible prayer:
Give me to do everything that I do in the day
with a sense of the sacredness of life.
[…]
Tomorrow the world crashes in again.

~ May Sarton, Journal of a Solitude: The Journal of May Sarton


Painting: Taras Loboda, Lady in Red 1961 (via Mennyfox55)

 

It’s been a long day

maryna-ignatieva-on-the-verge
Month by month
things are losing their hardness;
even my body now lets the light through;
my spine is soft like wax near the flame of the candle.
I dream; I dream.

~ Virginia Woolf, The Waves


Notes:

It’s been a long day

water-blue-art-painting-self-portrait

The odd little magpie of the mind.
Nothing is finally finished, then?
The past emerges and re-emerges.
It builds its random nest in the oddest places.

~ Colum McCann, Thirteen Ways of Looking


Notes:

Francoise Nielly

neilly1

My Modern Met, Vibrant Palette Knife Portraits Radiate Raw EmotionsWith bold strokes and vibrant colors, each of Francoise Nielly’s paintings exude raw emotion. Dabbling in a variety of mediums before settling into painting, Nielly has developed a trademark palette knife technique and with each aggressive stroke of oil paint on canvas, the artist sculpts these explosive images. The knife work allows her a full range of movement and the resulting portraits are expressive and unique, distinct faces emerging from the same paints.”

Francoise Nielly: “It’s known that the childhood is one of the most important periods of an artist’s life. When you close your eyes and think about those years, what colors and what kind of memories do you see? …I also nice times, like summer in Cavalaire where we lived on the Mediteranéan side, building huts and cabins and hunting butterflies. I have vivid images of colors, of brightness. Yellow, sunshine, blue, heat, cicadas, pin smell, light… all of that classical imagery of South France is very alive as an experience inside of me. Maybe it is what led me to the use of fluorescent colors in my paintings.

See more art by Francoise Nielly at Francoise-nielly.com and at My Modern Met.


Source: My Modern Met