a happy time when you can escape this world, you know, and lose yourself in food

DAVIES: (Laughter) OK. We’re speaking with Anthony Bourdain. He has a new cookbook called “Appetites.” This is an interesting cookbook to look at and to read. You write in it there’s nothing remotely innovative in the recipes. You’re lifting them from imperfect memories of childhood favorites. Why this kind of book?

BOURDAIN: Well, I wanted it to be useful, approachable, reflective of the life I’ve lived over the past eight or nine years as a father, as opposed to a professional trying to dazzle with, you know, pretty pictures and food that’s different than everybody else’s. No, I wanted to make a beautiful cookbook, creative-looking one spoken in honest, straightforward, casual terms that gives the reader reasonable expectations, that encourages them to organize themselves in the way that I’ve found to be useful as a professional.

But as far as the recipes, you know, when I cook at home, it’s with a 9-year-old girl in mind. I mean, she’s who I need to please. And if she’s not happy, I’m not happy. The whole house revolves around her and her friends, so it’s reflective of that. It’s also reflective of, I think, age and all those years in the restaurant business.

Most chefs I know after work do not want to go out to dinner and be forced to think about what they’re eating in a critical or analytical way. They want to experience food as they did as children, in an emotional way, the pure pleasure of that bowl of spicy noodles or even a – you know, a bowl of soup that their mom gave them on a rainy day when they’d been bullied in school. I mean, that’s a happy time when you can escape this world, you know, and lose yourself in food. So these are recipes that hopefully – where I try to evoke those kinds of feelings and emotions.

~ Anthony Bourdain, from an interview in 2016 titled  On ‘Appetites,’ Washing Dishes And The Food He Still Won’t Eat (NPR.org, “Fresh Air“, October 20, 2017)

Bourdain’s cookbook can be found here: Appetites: A Cookbook


Notes:

Miracle. All of it.

I sat down next to her. The midwife pulled up Linda’s sweater and bared her belly, then put some transparent jelly on it, moved the little probe over the skin, and on the screen across the room your body emerged, surrounded by dark liquids and close walls. The image, with all its grainy zones and shadowy, almost dreamlike movements, looked as though it was being transmitted from a place far, far away, in outer space or down in the depths of the ocean, and it was impossible to connect the image with either the humdrum room we were sitting in or with Linda’s faintly bulging stomach, even though I knew that that was where it came from. In a sense the feeling I had of enormous distance was accurate, for the prenatal state, the body growing inside a hollow filled with liquids within the mother’s body, and there apparently repeating every developmental stage that the human being has undergone, is connected to the primordial, and is separated from us by an abyss, not in space but in time. And yet modern technology is what makes this image possible. And then the being we were watching was you. It was you moving your limbs so slowly, not a lizard or a turtle. We saw your heart, it was beating fast the way it was supposed to and had all the chambers it should have. We saw your face, the little nose, and we saw the brain, small but complete. We saw the spine, the hands, the fingers, the shin bone, the thigh bone. You lay with your legs pulled up to your chest, and you kept moving one of your hands, which seemed to float off on its own, opening, closing. They told us that in all probability you are a girl.

So you are Anne.

~ Karl Ove Knausgaard, from “Letter to an Unborn Daughter” in “Autumn


Notes:

Miracle. All of it.

28 August. Now, as I write this, you know nothing about anything, about what awaits you, the kind of world you will be born into. And I know nothing about you. I have seen an ultrasound image and have laid my hand on the belly in which you are lying, that is all. Six months remain until you will be born, and anything at all can happen during that time, but I believe that life is strong and indomitable, I think you will be fine, and that you will be born sound and healthy and strong. See the light of day, the expression goes. It was night outside when your eldest sister, Vanja, was born, the darkness filled with swirling snow. Just before she came out, one of the midwives tugged at me, You catch, she said, and so I did, a tiny child slipped out into my hands, slippery as a seal. I was so happy I cried. When Heidi was born one and a half years later, it was autumn and overcast, cold and damp as October can be, she came out during the morning, labour was rapid, and when her head had emerged but not yet the rest of her body, she made a little sound with her lips, it was such a joyous moment. John, as your big brother is called, came out in a cascade of water and blood, the room had no windows, it felt like we were inside a bunker, and when I went out afterwards to call his two grandparents, I was surprised to see the light outside, and that life flowed on as if nothing in particular had happened. It was 15 August 2007, it may have been five or six o’clock in the afternoon, in Malmö, where we had moved the previous summer. Later that evening we drove to a patient hotel, and the day after I went to pick up your sisters, who amused themselves greatly by placing a green rubber lizard on top of John’s head. They were three and a half and nearly two years old at the time. I took photos, one day I’ll show them to you.

That’s how they saw the light of day. Now they are big, now they are used to the world, and the strange thing is that they are so unalike, each of them has a personality entirely their own, and they always did, right from the start. I assume that’s how it will be with you too, that you already are the person you will become.

~ Karl Ove Knausgaard, “Letter to an Unborn Daughter, August 28.” Excerpt from opening story in his new book titled “Autumn” (Penguin Press, August 22, 2017)


Notes:

Flying Over I-40 S. With Repose.

Cut me some slack. It was a long day. Too long to even share a "It's been a long day" post. Ok, so I didn't know what "repose" meant.  I turned it in my head: Pose…Portrait…Re-pose…Repeat…Poster…Model posing…Model posing? Wow.

“Please repeat the word.”

“And now the origin of the root please.”

A nine year old would have nailed this in a Spelling Bee.

Like it makes a bloody difference. Long day or short day, I don't have a clue what it means. Google it Dummy.

It's 10:15 p.m. and I'm flying over I-40 heading South – reflecting on last night.  It was 8:30 pm.  The house is empty, the TV is spewing white background noise and I’m sprawled out on the couch.

I'm flipping through my RSS feeds and stop. I can't seem to untangle myself from a passage written by Sadegh Hedayat:  “Henceforth I lived like a soul in torment. All my waiting, watching and seeking were in vain.[…] Repose was utterly denied me. How could I have found repose?”

Like a rock skipping over water, the mind ignores words that don’t fit and locks on words that seem to have a mysterious grip. Continue reading “Flying Over I-40 S. With Repose.”

Have I?

This coming Sunday, in homes across the nation, millions of American men will awake to the arrival of breakfast in bed. Prepared and served by their children, these Father’s Day repasts convey appreciation as well as contributing to the general bonhomie of the day to come. But as he sips his coffee from his “World’s Greatest Dad” mug, even the most obtuse father has to ask himself: Have I been the man my children deserve?

~ William McGurn, The Politically Incorrect Guide to Father’s Day, wsj.com, June 12, 2017


Photo by Julien Stenger