I just don’t see the connection

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Once he heard the gunfire stop, Matthieu made his way back to the restaurant. “I saw a lot of women dead on the ground,” he said, his voice catching on the “f” of “femmes.” “It was mostly women that I saw.” He found one of his friends, a Brazilian studying in Paris, lying in the middle of the street. She had been seated across from him, and was shot in the chest. Matthieu sat on the ground and held her legs, feeling her shallow breathing. She would survive.

People were running through the streets in an eruption of panic, shouting as the police arrived and tried to establish order. The scene couldn’t be secured; Matthieu worried that the shooters might return. Next to him, a man without injuries held his girlfriend’s lifeless body in his arms. Then, without warning, he ran off. The woman was about twenty-five and very beautiful. Matthieu searched for words to describe her perfect, uncanny stillness. […]

Last week’s victims were normal people doing normal Parisian things: eating and drinking together, going out at night to hear a concert or watch a soccer game. After a few days, the rhythm of Parisian life returned, but a new fatalism hung in the air. People seemed resigned to the idea that more attacks would happen, maybe soon. […]

I remembered that when Matthieu and I first met we’d discussed our upbringings, and religion had come up. His family was Catholic, but I couldn’t remember if he was religious. “I’m more agnostic than Catholic, though I come from the Catholic culture,” he said. “In any case, this isn’t really a moment when I’m thinking about religion. When I think about religion, I always think about it in connection with what’s beautiful, what’s good. But never in connection with evil. I just don’t see the connection.”

~ Alexandra Schwartz, Letter from Paris: The Long NightTerrorist attacks and a city changed.


Illustration: Arc De Triomphe by Christoph Niemann in The New Yorker

Did you feel this too?

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After great pain, a formal feeling comes—

The Nerves sit ceremonious, like Tombs—

In the days after Paris, Emily Dickinson’s poem kept ringing through my mind as I tried to figure out what I felt—and, surprisingly, didn’t feel. I did not, as the facts emerged and the story took its full size, feel surprised. Nor did I feel swept by emotion, as I had in the past. The sentimental tweeting of that great moment in “Casablanca” when they stand to sing “La Marseillaise” left me unmoved. I didn’t feel anger, really. I felt grave, as if something huge and terrible had shifted and come closer. Did you feel this too?

[…]

I feel certain that in the days after the attack people were thinking: This isn’t going to stop.

~ Peggy Noonan, Uncertain Leadership in Perilous Times


Image: The Economist

Time to, Begin. Move the blood.

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A new place.
Awakened eye
Seeing freshly.
What does that do to
The old blood moving through
Its channels?

~ Naomi Shihab Nye, Fresh from You & Yours


Notes: Poem: Thank you Whiskey River. Gif: bakabt from Sound! Euphonium