Notes:
- Photo in Morocco, Sahara Desert by Cody Drew Duncan via Aberrant Beauty
- Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again. Caleb is grounded in Work For Home and can’t come out to play this week.
Author: Live & Learn
Evolution
Cover of The New Yorker Sept 21, 2020 issue by Artist Chris Ware: “I live in the quiet, relatively diverse, and leafy “village” of Oak Park, literally across the street from Chicago, and all summer long I’ve seen neighborhood almost-but-not-quite get-togethers, not unlike what I drew here…I think vastly more people still try to get along in America than not. Our cities aren’t exclusively anarchic blast zones, and the suburbs aren’t all xenophobic cloisters. Yet, now, the weather is cooling, and we’re all heading back inside to await the results of what will surely be the most contested election of our lifetimes. The real fear is what may result: not a democracy or a republic but something that somehow stifles both.”
Monday Morning Wake-Up Call
It was over, he said. It was too late, we had dithered too long. Our society had already become too fragmented and dysfunctional for us to fix, in time, the calamitous mistakes we had made. And, in any case, people’s attention remained elusive. Neither season after season of extreme weather events nor the risk of extinction for a million animal species around the world could push environmental destruction to the top of our country’s list of concerns. And how sad, he said, to see so many among the most creative and best-educated classes, those from whom we might have hoped for inventive solutions, instead embracing personal therapies and pseudo-religious practices that promoted detachment, a focus on the moment, acceptance of one’s surroundings as they were, equanimity in the face of worldly cares. (This world is but a shadow, it is a carcass, it is nothing, this world is not real, do not mistake this hallucination for the real world.) Self-care, relieving one’s own everyday anxieties, avoiding stress: these had become some of our society’s highest goals, he said—higher, apparently, than the salvation of society itself. The mindfulness rage was just another distraction, he said. Of course we should be stressed, he said. We should be utterly consumed with dread. Mindful meditation might help a person face drowning with equanimity, but it would do absolutely nothing to right the Titanic, he said. It wasn’t individual efforts to achieve inner peace, it wasn’t a compassionate attitude toward others that might have led to timely preventative action, but rather a collective, fanatical, over-the-top obsession with impending doom. It was useless, the man said, to deny that suffering of immense magnitude lay ahead, or that there’d be any escaping it. How, then, should we live?
— Sigrid Nunez, What Are You Going Through: A Novel (Riverhead Books, September 8, 2020)
Notes:
- Photo: Thank you Christie for sharing from Kval News, Eugene, Oregon
- NY Book Review: Sigrid Nunez’s New Book Asks a Timely Question, Right in the Title
- NPR Book Review: Attachment Brings Joy, And Inevitably, Loss In ‘What Are You Going Through’
Sunday Morning
I never cared much for swans until the day a swan told me I was wrong. It was a cloudy winter morning and I was suffering from a recently broken heart. I sat myself down on a concrete step by Jesus Lock and was staring at the river, feeling the world was just as cold and grey, when a female mute swan hoist herself out from the water and stumped towards me on leathery, in-turned webbed feet and sturdy black legs. I assumed she wanted food. Swans can break an arm with one blow of their wing, I remembered, one of those warnings from childhood that get annealed into adult fight-or-flight responses. Part of me wanted to get up and move further away, but most of me was just too tired. I watched her, her snaky neck, black eye, her blank hauteur. I expected her to stop, but she did not. She walked right up to where I sat on the step, her head towering over mine. Then she turned around to face the river, shifted left, and plonked herself down, her body parallel with my own, so close her wing-feathers were pressed against my thighs. Let no one ever speak of swans as being airy, insubstantial things. I was sitting with something the size of a large dog. And now I was too astonished to be nervous. I didn’t know what to do: I grasped, bewildered, for the correct interspecies social etiquette. She looked at me incuriously, then tucked her head sideways and backwards into her raised coverts, neck curved, and fell fast asleep. We sat there together for ten minutes, until a family came past and a toddler made a beeline for her. She slipped back into the water and ploughed upstream. As I watched her leave something shifted inside me and I began to weep with an emotion I recognised as gratitude. That day was when swans turned into real creatures for me, and it has spurred me since to seek out others.
— Helen Macdonald, Vesper Flights (Grove Press, August 25, 2020)
Photo: DK’s Swan. Sept 11, 2020. 6:15 am. The Cove, Stamford, CT. Related Swan posts: Swan1
