Evolution


Cover of The New Yorker Sept 21, 2020 issue by Artist Chris Ware: “I live in the quiet, relatively diverse, and leafy “village” of Oak Park, literally across the street from Chicago, and all summer long I’ve seen neighborhood almost-but-not-quite get-togethers, not unlike what I drew here…I think vastly more people still try to get along in America than not. Our cities aren’t exclusively anarchic blast zones, and the suburbs aren’t all xenophobic cloisters. Yet, now, the weather is cooling, and we’re all heading back inside to await the results of what will surely be the most contested election of our lifetimes. The real fear is what may result: not a democracy or a republic but something that somehow stifles both.”

Miniature Worlds

Tatsuya Tanaka is a master of turning everyday objects into miniature worlds that seem larger than life. He’s been doing it daily for almost a decade, and in the midst of the COVID pandemic, he’s started to integrate some all-too-familiar objects into his work. See more here: Photographer Turns Masks And Toilet Paper Into Intricate Miniature Worlds (3 Quarks Daily)

Come on People.

I see them too.  Everywhere. As Marie Fazio explains in recent NYT article. On beaches. Floating in Ocean. In parking lots. On sidewalks. Gloves. Wipes. Kleenex. Masks.  Discarded everywhere. Sickening, really.  Come on People.


Experts say the risk of catching coronavirus from a discarded mask is minimal, but the litter is causing concern for other reasons: Used masks and gloves, which cannot be recycled, pose a problem for the environment.

Disposable masks and gloves aren’t necessarily better or worse than any other kind of litter, according to experts.

Like other waste, a mask could be mistaken for food by wildlife. Or a heavy rain could wash it into a storm drain or a river and eventually the ocean, posing a risk for marine ecosystems.

“It’s quite alarming where these are ending up,” said Gary Stokes, founder of OceansAsia, a marine conservation group. “It’s not just the beaches. We’re getting them out in nature, but also downtown; you see them on the streets, in the gutter, on public transport.”

In February, on a routine trip to the uninhabited Soko Islands off the coast of Hong Kong, Mr. Stokes collected around 70 masks along roughly 100 yards of beach.

“We’ve seen it already with whales and turtles with plastic bags, and with masks it’s the same thing,” he said. “Another piece of trash for the next generation.”

Like drinking bottles, fast-food containers and other plastic material that ends up in the ocean, masks collect algae, attracting small fish that in turn attract larger fish, he said. A dolphin or whale could mistake a mask for food, and the mask could get caught in the animal’s digestive tract, which could result in death.

Over time, plastics in the ocean can break down into smaller particles known as microplastics. Those particles become coated in toxic substances and are eaten or absorbed by marine life and could eventually make their way into human food, experts say.

Around eight million metric tons of plastics enter the ocean annually, according to research, and environmentalists fear that P.P.E. litter, as well as more home delivery packaging, will worsen the situation.

A University College London study found that if everyone in the United Kingdom wore a new disposable mask every day for a year, it would result in 66,000 metric tons of plastic waste, plus 57,000 metric tons of packaging…

~ Marie Fazio, from Your Used Mask Needs to Make It to the Trash Can.  They’re on beaches, in parking lots and on sidewalks. You probably won’t catch the coronavirus from a discarded mask, but the litter poses a risk to the environment. (NY Times, July 25, 2020)

Guess.What.Day.It.Is?


Notes:

  • Photo: Getty Images by Alexandra Espinosa in Marrakesh, Morocco
  • Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again. Caleb is grounded in Work For Home and can’t come out to play this week.

 

Running. With Mother Goose.

6:10 a.m. 42° F. Nippy for May.

It’s been 6 days in a row, running that is.  Why? More on this another day, this surge of something.

There she is. Mother Goose. Same spot. Each morning, every morning. Sitting between the highway, the guard rail, and the retaining wall. Sick. She has to be sick. Does she sit here all day? 

She triggered a mini waterfall of the yesterday’s events.

3 p.m. conference call. Delicate personnel situation. I’m quiet, he explains. “Listen, I’m not vindictive, that’s not who I am. There was nothing malicious in….”  He’s a midwesterner, solemn, humble, truthful.  We wrap up the conversation. I thank the small group for providing me the background.  I close: “I know vindictive, and you ain’t vindictive. I see vindictive each morning in the mirror.” They laugh. I know, they know.

6:10 a.m. Yesterday’s morning run. 0.6 miles in. A lady walker, on the other side of the road, 100 feet ahead. Face mask on. She’s pointing her finger at me, scolding.

I turn off the music. You talking to me? I can hear her now.

“You need to wear a mask. You’re putting my life, and other lives in danger. 17% chance of virus being spread by runners without masks. You. Go Home and Put on a Mask.”

“Excuse me?” [Read more…]

Evolution?


Eric Yahnker with Pandemic Lovers (after Magritte), 2020, oil on linen, 36 x 27.5 in. Eric Yahnker is a contemporary artist born in 1976 in Torrance, California. His humorous, meticulously rendered graphite and colored pencil drawings and elaborate process pieces examine pop culture and politics.  He can be found at his website and on Instagram.

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