Guess.What.Day.It.Is?


Notes:

Guess.What.Day.It.Is?


Notes:

  • Camel (Caleb of course) on Sand Dune at Wahiba Sands in Oman. by Jaromir Chalabala
  • Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again. Caleb is grounded in Work For Home and can’t come out to play this week.

Guess.What.Day.It.Is?


Notes:

  • Photograph by Blake Bailey (Badain Jaran, Inner Mongolia, China)
  • Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again

Guess.What.Day.It.Is?


Notes:

  • Photograph by Michael W. with Camel Convoy taken on June 27, 2017 at Erg Chebbi Dunes in Ksar Guedim, Meknes-Tafilalet, Morocco.
  • Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again

Guess.What.Day.It.Is?


Notes:

Guess.What.Day.It.Is?


Notes:

  • Photo: Genie Austin photographs camels in the Sahara desert in southern Morocco. (wsj.com)
  • Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again

Guess.What.Day.It.Is?

camel-hameen-desert-emirati


Notes:

Guess.What.Day.It.Is?


Notes:

  • Photo: Karim Sahib, AFP/Getty Images.  Camels, 170 kilometres west of the Gulf Emirate of Abu Dhabi. Flipboard.com
  • Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again

Guess.What.Day.It.Is?


Notes:

  • Photo: Karim Sahib, AFP/Getty Images.  Camels, 170 kilometres west of the Gulf Emirate of Abu Dhabi. Flipboard.com
  • Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again

Guess.What.Day.It.Is?

camel-hump-day-wednesday-abu-dhabi


Notes:

  • Photo: wsj.com (Feb 24, 2017, A man walks with his camels across the Hameem desert, about 100 miles west of Abu Dhabi. Karim Sahib, Agency France-Presse)
  • Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again

Guess.What.Day.It.Is?

desert-dunes-black-and-white

Where’s Caleb?

Held back at the border due to extreme vetting.


Notes:

Guess.What.Day.It.Is?

camel-hump-day-jpg


Notes:

  • “A bedouin’s camel left on its own to wander. The tire marks behind belongs to bedouins. This picture shows how much the camel depends upon the tiniest vegetation that comes his way in the desert. The trees, the plants. In return a great benefit to the bedouins of the United Arab Emirates to lead their life.” (Sharbeen Sarash via National Geographic)
  • Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again

Guess.What.Day.It.Is?

camel-sunset


Notes:

  • Photo from Nationalgeographic.com. “Arabian Light.” In the United Arab Emirates, Rogel Tura (Dubai, UAE) captured this iconic silhouette while traveling in the desert at sunset. Tura was heading to his camp when he came upon the man and his camels at the top of the dunes. (Thank you Horty!)
  • Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again

Guess.What.Day.It.Is?

camel-2-liwa-desert-sand-dunes-abu-dhabi


Notes:

  • Men and camels, lower right, are dwarfed by the sand dunes in the Liwa desert about 150 miles west of the Gulf emirate of Abu Dhabi. (Karim Sahib, Agency France-Presse: wsj.com Photos of the Day January 6, 2017)
  • Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again

Saturday Morning: le bapteme de la solitude

desert-dubai

Immediately when you arrive in the Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightway. Then there is the sky, compared to which all other skies seem faint-hearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon. You leave the gate of the fort or the town behind, pass the camels lying outside, go up into the dunes, or out into the hard, stony plain and stand awhile, alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call “le bapteme de la solitude.“It is a unique sensation and has nothing to do with loneliness, for loneliness presupposes memory. Here, in this wholly mineral landscape lighted by stars like flares, even memory disappears; nothing is left but your own breathing and the sound of your heart beating. A strange, and by no means pleasant, process of reintegration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for awhile is quite the same as when he came.

Perhaps the logical question to ask at this point is: Why Go? The answer is that when a man has been there and undergone the baptism of solitude he can’t help himself. Once he has been under the spell of the vast, luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in comfort and money, for the absolute has no price.

— Paul Bowles, “Baptism of Solitude,” Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World


Notes:

 

%d bloggers like this: