Walking. For A Thousand Years.

Here we go again. Daybreak walk at Cove Island Park. 760 consecutive (almost) days.  Like in a row.

The narrator @ Audible is pumping “Independent People” into my head, a novel that won the 1955 Nobel Prize for Halldór Laxness.  Not sure what’s up with my fixation on Iceland and Icelanders: Laxness, Ólafur Arnalds, Of Monsters and Men. Something going on here…  Something.

So, I’m walking, and listening to Laxness…

Had the brook lost its charm, then? No, far from it. Clear and joyful it flowed over the shining sand and pebbles, between its banks white with withered grass, its joy eternally new every spring for a thousand years; and it told little stories, in its own little tongue, its own little inflections, while the boy sat on the bank and listened for a thousand years. The boy and eternity, two friends, the sky cloudless and unending.”

Thousand years the brook flowed.  Thousand years, the tide I’m staring out at, receded, and then rolled back in again. Thousand years of nights, twilights, and sunrises…

Laxness continues: “Nothing in life is so beautiful as the night before what is yet to be, the night and its dew.”

I walk.

It’s 5:01 a.m., twilight (aka near dark), and I notice the tracks. Tracks running from the shoreline to the top of beach. WTH is that?  I walk to the top, wary of what I’ll find; God knows, it could be a badger from New Hampshire that lost its way — hiding behind the bushes waiting for its next victim. [Read more…]

Monday Morning Wake-Up Call

9/ 12/ 71. What troubles the small and the great is the difficulty of reconciling their personal dramas with such things as the moon in its course, the strength of the sea… Everyone feels so small, yet his problems shake him with the force of hurricanes. It does not make sense.

Patricia Highsmith, “Patricia Highsmith: Her Diaries and Notebooks: 1941-1995.″ Anna von Planta (Editor). (Liveright, November 16, 2021)


Photo: DK @ Daybreak. 6:24 am, January 30, 2022. 9° F, feels like -2° F. Cove Island Park, Stamford, CT

Lightly Child, Lightly.

Walked by this box at Cove Island Park, what, 100x? 200x? 500x? Had never seen it before.  Today, I noticed.

[Read more…]

Lightly Child, Lightly.

I am learning to see.

I don’t know why it is,

but everything enters me more deeply and doesn’t stop where it once used to.

~ Rainer Maria Rilke, The Notebooks of Malte Laurids Brigge


Notes:

  • Photo: DK: Daybreak. November 4, 2020. 37° F, feels like 32° F.  Cove Island Park, Stamford CT
  • Quote Source: Thank you Make Believe Boutique
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Lightly Child, Lightly.

So, what if, instead of thinking about solving your whole life, you just think about adding additional good things. One at a time. Just let your pile of good things grow.

—  Rainbow Rowell, Attachments (Published April 14th 2011 by Dutton)


Notes:

  • Photo: DK: Woodland Park, Darien, CT Oct 28, 2020.
  • Quote Source: Extraordinary Routines.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Saturday Morning

Sometimes he thinks of her, of them. Of what could have been.
Sometimes it’s all he thinks about…
He can feel the weight of their lives in a single step forward.
And he is enchanted by the beauty of small things:
hot coffee,
wind through an open window,
the tapping of rain,
a passing bicycle…

— Simon Van Booy, Everything Beautiful Began After


Notes: Quote via see more. Photo: Milka Awgul

It has one of everything, so it is in a sense an ark

I felt at home, strangely, because it is a miniature world.… One manor house, one farmhouse. A vineyard, a field of potatoes, a field of wheat, a cherry tree, an orchard. It has one of everything, so it is in a sense an ark. It is like when you draw a place when you are a child. I don’t like large-scale things, not in architecture or evolutionary leaps. I think it’s an aberration. This notion of something that is small and self-contained is for me a moral and aesthetic ideal.

~ W.G. Sebald, A Place in the Country 


Image: Cristiana Coucerio for The New Yorker,

Monday Morning Wake-Up Call

There’s strength in observing one’s miniaturization. That you are insignificant and prone to, and God knows, dumb about a lot. Because doesn’t smallness prime us to eventually take up space? For instance, the momentum gained from reading a great book. After after, sitting, sleeping, living in its consequence. A book that makes you feel, finally, latched on. Or after after we recover from a hike. From seeing fifteenth-century ruins and wondering how Machu Picchu was built when Incans had zero knowledge of the wheel. Smallness can make you feel extra porous. Extra ambitious. Like a small dog carrying an enormous branch clenched in its teeth, as if intimating to the world: Okay. Where to?

~ Durga Chew-Bose, from “Heart Museum” in Too Much and Not the Mood: Essays


Photo: Paul Nicol with Walk Softly. Carry a Big Stick.

Bigging it up

bird-in-hand-jpg

The Pantheon of Smallness was a way of thinking about smallness differently. Sometimes we make small things, sometimes there are small bird songs, but it can have an enormous impact. Sometimes you have to whisper to be heard. Our culture is very much one of “bigging it up,” always upping the noise level in order to produce a louder signal. What you see in the bird world is sometimes that the smallest tweet can actually pierce through the cacophony in a different way. That became a metaphor for thinking about art. Emily Dickinson did quite miniature work that had a very profound, almost epic, impact, culturally speaking.

~ Kyo Maclear, from How a stressed woman found solace through looking at birds (Macleans, January 22, 2017)

Find Kyo Maclear’s new book on Amazon: Birds Art Life: A Year of Observation


Photo: Thank you Sawsan @ Last Tambourine

Oh taste how sweet and tart

red-seeds-juice

Bad things are going to happen…
No matter how many vitamins you take,
how much Pilates, you’ll lose your keys,
your hair and your memory…
Your wallet will be stolen, you’ll get fat,
slip on the bathroom tiles of a foreign hotel
and crack your hip. You’ll be lonely.
Oh taste how sweet and tart
the red juice is, how the tiny seeds
crunch between your teeth.

~ Ellen Bass, excerpt from Relax


Notes:

Saturday Morning

green-tea

And the heart, unscrolled,
is comforted by such small things:
a cup of green tea rescues us, grows deep and large, a lake.”

—Jane Hirschfield, from “Recalling a Sung Dynasty Landscape” in Of Gravity and Angels 

 


Notes: Poem – thank you Beth at Alive on All Channels. Photo: Green tea with mint by Kookoo sabzi.

 

february has been a small month of small sentences and thoughts

 bird-long-hair-whimsical
february has been a small month of small sentences and thoughts.
i manage to write a line or two each day.

from the first day: it has just turned february, the month when the days can’t decide what to do.  an in betweener for us – a fire lit this morning, not needed by the weekend.  a week later: the sky goes lavender on its way to dark. a week into february with open doors and a small fire in the heater.  a week after that, i squoosh a few days into this: monday:  the wind is singing a chilly song of february, slinging small stones and twigs and bits of leaves against the doors and windows.  the glass creaks in protest and surrender, the cat twitches in her sleep, dreams disturbed almost to waking. the morning birds are silent. thursday: we are warm.  flipflops, heaters off, windows open.  the night sky clear.  jingle bell cat a white presence in the darkness.  i can’t sleep and can’t read.

~ d smith kaich jones, february in bits and pieces


Photograph: gabriel isak via (Mennyfox55)

H is for Helen

Helen-macdonald-hawk

Q: What moves you most in a work of literature?

A: Honesty, vulnerability, moments of forgiveness and redemption, and a recognition that we are all small and our lives so short.

~ Helen Macdonald: By the BookThe author of a 2015 Best Book of the Year“H Is for Hawk” 


Notes:

  • Inspired by: “Read, read, read, read, read, read, read, read, read, read, read.” — Werner Herzog
  • Photograph: thetimes.com

What is striking

art

We are so small and
the greatness is so great. […]
What is striking is
the enormous force of weakness.

~ Hélène Cixous, from “The Cauliflower of the Lautaret,” Love Itself: In the Letter Box


Credits: Image – Exactly  Poem: The Journey of Words

 

%d bloggers like this: