Monday Morning Wake-Up Call

At fifty-four, I’m now roughly the same age Dante was when he was putting the finishing touches on The Divine Comedy. I’m the same age as von Aschenbach in Thomas Mann’s Death in Venice. (I realized only recently that the character in this novella who was pining for a youth and his own lost youth was squarely in middle age; not having read the opening very carefully, I had always assumed that the “old” man who allowed the hotel barber to dye his hair jet black and garishly paint his face was in his seventies at the very least.) Fifty-plus is a good age for big questions. Unless I’m that rare soul who makes it past one hundred, I probably have less time ahead of me than I’ve already lived. Now that my brother, sister, and I are all over fifty, my brother, using a golf analogy, refers to our lives as being played on the back nine—the first nine holes are behind us. Whatever score we’ve accumulated, we carry with us. Suddenly, finishing honorably and staying out of the sand traps and water hazards matters more than seeing our names on the leaderboard. On the other hand, I think any age is a good age for big questions. I asked some of my biggest and best when I was in high school and college—fittingly, as that’s what school is for. I asked other big questions at painful times in my life—no age is immune from misfortune or feels it less keenly. And I hope and expect to be asking big questions right up to the end.

~ Will Schwalbe, Books for a Living


Notes:

meaning is found not in success and glamour but in the mundane

From “You’ll Never Be Famous — And That’s O.K.” by Emily Esfahani Smith:

There’s perhaps no better expression of that wisdom than George Eliot’s “Middlemarch”…At 700-some pages, it requires devotion and discipline, which is kind of the point. Much like a meaningful life, the completion of this book is hard won and requires effort. […]

As for Dorothea..she marries her true love…But her larger ambitions go unrealized. At first it seems that she, too, has wasted her potential. Tertius’s tragedy is that he never reconciles himself to his humdrum reality. Dorothea’s triumph is that she does.

By novel’s end, she settles into life as a wife and a mother, and becomes, Eliot writes, the “foundress of nothing.” It may be a letdown for the reader, but not for Dorothea. She pours herself into her roles as mother and wife with “beneficent activity which she had not the doubtful pains of discovering and marking out for herself.”

Looking out her window one day, she sees a family making its way down the road and realizes that she, too, is “a part of that involuntary, palpitating life, and could neither look out on it from her luxurious shelter as a mere spectator, nor hide her eyes in selfish complaining.” In other words, she begins to live in the moment. Rather than succumb to the despair of thwarted dreams, she embraces her life as it is and contributes to those around her as she can.

This is Eliot’s final word on Dorothea: “Her full nature, like that river which Cyrus broke the strength, spent itself in channels which had no great name on the earth. But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.”

It’s one of the most beautiful passages in literature, and it encapsulates what a meaningful life is about: connecting and contributing to something beyond the self, in whatever humble form that may take.

Most young adults won’t achieve the idealistic goals they’ve set for themselves. They won’t become the next Mark Zuckerberg. They won’t have obituaries that run in newspapers like this one. But that doesn’t mean their lives will lack significance and worth. We all have a circle of people whose lives we can touch and improve — and we can find our meaning in that. Continue reading “meaning is found not in success and glamour but in the mundane”

It’s been a long day

wind

I don’t know. Things don’t have purposes, as if the universe were a machine, where every part has a useful function. What’s the function of a galaxy? I don’t know if our life has a purpose and I don’t see that it matters. What does matter is that we’re a part. Like a thread in a cloth or a grass-blade in a field. It is and we are. What we do is like wind blowing on the grass.

Ursula K. Le Guin, The Lathe of Heaven: A Novel


Notes:

Tuesday Morning Wake-Up Call

cereal-peach-breakfast

I got out of bed
on two strong legs.
It might have been
otherwise. I ate
cereal, sweet
milk, ripe, flawless
peach. It might
have been otherwise.
I took the dog uphill
to the birch wood.
All morning I did
the work I love.

~ Jane Kenyon, from “Otherwise in Collected Poems. The poem was written shortly before Kenyon died of leukemia at age 47.

 


Photo: Christopher Gould

Monday Morning Wake-Up Call (Bill Withers, A Whole Person)

“My father was this coal miner, but he was always interested in reading. Never got a chance to go to school. But he read. And, you know, dignity was very important to him. The first thing that I had to resolve in my life and the one thing that was very important to me, I had to sort this out: ‘Can I go into this thing and avoid the minstrel-ness of it?’ This is a business. And you got some cold pimps that will mail you out until you die in your grave. You got as many thieves in this stuff… There’s a life you have to run. And you do the best you can. And hopefully, as a human being, you improve. I’m 70-years-old. I’m not some kind of mindless troubadour. You know? I have an intellect I have to manage, I have some thoughts I have to manage, I have a life I have to maintain. I want to know where my stuff is. You know? I want to know who I am. I don’t want to be some simple-minded blues boy. You can bleep this out: ‘Kiss my ass with that shit.’ So I’m doing the best I can. To grow and improve my lineage as a species. So I got some responsibilities that require that I be available. I never had the benefit of a formal education, but I’ve always wanted to better myself. I can speak the language. I can write it, make it rhyme for you, if you want to. You know what I mean? Somebody said, “Education is the sum total of what you know.” That’s everything from tying your shoe to whether you can do quadratic equations or not. So, I’m not saying this should be a template for everybody, but that’s just the kind of person that makes sense for me to be. Hopefully the music that I made is useful to somebody. I mean, I get nice letters from people that say, ‘Hey man, my grandmother died, and the song helped me.’ I like that kind of stuff. As a result, it was important to me, as best I could, to try to wind up with a life that had some stability and some dignity in it… I made some choices earlier… that I wanted to be a whole person. Not just this entertainer thing. It doesn’t fill up my plate. I love it — who wouldn’t like it? But it doesn’t fill up my plate.”

Bill Withers, on why he walked away from the music business in 1985 in an Interview on The Sound of Young America


Notes: