Tag: Believe

Sunday Morning.

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[…] Faith surrounded me, inspiring my poetry. But I wanted to participate: I wanted to believe in belief, the religious kind, the God kind, and find my own way into this sacred landscape. Mostly, though, I remained a stalker of other people’s devotion. The Bhutanese monks with whom I sat practicing lotus mudra 108 times, the Tamil pilgrims I followed who put skewers through their cheeks as an act of devotion to Lord Murugan. I was a religious voyeur, trying to feel a charge from other people’s worshiping currents. But faith? I didn’t have it. Faith requires no evidence, and I was still seeking. […]

I haven’t stopped believing… that the world’s sacred, nodal sites offer us flashes of transcendence. A moment for our souls to be attentive and still. But I know now that an encounter with the sublime can happen in the most ordinary of places.

I’ve come to understand as well why poets so frequently address the invisible in their poems, something or someone they do not know and cannot see. Call it God, fog, the future. It is our need for connection that makes us speak into the void. Not so much for a reply, but simply as an expression of belief that someone is there, and is listening, and may even stretch out a hand.

— Tishani Doshi, from “I Searched the World’s Holiest Places for a God” (NY Times, May 18, 2025). Doshi is a writer and dancer, is the author most recently of “A God at the Door,” a book of poems.

Photo Credit & Essay: Laurence Ellis Photo / Essay in the “Port” – “The Woman: Tishani Doshi“

Tuesday Morning Wake-Up Call

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When I was younger I thought my knowledge would increase with years, that it was steadily expanding like the universe. A constantly widening area of certainty that correspondingly displaced and diminished the reach of uncertainty. I was really very optimistic. With the passage of time I must admit that I know roughly as much as then, perhaps even slightly less, and with nothing like the same certainty. My so-called experiences are not the same as knowledge. It is more like, how shall I put it, a kind of echo chamber in which the little I know rings hollow and inadequate. A growing void around a scant knowledge that rattles foolishly like the dried-up kernel in a walnut. My experiences are experiences of ignorance, its boundlessness, and I will never discover how much I still don’t know, and how much is something I believed.

— Jens Christian Grøndahl, Silence in October.

Notes:Quote: Thank you Beth @ Alive on All Channels). Portrait of Jens Christian Grondahl via Nuevo Periodico

I’m only now starting to fully understand is that this is an inside job. It only works if I believe.

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But what I’m only now starting to fully understand is that this is an inside job. It only works if I believe. I’ve always been confident, positive, doggedly determined; but doubt is beginning to mitigate my conviction. Who am I to think I can accomplish this, when so many have struggled with similar setbacks; some with Parkinson’s, some with the aftermath of spinal surgery? I may be the only one who has taken on this particular two-headed beast…

I have to learn to walk again; to reclaim my mobility, remaster my motion. I consider this fundamental to my therapy —  for me, it all starts and ends with walking. And I understand that it’s more complicated than that. So many tiny disciplines have to be observed, and neglected muscles and ligaments need to be restored. I’m exhausted by the effort I’ve already put in at Johns Hopkins, and daunted by how much work I still have to do. It’s like being nibbled to death by ducks.

Back in the days of carefree ambling, I would have considered the topic of walking to be rather pedestrian. Now the acts of stepping, strolling, hiking, and perambulating have become an obsession. I watch Esmé gliding through the kitchen, grabbing an apple while opening the fridge door for a coconut water, closing it with a quick shift of her hip and pirouetting out the swinging door at the other end of the room. Down in the lobby, my neighbor and her daughter are quickstepping to catch a taxi. I spy on a man walking with a slight limp, which he counterbalances with a bag of groceries. I secretly watch the way they all move. Easy, breezy, catlike, or with a limp, every one of them is far better at it than me. It may be that the most difficult, miraculous thing we do, physically, is to walk…

It’s tough. With PD and the aftermath of the surgery, something as simple as remaining upright is often sabotaged by a rogue army of misfiring neurons. I try to stay organized. I have memorized a litany of admonitions, not unlike my golfer’s list of swing thoughts: Keep my head centered over my hips; hips over my knees; no hyperextending; stay in line with my feet; eyes forward; shoulders back; chest out; lead with the pelvis. All of this kinetic vigilance can dissolve in a nanosecond of panic, or come apart with some other distraction. A tiny nervous jolt or spasm, and like a house of cards in a sudden gust of wind, the only messages that make it through the debris are: Don’t fall. Don’t fall. Don’t fall …

—  Michael J. Fox, No Time Like the Future: An Optimist Considers Mortality (Flatiron Books, November 17, 2020)

Sunday Morning

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I don’t believe in religion, but the aesthetics of Catholicism have stuck with me. I love the way church incense coats my hair and skin. It is a safe smell, like a blanket, waiting for me to curl up in it. I love stained-glass windows and religious portraits, the colours of Mary’s clothes and the bright red drops of blood on Jesus’s face. I like the Stations of the Cross. I like pausing to run my finger along an emaciated rib and wrinkle my nose at the thought of the vinegar being offered on a sponge. I like prayer cards and medallions and rosary beads. I like advent candles and Bibles edged in gold and the way the skirt over the tabernacle matches the colour of the priest’s robes. There is so much attention to detail.

I envy the faithful. There are shrines dotted around the hillsides here in Ireland, places where saints have supposedly appeared and healed the sick. There are wells of holy water and statues in the rocks, huts filled with prayer cards and gardens filled with painted stones in memory of loved ones who have passed away. I like to visit them occasionally. I sit in the stillness and observe people crying and praying and I close my eyes and try to let some of their hope get carried on the air and through my pores. I would like to believe that everything is accounted for, that there is life after this one, and that all of our decisions hold some kind of significance or moral worth. There is weight in religion. It is an anchor of sorts.

I cannot believe in the vengeful patriarch of the Catholic Church but sometimes, in the daytime, when there’s no one around, I go into the church and light a candle. I like sitting in the quiet and sensing my own insubstantiality against such old and serious things. I am learning that there is a good kind of smallness; a smallness in the face of the universe rather than a smallness in my own body. I like the ritual of prayer and reverence, even though I can’t identify with it. I like the feeling that other people believe in something.

~ Jessica Andrews, Saltwater: A Novel (Farrar, Straus and Giroux, January 14, 2020)

Photo Credit

Walking. With Airborne Droplets.

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2:30 am. I flick open Sleep app. 4 h 25 m.  Hmmmm. Dale-like. How does she do it? Lori’s magnesium? Something. Something.

Morning papers. COVID-19. Masks. No masks. Airborne Droplets. Transmission. Virus is a hoax? Monty Python and the Holy Grail: “Bring out your dead!”

4:50 am.  I pack my sling…phone, camera, earbuds, water…and I’m out the door. This unknown life force pulls me forward.

57° F.  Special Alert: Dense Fog. Exactly how my head feels. Dense fog.

I walk.

Dark.

Walking under street lamps to Cove Island Park.

Infinitesimal droplets fall on my face. Airborne droplets.

I roll up my sleeves, first right, and then left.  Droplets land on the inside of my forearms, and they tingle.

“Hey you, Agnostic!”

“You talking to me?”

“See anyone else?”

“Can you feel that?“

“I’m feeling Something. Something.”

Droplets stop. Infinitesimal, ephemeral, and gone.

Gull cries overhead.

They trigger David Gray’s tune “Gulls.” I search and play it on a loop:

This land belongs to the gulls
And the gulls to their cry
And their cry to the wind
And the wind belongs to no one…
Toward the sea that god sewn
Toward the sea that god sewn

And I walk, looking out over Long Island Sound, fog beginning to lift.

Feelin’ something…

Notes: Photo mine. Weed Avenue, Stamford, CT. This morning.