Late Bloomer…

Bill Pullman was 32 years old when he starred in his first film, 1986’s Ruthless People. This is, he notes, at least a decade later than most movie stars get their big break. “The term ‘late bloomer’ sounds awfully like loser, but I guess it’s what I am,” he says. “It sounds to me like a politically correct term for: ‘You’re stupid. Why did you take so long?’” …

Pullman talks in a low, laconic drawl but his eyes are bright and full of mischief. He has the air of a man quietly enjoying a joke that he’s not sharing with the class. When he’s not travelling for work, Pullman and his wife, the dancer Tamara Hurwitz, divide their time between Beachwood Canyon, Los Angeles, and a cattle ranch in Montana that he has co-owned with his brother for 30 years. Nowadays he is mostly in charge of infrastructure – fence mending, irrigation and so on – although when his three children were young they spent long summers there, during which Pullman would roll up his sleeves and muck in. “If you’re having to plug meds up the butt of some beast, a lot of other things seem very manageable,” he says…

The last few years have been mostly taken up with The Sinner, the detective series in which he plays a grizzled cop grappling with past trauma. After the success of the first season, it was recommissioned as an anthology series, with Pullman’s character as the only constant. “I was really scared signing up for it,” he admits. “I admire actors who find joy in doing eight or nine seasons of the same thing, but my mind is too crazy. I thought I’d wither on the vine. But the showrunner Derek Simonds was great and we would talk before every season about where the story would go. So I never did get bored.” …As an actor, he says, “you want it to be lively, you want to hear ideas that you haven’t heard spoken communally in a while. You want to feel that charged energy of simple entrances and exits.”

Pullman adds that he has always enjoyed the fact that when strangers approach him to say “I really like you in … ”, he can never predict what film they will say. “I have no idea whether they’re going to say Casper or Spaceballs or The Sinner. To have that variety in my work makes me feel lucky. I always wanted to be the vessel, where I could get possessed by something.”

—  Louis Wise, from “Interview with Bill Pullman: ‘In acting, you can order the world’” (The Guardian, June 21, 2022)

Incognito

With star turns in last year’s “Lady Bird” and the new period epic “Mary Queen of Scots,” out Dec. 7, the Irish actress Saoirse Ronan, 24, has catapulted into Hollywood’s top ranks. But she prefers to spend her off time out of the limelight: The 24-year-old’s favorite pastimes include knitting, cooking and reading history. “I don’t go to a lot of clubs because I’m busy knitting,” she jokes. “I just knit and read history books.” She laughs and shakes her head, adding, “Now nobody will want to read this interview.” …

She’s read a lot of history books to study for her roles, but she says her script choices are more emotionally than strategically driven. “It’s like a chemistry thing,” she says…She found revisiting her emotions “quite therapeutic,” she says. “It can really help get something out of your system or help you understand why you’re feeling a certain way or just be more in touch with how you’re feeling.”

That self-aware groundedness is part of what keeps her close to home in Ireland when she isn’t working. A self-described homebody, she lives outside Dublin, near where she grew up. Her father is an actor and her mother a homemaker…

She enjoys remaining incognito at the grocery store. Her relaxed attire helps. While she says her style changes all the time, she thinks she tends to dress like a “cool Scandinavian mother.” When I look at her quizzically, she describes loose, high-waisted pants and flowing shirts. “They’re not necessarily Scandinavian, but I just mean mothers who have just had a baby,” she explains. “I look a bit like a mother of one who’s gone mad in Anthropologie.”

Alexandra Wolfe, from “Saoirse Ronan Would Rather Be Knitting” – The ascendant star, now playing ‘Mary Queen of Scots,’ prefers to spend her off-time out of the limelight—and get through the grocery store incognito (wsj.com, Dec 7, 2018)

What would it look like for him, he wondered, when he wrapped things up?

Why?

It was a question that crossed Robin’s mind more often these days, now that he had put in roughly 35 years as a professional entertainer and more than 60 as a human being.

What did he still get out of doing what he was doing, and why did he feel the compulsion to keep doing it? He had already enjoyed nearly all of the accomplishments that one could hope for in his field, tasted the richest successes, won most of the major awards. Every stage of his career had been an adventure into the unknown, an improvisation in its own right, but there was truly no road map for where he was now. Everything came to an end at some point; it was a reality he accepted and confronted so often in his work, even as he tried to out-race it. What would it look like for him, he wondered, when he wrapped things up and told the crowd good night for the last time? How could it be anything other than devastating?

~ Dave Itzkoff, from Inside the Final Days of Robin Williams (Vanity Fair, May 8, 2018)


Notes: Dave Itzkoff traces the last few months of Williams’s life in this Vanity Fair excerpt from his Biography on Robin Williams titled “Robin” published on May 15, 2018.  In the months that preceded his death, Williams faced daunting challenges, both professionally and personally.

“Darkest Hour”: Oldman, Wow, the brightest light

The hours of makeup meant Oldman often arrived on set at 3 a.m. His average day, he estimates, was 19 hours long. By the time the rest of the cast and crew arrived, Oldman was already in character. “Joe never saw me as Gary for three months,” says the actor. “If you’re going to do a part like this, you can’t go in kicking and screaming about the makeup. You’ve got to surrender to it,” Oldman says. “Maybe day 45 you come in, you’re sleep deprived and you’re a bit grumpy. But the fruits of it were such that I could put myself in a frame of mind. Once it was all in, I was in it. I had a ball. My thinking was that if at 65, Churchill could take on Hitler, then I could sit in a makeup chair for three hours.”

– CBS News, from “Gary Oldman on becoming Winston Churchill in “Darkest Hour

Gary Oldman, 59, won best Actor for his performance on the “Darkest Hour”, in addition to winning the honor at the Golden Globes, BAFTAs and Screen Actors Guild Awards.  If you haven’t seen the flick, it is highly recommended. He (and his make-up) are amazing…


Portraits: Gary Oldman, Winston Churchill and Oldman as Churchill (via National Post)

Tuesday Morning Wake-Up Call

“People get up, they go to work, they have their lives, but you never see the headlines say, ‘Six billion people got along rather well today.’ You’ll have the headline about the 30 people who shot each other.”

~ John Malkovich


John Gavin Malkovich, 59, was born in Christopher, Illinois.  His paternal grandparents were Croatian. He is an American actor, producer, director, and fashion designer. Over the last 30 years of his career, Malkovich has appeared in more than 70 motion pictures. For his roles in Places in the Heart and In the Line of Fire, he received Academy Award nominations. He has also appeared in critically acclaimed films such as Empire of the SunThe Killing FieldsDangerous LiaisonsOf Mice and MenBeing John Malkovich, and RED, and has produced numerous films, including Juno and The Perks of Being a Wallflower.


Image Source: m.antena.ro portrait of John Malkovich

Monday Morning Wake-Up Call: “Breaking Good”

breaking-bad-bryan-cranston

Bryan Cranston, 60, a self described “journeyman” working actor since his mid-20’s, didn’t find fame until his fifties thanks to the hit show “Breaking Bad”.  In a 60 Minutes interview with Steve Kroft titled “Breaking Good“, he tells Steve Kroft he’s seizing the moment.

Kroft: Do you believe there will be a time when people will say, “oh, not him anymore?”

Cranston: “I’m riding a wave right now and I recognize that. I want to do as much work as I can and do the best I can and when it’s all said and done, and they say get out of the water, you’re done, I want to be so exhausted, that I look forward to it.

“I don’t want anything left in the tank.”


Notes:

  • Don’t miss the full 60 Minutes segment here: “Breaking Good
  • Photo of Bryan Cranston on Breaking Bad: hit fix.com

Riven with insecurities

dustin-hoffman

Hoffman, 78, often professes himself riven with insecurities and convinced that every job will be his last. “You don’t erase the first 10 years of your life, it stays with you, it’s imprinted … you didn’t work!” he says. “Selfishly, I feel, well, I just got in under the gun.” However, he has nothing to prove. With a catalogue of era-defining movies including The Graduate, Lenny, All the President’s Men, Straw Dogs and Tootsie, he’s one of the pre-eminent film stars of the last 50 years. While it’s doubtful that Kung Fu Panda 3, the film he’s promoting today in New York, will join The Graduate and Midnight Cowboy in the National Film Registry, it’s still a perfectly charming kids’ movie, enhanced by Hoffman’s infinitely expressive growl. […]

So who’s the best actor of all time? Hoffman doesn’t believe in the concept, but he believes in best performances. “The first one that comes to mind – he just got an Oscar, I heard – Mark Rylance. His Jerusalem, my God. I said: ‘What is that?’ When you see something that transforms everything that you’ve been doing for a living … I mean, you’re an actor but that goes beyond. He was doing something larger.” Equally stunning, says Hoffman, was Simon Russell Beale as Hamlet. “He was unkempt, he was heavy, he played him like a real loser, which I think Shakespeare wrote, and I thought he had an essence. Then it came to ‘To be or not to be’ and he came to the lip of the stage and he said: ‘To be …’”

Hoffman gets up, and just for me performs Russell Beale performing Hamlet. “And he held it until there wasn’t a person in the audience that was breathing and it was as if he had collected everyone to the very essence of what he was saying. ‘… or not to be.’ And I thought, ‘Woah.’ I got goosebumps. He still kept the iambic pentameter but it just got inside something that no-one else had done before. Great acting, I do love it.” And, he says, despite niggles – a torn rotator cuff, back injuries and waning ability to remember people’s names, he’ll be doing it for as long as he’s able.

~ Alex Needham, Dustin Hoffman: ‘I was an outsider. I came to New York and I was cleaning toilets’


Source: The Guardian

 

A blessed unrest that keeps us marching and makes us more alive than the others

tatiana-maslany

By: Lili Loofbourow, The Many Faces of Tatiana Maslany:

Tatiana Maslany, the 29-year old actress, is a native of Regina, Saskatchewan. She is the leading lady on the set of “Orphan Black,” the BBC America television show that has the same star many times over. “Orphan Black,” you see, is about a group of persecuted clones, and all of them are played by Tatiana Maslany.

Despite Maslany’s reluctance, I managed to steer our conversation back to her magical quick-change act. I still wanted to know how she does it. “I think there’s something about being prepared enough that you can surrender,” she said. Then she quoted to me something the dancer Martha Graham told the choreographer Agnes de Mille in 1943.

At the time, de Mille was confused and bewildered by her sudden rise to fame, and Graham offered her words of encouragement.  […] De Mille asked Graham when she would feel satisfied, and Graham replied: “There is no satisfaction whatever at any time. There is only a queer, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.” I asked Maslany what her divine dissatisfaction was. “I don’t know how I would label it right now,” she said. “I think if I looked back on this time, I’d probably see where it lived.”

Don’t miss entire NY Times Magazine article here: The Many Faces of Tatiana Maslany.


Red’s Wish. My Wish Too.

To stand at the helm of your destiny. I want that, one more time. I want to be in the Piazza del Campo in Siena. To feel the surge as 10 racehorses go thundering by. I want another meal in Paris, at L’Ambroisie, at the Place des Vosges. I want another bottle of wine. And then another. I want the warmth of a woman and a cool set of sheets. One more night of jazz at the Vanguard. I want to stand on the summits and smoke Cubans and feel the sun on my face for as long as I can. Walk on the Wall again. Climb the Tower. Ride the River. Stare at the Frescos. I want to sit in the garden and read one more good book. Most of all I want to sleep. I want to sleep like I slept when I was a boy. Give me that, just one time…

— Raymond “Red” Reddington, The Blacklist


Source: Thank you Kurt @ Cultural Offering

The Humbling

al-pacino-barry-levinson

Al Pacino and Barry Levinson on Age, Accomplishments and ‘The Humbling’:

Mr. Pacino, 74, is playing Simon Axler in The Humbling. Axler is an aging actor whose memory and stamina are failing him. He fears his opportunities are drying up and audiences no longer recognize him.

Q: “The Humbling” deals with a character who is despairing because he’s growing older and believes he’s no longer proficient at the things that defined him. Are these feelings you’ve experienced yourselves?

Al Pacino: Oh, yeah. What film is this again? [Laughter] There are professions where there are certain tools you depend on. With the actor it’s the memory, and also it’s the stamina. You can’t coast in some of these Shakespearean roles. They’re uncoastable. You can imagine the kind of panic that sets in when you realize you can’t get through this.

Q: Is a crisis of confidence like the one your character experiences unimaginable to you?

Al Pacino It’s got to be really confounding when you no longer have that appetite, I would imagine. I know about Philip Roth saying that he doesn’t write anymore and he feels good about it. There’s a kind of relief in that. But to be an actor that doesn’t want to do it anymore?


Send the elevator back down

kevin-spacey

“If you’ve done well in the business that you wanted to do well in, then it is your obligation to spend a good portion of your time sending the elevator back down.”

– Kevin Spacey

Q: What keeps you going? What get’s you up in the morning?

KS: We had dinner one night on the beach.  We decided to play a game and the game was you had to describe the most important thing in life using one word.  So we went around table. You got health, wealth, family, money. It came to John Huston and he said “Interest.” “Interest.” “Interest” that’s the most important thing in life. And I feel that is something that I have adopted. The idea of being interested in things that I don’t know rather than things that I do know. Peeling back the layer again and again of putting yourself in situations that are challenging and new, that are compelling, and ask of yourself something different than you’ve ever done before. And sometimes this means doing things that scare you and things that you’re not sure you can succeed at.

I suppose that is why I have always loved the theatre and why I love doing plays over anything else. There’s a ritual to it.  There’s also this incredible thing about it where it’s like you are walking on a tight rope. Feeling like you have nothing below you but your faith in what you are doing, your appreciation of the words and the story the author has written and your trust in your fellow company members.

Q: Do you feel that taking risks gets easier and easier over time?

[Read more…]

Our dark and our light are so intertwined

Jeff-Bridges

He considers his latest film (The Giver), co-starring Taylor Swift and Meryl Streep, a cautionary tale. “I think it’s an impulse for human beings to want to suffer less, and we’re kind of addicted to comfort at all costs—at least I am. And of course comfort has a price,” he says. “So the film is asking…what’s the true cost of our comfort, and what are we willing to pay?”

What is he too comfortable with? Sitting on a long white leather couch at a photo studio in New York, Mr. Bridges holds up a half-eaten almond croissant. “I love taste, and I love the immediate gratification of flavor and that satisfying swallow you feel all over,” he says. “But I look at my body and I should say, ‘Is that really the most healthy thing for me?'”…

But leaning back and eyeing the last of his croissant, he says that he is constantly dealing with the idea of perfection. “Wouldn’t it be great if I stopped eating this and worked out every day?” he asks. “Imperfection and perfection go so hand in hand, and our dark and our light are so intertwined, that by trying to push the darkness or the so-called negative aspects of our life to the side…we are preventing ourselves from the fullness of life.”

He’s referring to one of his favorite quotations by the Russian author Alexander Solzhenitsyn: “…the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?” Mr. Bridges interprets it as a reason not to judge other people. “You’re saying that guy’s evil, somebody else is saying you’re evil, and we all have that in common, but as The Dude might say, ‘That’s just your opinion, man,’ ” he says. “What I’m proposing is that we’re all connected, and we’re all in it together.”

~ Alexandra Wolfe in her interview of 64-year old actor Jeff Bridges

Read full interview in wsj.com: Things That Jeff Bridges Can’t Abide


Notes: NY Times Movie Review of The Giver

Good Morning, Vietnam


The Best Robin Williams’ moments from the movie Good Morning, Vietnam. Robin Williams, RIP, 1951-2014.


Is it a blessing? Totally.

robin-williams

Interview in The Guardian, September, 2010:

He takes everything, he says, more slowly now…”You know, I was shameful, and you do stuff that causes disgust, and that’s hard to recover from. You can say, ‘I forgive you’ and all that stuff, but it’s not the same as recovering from it. It’s not coming back.”

…it may well be down to the open-heart surgery he underwent early last year, when surgeons replaced his aortic valve with one from a pig.

“Oh, God, you find yourself getting emotional. It breaks through your barrier, you’ve literally cracked the armour. And you’ve got no choice, it literally breaks you open. And you feel really mortal.” Does the intimation of mortality live with him still? “Totally.” Is it a blessing? “Totally.”

– Robin Williams, 63,  [July 29th 1951 – August 11th 2014]. RIP.

 


Notes: Photo – Tracylord

 

Staring at the Flame

black and white,portrait

[…] his intuition was luminous from the instant you met him. So was his intelligence. A lot of actors act intelligent, but Philip was the real thing: a shining, artistic polymath with an intelligence that came at you like a pair of headlights and enveloped you from the moment he grabbed your hand, put a huge arm round your neck and shoved a cheek against yours; or if the mood took him, hugged you to him like a big, pudgy schoolboy, then stood and beamed at you while he took stock of the effect.

Philip took vivid stock of everything, all the time. It was painful and exhausting work, and probably in the end his undoing. The world was too bright for him to handle. He had to screw up his eyes or be dazzled to death. Like Chatterton, he went seven times round the moon to your one, and every time he set off, you were never sure he’d come back, which is what I believe somebody said about the German poet Hölderlin: Whenever he left the room, you were afraid you’d seen the last of him. And if that sounds like wisdom after the event, it isn’t. Philip was burning himself out before your eyes. Nobody could live at his pace and stay the course, and in bursts of startling intimacy he needed you to know it.

[…] He seemed to kiss his lines rather than speak them. Then gradually he did what only the greatest actors can do. He made his voice the only authentic one, the lonely one, the odd one out, the one you depended on amid all the others. And every time it left the stage, like the great man himself, you waited for its return with impatience and mounting unease.

We shall wait a long time for another Philip.

~ John le Carré on Philip Seymour Hoffman, Staring at the Flame


Notes:


He burns really, really hot

inside-llewyn-davis-john-goodman

…At 61, with more than 80 feature films under his belt, Mr. Goodman has cemented his role as one of the great character actors of this generation. He’s not of the “I-know-him-but-I-don’t-know-his-name” variety, though—he’s a star…

…Short but forceful performances have become Goodman’s specialty.  He is in the movie for 15 minutes and 54 seconds. He creates a never-before-seen character but one that is quintessentially John Goodman. He berates the people around him, burns up his scenes. And his work is done…

…Goodman has spent the last two decades as master of a certain type of role: the potentially menacing regular guy, the teddy bear you don’t want to annoy because you might remind him he is a bear. There’s a video online called “John Goodman Loses his S—,” a mashup of his work, scene after scene of him blowing his stack, from TV’s “Roseanne” to Coen films like “The Big Lebowski” to his lead role in the baseball movie “The Babe.”…

…”The moment he appears you feel, ‘Oh, here we go, he’s gonna deliver,'” Mr. Thomson says. “He always gives it a twist. As a character actor he’s on a par with Sydney Greenstreet, He had nastiness in him, he had menace, but once he started talking you just wanted him to go on and on.”  Thomson says Mr. Goodman allows viewers to “imagine the madman inside” his characters: “So much of the time he is a sweetheart, but the rage is there. I suspect it’s directed against himself in lot of ways.”  “I guess I’m able to tap into some undealt-with anger a lot,” Mr. Goodman says. He laughs. “My innate rage.” [Read more…]

The Epic Split


50,726,203 Youtube views in one week. I might be the only one in the U.S. who hadn’t seen this. And yes, I’m a card carrying member of the Claude Van Damme fan club. Loved it (and the music).


Thank you Jack

I am what I am, and I do what I do

anthony-hopkins-2

My philosophy is: It’s none of my business what people say of me, and think of me. I am what I am, and I do what I do. I expect nothing, and accept everything. And it makes life so much easier.

— Anthony Hopkins


Credits: Portrait – geektyrant; Quote – Emotional Alegbra

Ghosts you chase you never catch

portrait, black and white, photography

“I wouldn’t describe myself as lacking in confidence, but I would just say that … the ghosts you chase you never catch.”

John Malkovich


John Gavin Malkovich, 59, was born in Christopher, Illinois.  His paternal grandparents were Croatian. He is an American actor, producer, director, and fashion designer. Over the last 30 years of his career, Malkovich has appeared in more than 70 motion pictures. For his roles in Places in the Heart and In the Line of Fire, he received Academy Award nominations. He has also appeared in critically acclaimed films such as Empire of the SunThe Killing FieldsDangerous LiaisonsOf Mice and MenBeing John Malkovich, and RED, and has produced numerous films, including Juno and The Perks of Being a Wallflower.


Image Source: Youreyesblazeout

He’s playing the long game

15well-timberlake-tmagArticle

“Justin Timberlake, 32, is playing the long game. He’s the Kasparov of showbiz. He has survived far longer than most artists, tracing an arc from pop-culture absurd — first appearing on the Mickey Mouse Club at age 11 — to pop-culture sublime, a solo career that has triumphed at a time when entertainment, and celebrity, have become more disposable than ever…

Timberlake, it has been said, has gone far on likability, which is also a way of mildly patronizing him…But what has let him bridge over multiple iterations and now three generations of fans has been a certain kind of generationally specific decorum: gracious, polite, patient, deferential. He may have you naked by the end of this song, but he will do so using Antioch rules.”

(Timberlake) ‘Y’know, life doesn’t happen in black and white.’ The gray area is where you become an adult . . . the medium temperature, the gray area, the place between black and white. That’s the place where life happens.”

~ The New York Times Style Magazine: The Enduring, Multigenerational Appeal of Justin Timberlake


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