Serpico

But then I met Frank Serpico in Bregman’s office. Bregman had set it up. I took one look at Frank and I knew. I said, I can play him. I’ve got to play him. I saw it in his eyes, and I thought, I want to be that. I’m often offered real people, and I turn them down. I didn’t want to be them. Not because they’re bad or good. Just because I didn’t feel any connection to them. I spent more time with Frank that summer before we made the film. He came to visit me at a house I was renting in Montauk. We were sitting on my deck, looking at the waves coming in. Finally I said something to him that he’d probably heard a thousand times before. “Frank, why didn’t you take those payoffs?” I asked him. “Just take that money and give your share away if you didn’t want to keep it?” He said to me, “Al, if I did that”—long pause—“who would I be when I listen to Beethoven?” There was something about that statement that just made me want to play him.”

― Al Pacino, Sonny Boy: A Memoir (Penguin, October 15, 2024)


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