Notes:
- Thank you Rob @ The Hammock Papers. And if you can’t get enough of Gymnopedie, don’t miss Rob’s other posts including Satie, Gymnopédie No. 1 and Satie, Gnossienne No. 1
- Alison Balsom Bio.
Notes:
Check out the foot work of Mr. Green Hair @ 1:06. How good are these guys?
The brass band Lucky Chops was started by some kids at New York LaGuardia High (the “Fame” school) who cut their teeth playing in the subway. When a South American tourist shot a video of them that went viral, they started getting real gigs…”We still go into the subway to perform when we have the time. It’s a great training ground, if we workshop a new song in the subway and are able to get strangers to stop what they’re doing and listen to us then we know that song is a keeper.” (Source: Bedford + Bowery)
Liked this? Check out Lucky Chops with their Adele Cover: Hello
Herb Albert Readies New Album by Marc Myers
Herb Albert, 79, is still at it today. At the end of 1965, he went head to head with Bob Dylan and the Beatles. His album climbed to No. 1 in 1965 and his albums in each of the next three years topped the charts. More than 40 years later (January, 2014), he won his ninth Grammy for “Steppin’ Out,” and on September 30 he will release “In the Mood.” (Excerpts from the interview below)
Q: A remake of “Chattanooga Choo Choo” might be stretching it, no?
A: The Glenn Miller song from 1941 just popped into my head and stayed there. A number of people, including my wife, Lani Hall, told me not to record it, that it was too square. But the song felt good and I’ve made a career out of doing what feels good to me. If a song works and it’s honest, people will get it.
Q: Does it bother you to be thought of as the “king of casual?”
There’s a word called “happy.” I’ve always wanted to be that, and my music and trumpet reflect this ambition. I listened to jazz when I was young, but I have a classical background and studied formally for eight years. I just react to what sounds good and try to stay as spontaneous as possible. I’ve never rehearsed most of the songs I’ve recorded. I have relative pitch, so if I hear a song once, I can play it back instantly. Mostly, I try to be honest and listen to my inner voice.
Q: Was “Rise’s” success in 1979 unexpected?
A: Everything in this business is unexpected. My nephew and producer-songwriter Randy Alpert initially wanted me to turn Tijuana Brass hits into dance records. It just didn’t feel right but I gave it a shot. I brought in musicians and we played down a disco version of a “Taste of Honey.” I couldn’t feel it. Randy had written “Rise” [with Andy Armer] and wanted us to do it at 120 beats per minute—the standard disco tempo back then. But I slowed it down to 100 beats, giving it more of a soulful feel, and it worked.Q: How do you feel when someone calls your music cheesy?
A: [Laughs] They’re thinking too hard. Art is a mystery. There’s no way you can figure out what’s special if you analyze it. You either feel it or you don’t. The definition of art isn’t breaking your neck. Why would you do that? Honesty and passion are everything—at least they are for me.
Read Full Interview in wsj.com here: Herb Albert Readies New Album by Marc Myers
Find Herb Alpert’s New Album here: In the Mood.
LOVED THIS! Don’t pull up early on this video. Take it to the finish line. (Un Cygene La Nuit = A Swan At Night).
Yes. Yes. Yes. I agree. She stopped me in my tracks:
Every now and then a singer comes along with such an unusual approach to her voice that the Canadian folk scene stops in its tracks to make space for something they didn’t know they were missing. Darkly theatrical and deep-voiced, Toronto-raised, Montreal- and Paris-based trilingual (English, French and Spanish) singer Alejandra Ribera is such a performer. (Source: nowtoronto.com)
A bit of Edit Piaf. A bit of Tom Waits. A bit of Joan Armatrading:
Ribera was born to an Argentine waiter and a Scottish actress and raised in Toronto. Her wildly bizarre vocal range and eclectic writing style have led to comparisons stretching from Edith Piaf to Tom Waits to Joan Armatrading. Growing up, Alejandra studied violin, viola and classical choral music. As a teenager her habit of sneaking into cabaret bars and her obsession with greats such as Mercedes Sosa, Odetta and Jimmy Scott began to shape the distinctly unique vocal style she would later apply to her own compositions. After abandoning York University’s Vocal Jazz program after only four days, she headed off to Europe to study energy healing. “Yeah, I dropped out of school to study with a witch doctor in the mountains of Slovakia … it seemed like a good idea at the time… ” she chuckles, “but this is where it lead me, so I think it was an important detour.” Unable to deny the call of music she returned to Canada, this time to build her career as a gifted singer/songwriter. (Source: alejandraribera.com)
Alejandra Ribera’s new album released February 4, 2014: La boca (Canadian store). Her previous album Navigator, Navigateher can be found here.
Image Source: expensivelife via marcdesa
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