Tag: Rachel Cusk

Lightly Child, Lightly.

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I looked at the photograph he had shown me, the shadowy ridged declivity in the blasted planetary surface…I felt change far beneath me, moving deep beneath the surface of things, like the plates of the earth blindly moving in their black traces.

— Rachel Cusk, Transit (Picador; December 19, 2017)

Notes:

  • Photo: DK. Daybreak. 6:10 am, February 3, 2021.  27° F., feels like 16° F. Cove Island Park, Stamford, CT.
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Monday Morning Wake-Up Call

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I suppose if there is a reckoning in middle age, it’s a tragic sense that you have been formed by things, and sent hither and thither by those things, and put in a frenzy and made to run around the place, and up and down the house in the service of those things, and they were not real. They were the product of your upbringing or conditioning or gender or social class. And I think there’s a certain point where suddenly the grip of all of that on you loosens. It’s like a stage set beginning to sort of crumble, and you start to see it wobbling, and I think you can get some really startling and frightening perspectives on identity once you start looking at it from there. The thought that you’ve wasted your entire life in the service of things that didn’t really exist – that you were in a prison where the door, in fact, was open, and you’ve sat there all this time . . .

~ Rachel Cusk, in an interview by Sheila Heti (Paris Review, Art of Fiction No. 246, Spring 2020)

Photo: Rachel Cusk in NY Times

Riding Metro North. Stones, truths and time.

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Sunday afternoon

I’m sitting on couch, wrapped in a soft hand-knit throw, reading Rachel Cusk’s new book “Coventry“: “I wanted only to be allowed to stay where I was; all weekend, the feeling of Sunday evening’s approach was as cruel and meticulous as the ticking of a time bomb.”

Weekend dripping away.  Work enters consciousness. Calendar. Meetings. The unfinished business.

Monday morning.

8 a.m. Dentist appointment. X-rays. Open wide. The pinch of hard plastic on the soft tissue inside of mouth. The squeeze of metal on molars.  The heavy cloak of the x-ray protective vest weighing on chest. All triggers the gag reflex. Then, cleaning. 48 minutes later, I’m released. I get up. Vertigo. Can’t find my footing. Woozy.

Cusk: “It is the body of a nearly forty-nine-year-old, but it doesn’t feel that way. I have never felt myself to be ageing: on the contrary, I have always had the strange sensation as time passes that I am getting not older but younger…This is not, of course, a physical reality.”

I pay, exit, find my car and enter I-95 traffic in right lane. And stay in right lane, following traffic. Semi trailer to my left, an arm’s length away.  Decal below his rearview mirror trimmed in silver: “In memoriam of Armando.” Son? I stare at the lettering a-r-m-a-n-d-o, it slides closer to me. I return attention to the road in front. Damn it, it’s me! I turn the wheel right to veer back into my lane.  Cob webs heavy. Tailings of vertigo from Dentist chair. Fading sleep medication. So that’s what it’s come to. Old man in right lane, following traffic. Since when have you followed traffic, in the right lane, followed anything, or anybody? Continue reading “Riding Metro North. Stones, truths and time.” →

With you Rachel

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The water in the creek is often surprisingly warm. After the first shock, it is easy to stay in. It is perhaps thirty metres long and I swim fast and methodically up and down. I don’t like to talk or mess around when I’m swimming; or it might be more accurate to say that I can’t imagine being able to mess around, can’t imagine being free from my own rules and ambitions, and more accurate still to say that I’m frightened of what might happen if I were. Instead I set myself a target and count the lengths. My husband dives in and swims for a little while, slowly, without particular direction. Then he turns over and lies on his back and floats, looking at the sky.

~ Rachel Cusk, in Coventry (Farrar, Straus and Giroux. September 16, 2019)

Note: Photo Gif via poppins-me

About right.

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Is this verbal violence, then, simply incompetence? Is it the verbal equivalent of someone who has not learned the piano sitting down and trying to play Rachmaninov’s Third? The rudeness of these public figures gives pleasure and relief, it is clear, to their audiences. Perhaps what they experience is not the possibility of actual violence but a sort of intellectual unbuttoning, a freedom from the constraint of language. Perhaps they have lived lives in which they have been continually outplayed in the field of articulation, but of this new skill – rudeness – they find that they are the masters.

~ Rachel Cusk, from “On Rudeness” in Coventry (Farrar, Straus and Giroux. September 16, 2019)

Notes: