Nothing you ever understand will be sweeter, or more binding / Than this deepest affinity between your eyes and the world.


Notes:

  • Post Title: From Mary Oliver’s “Terns” (Thank you Make Believe Boutique)
  • DK Photos: 6:15 to 6:40. 60° F. Cove Island Park, Stamford, CT. More photos from this morning here.

alone at water, its open eye, without seeming to move

I am always watching
the single heron at its place
alone at water, its open eye…
without seeming to move…
The bird is more beautiful
than my hand, skin more graceful
than my foot, my own dark eye…

Linda Hogan, from “The Heron” in “Rounding the Human Corners”



DK Photo: Great Blue Heron. 6:15 a.m. this morning. 50° F. Cove Island Park, Stamford, CT. More photos from this morning here.

TGIF: the herons…; and the world I’ve known; all fading past me into peace.


Notes:

  • Photo: DK with Great Blue Heron @ Daybreak. 5:55 a.m. 70° F. Cove Island Park, Stamford, CT. Other photos from this morning’s walk here.
  • Post Title from Siegfried Sassoon’s poem titled: Falling Asleep

Walking. With those unheard are sweeter?

4:50 a.m. Late jump. Scrambling to get out before sunrise. 816 consecutive (almost) days on my daybreak walk at Cove Island Park. 816 days, like in a row.

I walk.

Cloud cover is heavy, humidity is heavier. Twilight is patchy.

I was up late last night reading Seán Hewitt’s memoir All Down Darkness Wide.  He shares an excerpt from a Keat’s Poem: ‘Heard melodies are sweet, but those unheard / Are sweeter.’ And Hewitt continues…”And what of them.”

And what of them.

I didn’t find Keats, or poetry, until late in life. And like the toddler scrambling to catch his parent who lurches ahead, I’m still playing catch-up.  I thought I understood the lines, but lacked confidence to say, yep, that’s right, you got it DK.  So, I shut down my Kindle, and googled the lines for an interpretation by Meursault to validate my understanding:

This line from “Ode on a Grecian Urn” is an example of Keats arguing that the power of thought, the imagination and anticipation is often greater than the act itself. Music and “melodies” that are imagined and anticipated are always in tune. They are played perfectly. A melody composed in the mind, cannot possibly be played badly or incorrectly. There is no possibility of error or an imperfect note. Therefore, Keats believes that imagining something brings more fulfillment and contentment than a “real” version ever could. He thinks that anticipation and expectation often outweighs the copy in the real world and that something real can only be disappointing compared to the imaginary.

I re-read the interpretation again, paused, shut down my Kindle, and fell asleep noodling the unheard.

So, back to this morning.

I walk.

…the imagination and anticipation is often greater than the act…they are played perfectly…therefore, Keats believes that imagining something brings more fulfillment and contentment that a “real” version ever could..

To my right, there’s a Great Blue Heron.  His long legs, and webbed feet slide across the ever-so-green algae.

To my left, there’s an Egret, ever-so-white as fresh snow.  Her feet in ankle-deep, cyan (?) tinted water, pausing from fishing for a moment. Go head DK, here’s my good side. I’ll wait for you to get your focus just right.

My imagination bringing more fulfillment and contentment than this?

Sorry.

That’s bullsh*t.


Notes:

  • Photos: DK @ Daybreak. 5:24 a.m. July 30, 2022. 74° F. Cove Island Park, Stamford, CT. More photos from this morning here  (birds), and here (landscape)
  • Meursault (John Keats Forum, April 16, 2009)
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