Flying over I-40 S. With Lav #2.

Who’s the guy in the photo? No idea. Loved the shot, it goes up.

Does he resemble him? No. Hair color? No. Glasses? Hmmm, black frames, but not the polaroids. Body frame? Close. So what’s the connection? For some inexplicable reason, Tattoo runs up shouting “Ze plane! Ze plane!” to announce the arrival of a new set of guests to Fantasy Island. Not “ze plane” – “ze cane Boss“, “ze cane.”

I’ve been in here, this same room, a hundred times, maybe more. Always early morning, and an hour before boarding. The first flight from LaGuardia to Dallas.

Yes, we’re back talking about Lavs, after Lav #1 earlier in the week, and Lav Doors a while back. It’s the Men’s restroom at the American Airlines Admirals Club. Here, there are three certainties when you enter: (1) the smell of clean, before hundreds soil the floor with urine and slop the countertops with water and soap suds, (2) Musak pumping Chill music through the ceiling speakers and (3) Chill, like Arctic air, that triggers goose bumps on your skin…get dancing!

It’s July, 82° F, and he’s wearing a blue windbreaker.  Navy blue slacks. A baseball cap. 5’4″ tops, if stretched out from his stoop. Glasses, black frames; lenses…coke bottles. Age? ~ mid 80’s.

He’s standing at the urinal to my left. His cane, hard wood, weathered, has a silver wrapper for a handle. It leans against the wall, waiting. Continue reading “Flying over I-40 S. With Lav #2.”

Flying over I-40 N. With Lav #1.

airplane-black-and-white

I just didn’t know. Or perhaps I didn’t care to know. Or maybe it’s just not possible to know. How could you possibly know?

And then there’s a moment or two, when you cross that line, from passively aware or passively engaged to actually feeling. And perhaps you only feel when the suffering is so high, yours or others, that only just then do you begin to give-a-sh*t.

I’m seated in an exit row on an Airbus A3215, 1 seat back and across from the airplane lavatory: ~40” long x 34” wide x 75″ inches tall. Inches.

A Mother walks down the aisle. She grabs the back of one seat, and then the next, and the next, to keep her balance. The plane tips left and right in soft turbulence. She makes her way down the aisle.

There are two hands gripping the tops of her shoulders. She’s slight, maybe 5’2”, and stooped under the weight of the hands. The hands are owned by a strapping 14-year old who towers over her. Mildly handicapped?

She enters the restroom first, her Son doesn’t let go. She lifts one hand off her shoulder and turns to him. She slides her arms under his arms and begins to tug him in. Won’t fit. Not possible. Two full size humans in 40 x 34 x 75.

There’s silence, five minutes or so, which is interrupted by a toilet flush. She exits, pulling him out with her arms under his. She strains to extract him from the box, her face red, filled with rage.

She extracts him and pauses to catch her breath. Her Son claws after her shoulders to grab on as the plane tips. They head back up the aisle. She settles him in.

She comes hurrying back down the aisle.  And into the Lav.

It’s quiet again, now for 5-7 minutes. Then a toilet flush.

She exits. Her right hand dries her eyes, now red and swollen. She catches my glance, offers a forced smile, turns, and heads back to her seat.

You just don’t know. No chance. Not close.


Notes:

All of it is really just absurd and seems improbable

“While working on my first novel, I developed Central Serous Retinopathy, or stress-related vision loss in my left eye. Doctors said it was imperative that I relax, but I wasn’t about to give up my passion. Then it hit me: the absurd reality that writing a book robbed me of my sight. The human brain is powerful enough to send a man to the moon, yet, writing nearly blinded me. In that moment of clarity, I realized that reflecting on the sheer absurdity of existence was key. Now, whenever I find myself overwhelmed, I sit back, pet my dog, and count the innumerable bizarre occurrences that had to happen just so in order for me to be sitting in front of my typewriter at that moment: the highly volatile mixture of elements that exploded into our universe; the curious Tiktaalik fish that thought, What’s on that dry stuff?; and the fact that my mother and father, millions of years and coincidences later, graciously decided to make another human. All of it is really just absurd and seems improbable. Once I’ve reflected on that for a while, writing hardly seems impossible and I enter a state of repose, grateful to get back to work.”

— Michael A. Ferro, author of TITLE 13 in Writers Recommend (Poets & Writers, July 12, 2018)


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Walking Cross-Town. @ 80%.

It’s cold.

I’m zigzagging cross town.

I hit red lights and turn to walk up avenues. I approach walk signs, and turn back down streets.

The skyscrapers cradle the wind currents, they gust and swirl, and find the exposed skin: the neckline, the forehead, up the pant leg — both eyes gush water.

I reflect on a conversation from the day before.

“How you feeling?”

“Much better thanks. But I’m a bit shocked at how quickly I tire. And I have these intermittent bouts of lightheadness. Destabilizing, really.”

“You had material blood loss. You know that red blood cells take 4-6 weeks for complete replacement.”

You had no idea. None. Zero. How little interest you take in something so important to your sustenance. Yet that doesn’t seem to rock you as much as knowing the older you get, the less you seem to know. This jolt makes you lightheaded. Or perhaps it’s the speed walking, and a shortage of red blood cells.

I slow down. Way down. The lightheadness grows.

This movie is running in slow motion. Other pedestrians pass you by. Others pass you by. This makes you uncomfortable. You are losing, behind, slipping, slowing. Increasingly you are feeling ok with that. Really? Are You? Not really. You try to accelerate…want to…can’t…don’t…need to.

I stop. Continue reading “Walking Cross-Town. @ 80%.”

Driving I-95 S. With Michelango.

Thursday. I’m heading south on I-95 to Manhattan. 5:45 am.  Pre-rush hour, traffic moving smoothly.

I’m swept back to an evening in December at the NY Metropolitan Museum of Art: Michelangelo. Divine Draftsman & Artist.

My eyes pan the exhibit brochure…he was called Il Divino (“the divine one”)…the exhibit presents a stunning range and number of works…133 of his drawings, three of his marble sculptures…his wood model…his earliest paintings..the exhibition presents his stunning range.

I set down my wine glass on a tray.  And, separate myself from the group.

My ears catch the sound of my footfall on the marble floors as if to scold: “Slow down Jack. You are in the presence of a God.”

I slow my pace and pause in front of a marble sculpture. His hands built this, what, 500 years ago? This Man, Michelango, created this. He was a Man, just like you. You, a Hu-Man, just like him.  And, what did you do this week? Continue reading “Driving I-95 S. With Michelango.”