A blessed unrest that keeps us marching and makes us more alive than the others

tatiana-maslany

By: Lili Loofbourow, The Many Faces of Tatiana Maslany:

Tatiana Maslany, the 29-year old actress, is a native of Regina, Saskatchewan. She is the leading lady on the set of “Orphan Black,” the BBC America television show that has the same star many times over. “Orphan Black,” you see, is about a group of persecuted clones, and all of them are played by Tatiana Maslany.

Despite Maslany’s reluctance, I managed to steer our conversation back to her magical quick-change act. I still wanted to know how she does it. “I think there’s something about being prepared enough that you can surrender,” she said. Then she quoted to me something the dancer Martha Graham told the choreographer Agnes de Mille in 1943.

At the time, de Mille was confused and bewildered by her sudden rise to fame, and Graham offered her words of encouragement.  […] De Mille asked Graham when she would feel satisfied, and Graham replied: “There is no satisfaction whatever at any time. There is only a queer, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.” I asked Maslany what her divine dissatisfaction was. “I don’t know how I would label it right now,” she said. “I think if I looked back on this time, I’d probably see where it lived.”

Don’t miss entire NY Times Magazine article here: The Many Faces of Tatiana Maslany.


Red’s Wish. My Wish Too.

To stand at the helm of your destiny. I want that, one more time. I want to be in the Piazza del Campo in Siena. To feel the surge as 10 racehorses go thundering by. I want another meal in Paris, at L’Ambroisie, at the Place des Vosges. I want another bottle of wine. And then another. I want the warmth of a woman and a cool set of sheets. One more night of jazz at the Vanguard. I want to stand on the summits and smoke Cubans and feel the sun on my face for as long as I can. Walk on the Wall again. Climb the Tower. Ride the River. Stare at the Frescos. I want to sit in the garden and read one more good book. Most of all I want to sleep. I want to sleep like I slept when I was a boy. Give me that, just one time…

— Raymond “Red” Reddington, The Blacklist


Source: Thank you Kurt @ Cultural Offering

The Humbling

al-pacino-barry-levinson

Al Pacino and Barry Levinson on Age, Accomplishments and ‘The Humbling’:

Mr. Pacino, 74, is playing Simon Axler in The Humbling. Axler is an aging actor whose memory and stamina are failing him. He fears his opportunities are drying up and audiences no longer recognize him.

Q: “The Humbling” deals with a character who is despairing because he’s growing older and believes he’s no longer proficient at the things that defined him. Are these feelings you’ve experienced yourselves?

Al Pacino: Oh, yeah. What film is this again? [Laughter] There are professions where there are certain tools you depend on. With the actor it’s the memory, and also it’s the stamina. You can’t coast in some of these Shakespearean roles. They’re uncoastable. You can imagine the kind of panic that sets in when you realize you can’t get through this.

Q: Is a crisis of confidence like the one your character experiences unimaginable to you?

Al Pacino It’s got to be really confounding when you no longer have that appetite, I would imagine. I know about Philip Roth saying that he doesn’t write anymore and he feels good about it. There’s a kind of relief in that. But to be an actor that doesn’t want to do it anymore?


Send the elevator back down

kevin-spacey

“If you’ve done well in the business that you wanted to do well in, then it is your obligation to spend a good portion of your time sending the elevator back down.”

– Kevin Spacey

Q: What keeps you going? What get’s you up in the morning?

KS: We had dinner one night on the beach.  We decided to play a game and the game was you had to describe the most important thing in life using one word.  So we went around table. You got health, wealth, family, money. It came to John Huston and he said “Interest.” “Interest.” “Interest” that’s the most important thing in life. And I feel that is something that I have adopted. The idea of being interested in things that I don’t know rather than things that I do know. Peeling back the layer again and again of putting yourself in situations that are challenging and new, that are compelling, and ask of yourself something different than you’ve ever done before. And sometimes this means doing things that scare you and things that you’re not sure you can succeed at.

I suppose that is why I have always loved the theatre and why I love doing plays over anything else. There’s a ritual to it.  There’s also this incredible thing about it where it’s like you are walking on a tight rope. Feeling like you have nothing below you but your faith in what you are doing, your appreciation of the words and the story the author has written and your trust in your fellow company members.

Q: Do you feel that taking risks gets easier and easier over time?

Continue reading “Send the elevator back down”

Our dark and our light are so intertwined

Jeff-Bridges

He considers his latest film (The Giver), co-starring Taylor Swift and Meryl Streep, a cautionary tale. “I think it’s an impulse for human beings to want to suffer less, and we’re kind of addicted to comfort at all costs—at least I am. And of course comfort has a price,” he says. “So the film is asking…what’s the true cost of our comfort, and what are we willing to pay?”

What is he too comfortable with? Sitting on a long white leather couch at a photo studio in New York, Mr. Bridges holds up a half-eaten almond croissant. “I love taste, and I love the immediate gratification of flavor and that satisfying swallow you feel all over,” he says. “But I look at my body and I should say, ‘Is that really the most healthy thing for me?'”…

But leaning back and eyeing the last of his croissant, he says that he is constantly dealing with the idea of perfection. “Wouldn’t it be great if I stopped eating this and worked out every day?” he asks. “Imperfection and perfection go so hand in hand, and our dark and our light are so intertwined, that by trying to push the darkness or the so-called negative aspects of our life to the side…we are preventing ourselves from the fullness of life.”

He’s referring to one of his favorite quotations by the Russian author Alexander Solzhenitsyn: “…the line dividing good and evil cuts through the heart of every human being. And who is willing to destroy a piece of his own heart?” Mr. Bridges interprets it as a reason not to judge other people. “You’re saying that guy’s evil, somebody else is saying you’re evil, and we all have that in common, but as The Dude might say, ‘That’s just your opinion, man,’ ” he says. “What I’m proposing is that we’re all connected, and we’re all in it together.”

~ Alexandra Wolfe in her interview of 64-year old actor Jeff Bridges

Read full interview in wsj.com: Things That Jeff Bridges Can’t Abide


Notes: NY Times Movie Review of The Giver