Jackie

jackie-movie-natalie-portman

Ms. Portman’s Jackie is a mesmerizing presence. She is stiff the way celebrated women were in the early 1960s, in her comportment as well as her hair. […]

Natalie Portman’s portrait of Jacqueline Kennedy during and immediately after her husband’s assassination rises above impersonation to an eerie kind of incarnation: She’s got the voice, the look and a devastated spirit that still has plenty of steel…For those who remember exactly where they were when the news came in, some of these blood-soaked images retain the power to evoke astonishingly strong feelings of shock and grief. This is by way of saying I may have seen a different “Jackie” than others will see, one that made me recoil at replayed moments of horror, and sometimes squirm like a voyeur. But Pablo Larraín has made a strangely conflicted film that portrays Jackie as an obsessive mythmaker and keeper of the flame—an ironic, provocative approach—yet celebrates the Camelot myth in the process. […]

Does it also feel right that the film, following Jackie back to the White House after the flight from Dallas, tracks her solitary wanderings through silent, empty rooms and into the shower, where she washes her husband’s dried blood from her body? No and yes. Some of that left me feeling queasy, an accessory to a break-in on an icon’s privacy. All the same, following her in the hours after the assassination is a terrific idea for part of a movie, a part that’s irresistible to watch…

The film’s contradictions intersect most vividly toward the end, when Jackie, passing a department store in a limousine, sees mannequins in a succession of windows wearing her signature dresses. That could also be taken as ironic—the architect of the image-building project has become its surviving subject. But the scene, like so much in the film, plays sentimentally. She is ruefully, tragically alone…

~ Joe Morgenstern, excerpts from ‘Jackie’ Review: The Woman and the MythNatalie Portman stars as Jacqueline Kennedy in the period during and after her husband’s assassination

To watch official movie trailer: Jackie, Official Trailer


Photo: traileraddict.com

Someone will always have a higher jump or a more beautiful line.

natalie-portman-harvard-commencement

“I felt like there had been some mistake,” she said. “…that I wasn’t smart enough to be in this company.”…When Portman was finally able to combat these feelings of self-doubt, there’d be more roadblocks to overcome…

By the time Portman got to “Black Swan,” she said that “the experience was completely [her own].” Portman had vowed to only sign onto projects that she could glean meaningful things from. And Darren Aronofsky’s “Black Swan” — a project she admits she was “woefully unprepared for” and was “15 years away from being a ballerina” when she signed on for — would carry, perhaps, one of Portman’s most meaningful life experiences.

“It was instructive for me to see that for ballet dancers — once your technique gets to a certain level — the only thing that separates you from others is your quirks,” Portman said. “Or even, flaws … You can never be the best technically. Someone will always have a higher jump or a more beautiful line. The only thing you can be the best at is developing your own self.”

~ Natalie Portman, 2015 Harvard Commencement Speech


Credits: Quote – Salon.com.

What if it rained? We didn’t care…

I’m not a Paul McCartney fan. (Could I be the only one?)

But McCartney featuring Natalie Portman, this is something special…

What if it rained?
We didn’t care
She said that someday soon
The sun was gonna shine
And she was right
This love of mine,
My Valentine


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