Your writings have fundamentally changed me. For the better, Marilynne. I believe that.

Marilynne_Robinson

She’s at the top of my list of favorite authors. Marilynne Robinson, the Pulitzer Prize Winning novelist (Housekeeping; Gilead; Home), was interviewed by Wyatt Mason in an article titled The Revelations of Marilynne Robinson. Her new book Lila is coming out this week. Here’s a few excerpts from a yet another enlightening experience with the author:

[…] For Robinson, writing is not a craft; it is “testimony,” a bearing witness: an act that demands much of its maker, not least of which is the courage to reveal what one loves.

[…] A photo of her granddaughter sits on the living-room mantle, adjoining a pop-up Christmas card from the Obama White House, where last year she received a National Humanities Medal. (In his remarks that day to the honorees, the president said: “Your writings have fundamentally changed me, . . . I think for the better. Marilynne, . . . I believe that.”)

[…] The novel (Lila) confirms many things, not least of which is how Robinson’s work is unified by her belief in a sacred world whose wonders we have difficulty opening ourselves to, both privately and publicly.

[…] “Being and human beings,” Robinson told me, “are invested with a degree of value that we can’t honor appropriately. An overabundance that is magical.”

Don’t miss the full interview here by Wyatt Mason: The Revelations of Marilynne Robinson.


Book reviews on Lila: A Novel:

  • The Independent: Lila: A Moving Journey From Poverty to Happiness. “…the human story dominates, resulting in a book that leaves the reader feeling what can only be called exaltation.”
  • The New York Times: “Lila: Moral of the Story.” “…is not so much a novel as a meditation on morality and psychology, compelling in its frankness about its truly shocking subject: the damage to the human personality done by poverty, neglect and abandonment.”

Robinson’s new book is scheduled for release on October 7th on Amazon: Lila: A Novel by Marilynne Robinson


Credits: Marilynne Robinson Portrait: The Independent

Why Books Matter

books,read,reading,distraction,

I finished this book last night. I don’t recall another book packing such a punch at the finish.

“I felt myself enter Fitzgerald’s language, felt its lilt, its music, carry me away.”

Right book.
Right place.
Right time.

I’ve included the closing five paragraphs below. If you want to avoid a spoiler, stop here and go pick up David Ulin’s book:

David L. Ulin. The Lost Art of Reading: Why Books Matter in a Distracted Time. (Sasquatch Books. 2010)

Continue reading “Why Books Matter”

Hmmmmmm

read-book

Why, it might be asked, does literature have to have a business at all? Is it not sufficient that it give pleasure, convey information, widen experience, provide flashes of insight? One reads the world’s finest novels, plays, poems, and in time one becomes a more cultivated person, which means somehow more refined, subtler, deeper, possibly even—though this might be pushing it—better. You are what you read; and culture, like heredity and cheap paint, rubs off.

~ Joseph Epstein, A Literary Education and Other Essays. Axios Press.

 


Notes: Image Source – Distant Passion


 

 

 

Lit Boy

John-VandeZande

I’ve reached the half-way mark of Updike, a biography on John Updike written by Adam Begley.  I pause to reflect on how I arrived here.  “Here” being how did I come to be reading John Updike’s biography.  Yes, it was Amazon’s Best Book of the Month for April, 2014. That helped, but that wasn’t it.  It was that man in the photograph that is responsible.  John VandeZande.

It was an undergraduate elective class titled “Good Books.” It was highly recommended by my senior jock buddies: “Just show up, read a few books and you’re done.”  I signed up for the class. I sat in the back of the room.  And hoped never to get called on.

He would assign Hemingway, Faulkner, Joyce, Steinbeck and F. Scott Fitzgerald. Updike, in his biography, would describe them as “textual titans.” At the time, I would describe them as literary unknowns – – DK, a lover of Hardy Boys who then graduated to the genres of Jeffrey Archer (Kane & Abel), James Clavell (Shogun & Tai Pan) and Stephen King – – was being heaved up into the major leagues.  I slumped further down in my chair at the back of the room.

He would break the awkwardness of the early classes by reading long passages from the assigned readings. He would sit on the edge of his desk.  The book in his right hand.  And then immerse himself in the passage. There were no pencils tapping. There was no shifting in chairs.  We were gently transported with him on the journey.

He struck the match. And stoked the fire. And I went on a tear.  First Hemingway with The Sun Also Rises, A Farewell to Arms, For Whom The Bell Tolls, The Old Man and the Sea. Then Faulkner with The Sound and the Fury, As I Lay Dying, Light in August and Absalom, Absalom!. Followed by John Steinbeck with The Grapes of Wrath, Of Mice and Men, Cannery Row and East of Eden.  And then John Updike with Rabbit, Run, Rabbit Redux and Rabbit Is Rich.  And to this day, my serial runs on “Textual Titans” continues. (In Begley’s biography of Updike, Updike explained that: “A real reader,” he explained, “reading to escape his own life thoroughly, tends to have runs on authors.” That had my head spinning.)

Continue reading “Lit Boy”

Where can I put it down?

anne-carson

You remember too much,
my mother said to me recently.
Why hold onto all that?
And I said,
Where can I put it down?

Anne Carson, excerpt from “The Glass Essay


Anne Carson, 63, is a Canadian poet, essayist, translator and professor of Classics. She was born in Toronto.  She is known for her supreme erudition—Merkin called her “one of the great pasticheurs”—Carson’s poetry can also be heart-breaking and she regularly writes on love, desire, sexual longing and despair.  She taught at McGill University, the University of Michigan, and at Princeton University. She was a Guggenheim Fellow and was awarded a MacArthur Fellowship. A high-school encounter with a Latin instructor, who agreed to teach her ancient Greek over the lunch hour, led to her passionate embrace of classical and Ancient Greek classical literature, influences which mark her work still. She teaches ancient Greek and she frequently references, modernizes, and translates Ancient Greek literature. She has published eighteen books as of 2013, all of which blend the forms of poetry, essay, prose, criticism, translation, dramatic dialogue, fiction, and non-fiction. (Sources: Wiki & The Poetry Foundation)

Another favorite Anne Carson quote: “What is a Quote?


Sources: Quote: Larmoyante. Portrait: Book Review. Find this poem: Glass, Irony & God