Grace Love (Gonna Love Grace…)


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“Grace Love and the True Loves is an original 9-piece soul sensation from Seattle, WA. Following in the footsteps of Stax, Motown, King and Daptone artists, but with a sound all their own, Grace Love and the True Loves are setting a course as the next hot soul and funk number ready to sweep the nation with true cross-over appeal. On vocals, Grace Love is Seattle’s shining jewel of grit, beauty and power – think Etta James and Betty Wright meet Mahalia Jackson. Backed by the True Loves, her vocals float effortlessly over kickin’ back beats, smart horns, syncopated rhythms and sweet B-3 color. It’s the hip swinging, booty shaking, heart freeing sound you crave to hear live, but rarely do. Recorded directly to tape at Studio Litho, the full length self-titled album, is sure to bring rave reviews with a sound altogether unique to the Pacific Northwest. The debut 45 singles, “Fire” and “Say What You Gotta Say”, showcase the energy and freshness of Grace Love and the True Loves. Flea Market Funk says, “this floor stomping, dance floor filler is a blues filled soul side that can not be denied”. We think you will agree.”


Notes:

5:00 PM Bell: Uptown Funk


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Do You Feel


José James, 36, is a singer songwriter from Minneapolis, and is best known for performing and blending modern jazz and hip-hop. James joined the Blue Note roster in 2013 when he released his breakout album No Beginning No End to wide acclaim. With its irrepressible lead single “Trouble,” the album release found José making national TV appearances on ConanLate Show With David Letterman, andTonight Show With Jay Leno.

The New York Times praised his “cool and confident” album, adding that it “sounds like the result of the black-pop continuum, jazz and soul and hip-hop and R&B, slow-cooked for more than 50 years.” NPR Music raved that “James makes utterly contemporary music,” noting that he “skirts categories with ease, fitting in with current R&B innovators like Frank Ocean or Miguel, yet maintaining a strong awareness of a lineage that stretches from Ray Charles to Marvin Gaye to Lou Rawls to Maxwell.”

Find this tune on his 2013 Album titled: No Beginning No End

José James official site and his full bio can be found at: josejamesmusic.com


Leron Zamir Forte


“Leron Zamir Forte is a rising cellist who hails from Dallas, TX. He was the recipient of the Holy Cross BachFest Scholarship, Nashville Symphony Orchestra League Thor Johnson Scholarship Finalist, and was invited to the National Society of Collegiate Scholars. He has performed masterclasses with teachers such as Natalia Koma, YeonJin Kim, Julia Tanner, Eric Kutz, Peter Sheppard, and Yo-Yo Ma. He is currently pursuing a Master of Music degree under Gregory Sauer at the Florida State University.”

Find more about Leron and his music @ his Website, on Facebook, on Twitter.


Related Cello Post: Zoë Keating


Charles Bradley


Charles Bradley, 65, was born in Gainesville, Florida.  He was raised by his grandmother until the age of eight when, while meeting his mother for the first time, she told him that she wanted him to come live with her in Brooklyn, NY.  In 1962, his sister took him to the Apollo Theater to see James Brown perform. Bradley was so inspired by the performance that he began to practice mimicking Brown’s style of singing and stage mannerisms at home.  When he was a young teen, Bradley ran away from home and lived on the streets and in subway cars for two years. Later, he enlisted in Job Corps which eventually led him to Maine to work as a chef. One time while working, someone told him he looked like James Brown. Yet when asked if he could sing, he was too afraid to admit it. Eventually he did, however, overcome this fear and performed five or six times with a band. But after his band mates were drafted into the Vietnam War, the act never re-formed.  Bradley worked in Maine as a cook for ten years until deciding to head west, hitchhiking across the country. He lived in upstate New York, Seattle, Canada and Alaska before settling in California.  There, Bradley worked odd jobs and played small shows for 20 years before he was discovered by Daptone’s Gabe Roth…and then, as they say, the rest was history.


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