Running. With Mother Goose.

6:10 a.m. 42° F. Nippy for May.

It’s been 6 days in a row, running that is.  Why? More on this another day, this surge of something.

There she is. Mother Goose. Same spot. Each morning, every morning. Sitting between the highway, the guard rail, and the retaining wall. Sick. She has to be sick. Does she sit here all day? 

She triggered a mini waterfall of the yesterday’s events.

3 p.m. conference call. Delicate personnel situation. I’m quiet, he explains. “Listen, I’m not vindictive, that’s not who I am. There was nothing malicious in….”  He’s a midwesterner, solemn, humble, truthful.  We wrap up the conversation. I thank the small group for providing me the background.  I close: “I know vindictive, and you ain’t vindictive. I see vindictive each morning in the mirror.” They laugh. I know, they know.

6:10 a.m. Yesterday’s morning run. 0.6 miles in. A lady walker, on the other side of the road, 100 feet ahead. Face mask on. She’s pointing her finger at me, scolding.

I turn off the music. You talking to me? I can hear her now.

“You need to wear a mask. You’re putting my life, and other lives in danger. 17% chance of virus being spread by runners without masks. You. Go Home and Put on a Mask.”

“Excuse me?” Continue reading “Running. With Mother Goose.”

We are all living the same moment.

Air is the gaseous substance of life. Sky is what we see of it. How it is framed. The mind’s eye’s way of giving it structure. Blue tent, sky-space, cobalt between heaving mountains.

Air is all over us, inside us, expelled by us, renewed by the operations of photosynthesis and the evaporation of ever-warmer seas.
Sky is ubiquity. It drives into us. We gulp weather. Yet we conceive of it as “out there,” “up there,” and apart from us. Sky is “scape,” a fictive reference point to which we cling, yet it also stands for the open space we come to know as an ever-expanding, cosmic whole…

It is spring as I write, and the world is locked down in a raging pandemic. We hold still while airborne germs wrapped in fat float and flap all around us, threatening our lives…

Sky is a living body, a lung that spews life. In China it is chi, a life force, or tianqi, “heaven’s breath.” In Greenland, it is sila, nature and consciousness. For the Navajo Nation, sky is Nitth’i, a benevolent spirit. The Crow, who live on the grasslands of Montana and Wyoming, call sky huche, meaning “wind that blows steadily at the foot of the mountain.” In Egypt, the dying summoned the god of air and said, “I have gone up to Shu; I have climbed the sunbeams.” …

Sky is nothing and everything: a blank that holds solar systems, locust swarms, heaven’s gates, kingfishers, and cosmos. It’s where the Big Bang flapped everything into being. Recently, 19 new interstellar asteroids were found orbiting the sun, and astronomers have uncovered the beauty of the asymmetrical universe, where the battle between matter and antimatter was waged. Matter and cosmic imperfection won out; otherwise, we wouldn’t exist. “Imperfection is our paradise,” a Buddhist teacher said…

Perhaps that’s the best way to think about the sky and the ways it binds and releases us. Looking up, we can all see the same things: the pink moon, sunrise’s glory, starlight, and the lovely, lonely curve of air. Our peripheral vision shapes what we think we are seeing. From my lookout on a moving dogsled, I’ve seen how the horizon’s silver stripe divides ice from air, mist from ocean, space from Earth, and dark from light as the blue tent floats down and softly covers us all.

~ Gretel Ehrlich, “We Are All Living the Same Moment” in The Atlantic (May 2, 2020)


Photo: DK, Cove Island Park, May 3, 6:43 am.

T.G.I.F.: It’s been a long week

In your house for days on end,
Hours, minutes, weeks all blend.
Boredom, hunger, Tiger King.
Food depleted, you need some things.
And though I shouldn’t need to ask,
When you go out, please wear a mask.


Source: covidbookcovers

Guess.What.Day.It.Is?


Photo: Newsy.com.  Background on Caleb/Wednesday/Hump Day Posts and Geico’s original commercial: Let’s Hit it Again

How do you sum up something that’s so huge?

How do you sum up something that’s so huge?” asks Alexei Hay. “One of the only answers is the emptiness, the thing that speaks to whatever everybody’s going through. The absence is more telling than taking a picture of anybody.” Not long after the citywide clampdown began, Hay, like a lot of photographers, realized this was a fleeting extraordinary moment, one he wanted to document in a grand way before it was gone. What’s on view here is neither a completely depopulated New York nor its usual bustling self but something eerily stuck in between. These are middle-of-the-night photos shot in broad daylight, snow-day pictures without the snow…

The very overfamiliarity of some of the sites — the Flatiron Building, St. Patrick’s Cathedral — is paradoxically what, at this one unusual time, keeps you looking. Nothing is visibly wrong, exactly, but everything is wrong. Ordinarily, if you see pictures of normally busy and now deserted streets, it’s the emptiness that gets you, as your mind goes right to Vanilla Sky or the Rapture. Here, the thing that triggers alarm is not the absence of people. It’s when you see the few souls who are out and about, and they’re less than six feet apart.

~ , from “New York, Four Weeks In Portrait of an empty city.”

Don’t miss Alexei Hay’s photos in the New York Magazine: April 13, 2020.