We are, in other words, one another’s virtual enablers

Word Press & Facebook Like Symbols

NY Times, Sunday, June 16, 2013: Facebook Made Me Do It (Excerpts)

…That feedback loop of positive reinforcement is the most addictive element of social media. All those retweets, likes and favorites give us a little jolt, a little boost that pushes us to keep coming back for more. It works whether or not we post the typical social media fodder of lush vacation pictures and engagement announcements or venture into realms that showcase our most daredevilish antics and risqué behavior.

…Our growing collective compulsion to document our lives and share them online, combined with the instant gratification that comes from seeing something you are doing or experiencing get near-immediate approval from your online peers, could be giving us more reason to act out online, for better or for worse.

…We are, in other words, one another’s virtual enablers.

…the vast amplification of the potential audience a single person can reach has raised the stakes for all online activity.

…“It’s performative.”


Source: The New York Times: Facebook Made Me Do It by Jenna Wortham, Technology reporter

Silence on this Day

Mother, son, mourning father, grave site

I found today’s editorial message in the NY Times to poignantly yet beautifully capture the spirit of today.

“If you listen carefully, you can almost hear the silence at the heart of Memorial Day — the inward turn that thoughts take on a day set aside to honor the men and women who have died in the service of this country.

It is the silence of soldiers who have not yet been, and may never be, able to talk about what they learned in war, the silence of grief so familiar that it feels like a second heartbeat. This is a day for acknowledging, publicly, the private memorial days that lie scattered throughout the year, a day when all the military graves are tended to, even the ones that someone tends to regularly as a way of remembering.

It always seems strange the way the fond, sober gestures of memory coincide with the last flush of spring, while the trees are still lit from within by their chartreuse leaves. The year is still rising, just. And yet it is something you often see recorded in the books and diaries of men and women at war — the sharp interruption of beauty, the moments, hours even, when the vivid tenacity of life itself feels most tangible, even in the midst of death. On a bright, beautiful Memorial Day, you feel, as clearly as you may ever feel, the profound separation between the living and the dead. This is the strangeness of the day, because that separation is a source of both joy and loss. Continue reading “Silence on this Day”

Give. And give. And give more.

Wharton, Businessweek,professor, education, school, giving

I read this NY Times article a week ago: Is Giving The Secret to Getting Ahead. And synchronicity has been working it’s magic ever since.  I’m seeing giving everywhere.  Yesterday alone with three examples: My post and One Good Deed.  Entering a bone chilling cabin, a flight attendant see an elderly woman shivering and gives her a cardigan. Last night a quote by Sam Levenson: “Remember, if you ever need a helping hand, it’s at the end of your arm, as you get older, remember you have another hand: The first is to help yourself, the second is to help others.”

Adam Grant, 31, is the youngest-tenured and highest rated professor at Wharton.  He has published more papers in his field than colleagues who have won lifetime-acheivement awards.  He is the author of a new book titled “Give and Take – A Revolutionary Approach to Success” which will be released later this month.  The man lives his personal and professional life as a GIVER. (Miraculously so.)  The story (long) is worth the time to understand what he does and why he does it. Grant’s research divides us into three categories: Continue reading “Give. And give. And give more.”

Cannavale

Broadway, excellence, complacency

“I can also be stubborn,” he went on. “I’m an idealist. I used to say to Sidney, ‘Pop, your movies are always about people fighting against something, the system or corruption,’ and he said, ‘That’s what life is about.’ I loved that. I’m fighting complacency. Most people think good enough is good enough. I go to the theater a lot, and communion doesn’t always happen, but when it does, it’s indescribable.” He met my eye. “I don’t come from anywhere, man, but I am always on the search for excellence.”

~ Bobby Cannavale, Actor


Robert M. “Bobby” Cannavale (43) “is an American actor known for his leading role as Bobby Caffey in the first two seasons of the television series Third Watch. He also had a recurring role on the comedy series Will & Grace as Officer Vince D’Angelo, Will’s long-term boyfriend. He portrayed Gyp Rosetti on the third season of the HBO drama Boardwalk Empire.  Bobby Cannavale was born in Union City, New Jersey, to an Italian American father and a Cuban mother, and grew up in Margate, Florida. He was raised Catholic and attended St. Michael’s Catholic School, where he participated in a number of extracurricular activities, including being an altar boy and member of the chorus. When he was eight, Cannavale secured the plum role of the lisping boy, Winthrop, in his school’s production of The Music Man, and later as a gangster in Guys and Dolls, which cemented his love for performing. Cannavale’s parents divorced when he was 13 and his mother moved the family to Puerto Rico. After two years in Latin America, they settled in Margate. Cannavale returned to New Jersey after barely eking out a high school diploma in the late 1980s, in order to be closer to New York to launch his acting career.  Cannavale began his acting career in the theater – with no acting training.”


Image & Quote Source: Broadway’s Hottest Outsider – NYTimes.com.  Cannavale Bio: Wiki

Big Things

Quentin Tarantino

“I remember reading a review that Pauline Kael wrote about some director’s big epic, and she said: Now, look, it might seem unfair to judge a talented man more harshly when he tries to do something big than a less talented person who’s doing something easier. But when you try big things, you take big risks, and if you’re trying to do something that is maybe above you and you can’t quite pull off, then whereas before we only saw your gifts, now we see your failings.

I’ve always been pushing that envelope. I want to risk hitting my head on the ceiling of my talent. I want to really test it out and say: O.K., you’re not that good. You just reached the level here. I don’t ever want to fail, but I want to risk failure every time out of the gate.”

~ Quentin Tarantino


“Quentin Tarantino was born in Knoxville, Tennessee in 1963.  In junior high he attended drama classes and he actually dropped out of High School at age 15 to attend acting classes full-time at the James Best theater company.  After he left the acting school he became an employee at the Video Archives, a now-defunct movie rental store in Manhattan. It was there that he began to truly think about and discuss cinema as he worked with customers to find the best movie for them. He actually credits that store as providing the inspiration for him to become a director by saying that ‘When people ask me if I went to film school, I tell them, ‘no, I went to films.’  Tarantino is the famed director of classics ‘Pulp Fiction’, ‘Kill Bill’ and ‘Inglorious Basterds.'” (Source: ID Poster)


Sources: Image and bio – ID Poster.  Quote: 99u.com via New York Times story: Quentin’s World