Lightly Child, Lightly. (Ataraxia)

Sitting on that height, facing the brightening light, this is what I understood, not as a proposition of words, but as if it had taken full occupancy of my mind in a moment, as an image might occupy it, or a mathematical proof. Afterwards, when I translated what I had experienced, what I wrote had none of the force of what had happened. A long life and a short life are the same, because the present is the only life we have – the same for everyone. It was like a description of music. As the light poured into my eyes, exciting their nerves, causing reactions in the brain, the reactions gave rise to something beyond any contentment – a submission, blissful. The moment of the present becomes instantly the past, I wrote. The present was almost-nothing; I was almost-nothing – a momentary arrangement of energy. And when the time came for the arrangement of energy that went by my name to collapse, and become a different arrangement, barely anything would be changed. A slight readjustment of a few lives, for a while. Some after-life in the memory of a small number of people, for some of whom I was already nothing but a memory. Into the great indifference, I wrote, but the words caused a chill, a shiver, which I had not experienced in those minutes at the ruins. Everything is becoming – nothing rests, I added, on the next line. A less discomfiting formulation. At the ruins, I witnessed transition in everything: the slow movement of the clouds, the slower rising of the sun, the agitation of the sea. I witnessed it and felt it: with each breath, each heartbeat, I was changing, a changing thing among other things that were changing. More: as I gazed at that uncertain horizon, across the glowing water and the glowing leaves, the elements of the scene lost their separation. All categories and names were lost in the totality of it, dissolved in the light. This was how the episode achieved its climax, in an overwhelming acceptance. An Amen of sorts. That was what I wrote. ‘Ataraxia’ is a word I might have used, had it been at my disposal then.

An awareness of discomfort brought me back to myself – I had to stand up. One leg had become numb. True contemplatives are made of tougher stuff, I was soon telling myself, on the descent. As I picked my way down the crumbling path, I was starting to make phrases. A long life and a short life are the same was composed before I reached the car. As was Life – the intermission. And the ten-minute mystic. There has been nothing like it since. Not even ten minutes.

Standard reality reasserted itself promptly.

Jonathan Buckley, One Boat: A Novel (W.W. Norton & Company, November 4, 2025)


Notes:

  • Book Reviews Cafe: “Review: One Boat by Jonathan Buckley
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.

Monday Morning Wake-Up Call

Now that I’m deep in my 80s, I’d like to stay here forever, and I’ll certainly try. I enjoy being here. The decade is the October of aging. And October is a lovely month, don’t you think? […]

Things I can’t do any more: Run. Play basketball or tennis. I also can’t worry myself to death, or I choose not to. Before my October years, there seemed to be nothing, however inconsequential, that I could not stew over until it grew as big and menacing as Godzilla at night. Nothing was too trivial for my troubled mind. No small rejection. Not the slightest slight. I once came up with a rule, “Nobody’s thinking about you — they are thinking about themselves, just like you.” I wrote it but I didn’t believe it. Now I hardly care if anyone is thinking about me, or not. Hardly.

My love of nature has grown much deeper in this decade. I had always felt an affinity with the natural world, but it was general, casual and fleeting. These days you can catch me at the window, gazing in wonder at the East River (estuary technically), and mesmerized by the shapes in the blue-gray water, the welts and eddies, the tides, the invading armies of the waves, the clouds reflected, looking like submerged sheep.

It’s not what you do in this decade that’s so unusual, or what you think, but rather how you think. The air changes in October. I find myself thinking far less selfishly, giving much more of myself to my friends and family. […]

The general improvement is this: In my younger years I was always looking ahead for whatever would befall me. Now I look at what I have. And as those in their 80s appreciate, what one has is considerable. I don’t fear winter, and I don’t regret spring. […]

— Roger Rosenblatt, excerpts “I Don’t Fear Winter, and I Don’t Regret Spring” (NY Times, October 26, 2025)


Saturday morning…

But none of that matters now. I look out at the hills and the lake again. I’ve been driving along these roads for nine decades, but I’m still struck by just how beautiful it is, and I never want to leave.

— Lisa Ridzén, When the Cranes Fly South: A Novel. Alice Menzies (Translator) (Vintage, 8/19/2025)


Notes:

T.G.I.F.: Speed…

I’d been away from New York for over three months. I returned to the city in the fall of 2018 only to discover that my local barbershop had turned into a Baskin-Robbins. Why do changes in the landscape accelerate as one ages? You take a quick shower and another Duane Reade opens. You wake from an afternoon nap and there’s a new president. The second you hit sixty, life becomes the unstoppable bus in the film Speed.

Keith McNally, I Regret Almost Everything: A Memoir (Gallery Books, May 6, 2025)


Notes:

  • NY Times Book Review: The Brash, Working-Class Londoner Who Redefined New York’s Restaurants
  • Wall Street Journal book excerpt: Keith McNally: “I Had No Chef, No Toilets and No Budget. But I Was Determined to Open Balthazar.”
  • Photo Credit: Pixabay

Lightly Child, Lightly.

“You know what this entire session has been about, don’t you?”

No, I said.

“It’s about being forced to sum up. Looking at your life. Asking yourself if you’ve truly lived it. Asking yourself what you’ve really got to leave behind. This is something everybody has to face. It’s hard to face. But if you face it now, and make whatever changes you need to make, you’re going to have a shot at dying peaceful.”

Joan Didion, in a discussion with her therapist, in Notes to John (Knopf, April 22, 2025)


Notes:

  • NY Times Book Review: “Peeking into Joan Didion’s Years of Psychological Thinking. Drawn from her previously unpublished reflections on sessions with a therapist, “Notes to John” is at once slightly sordid and utterly fascinating.”
  • Guardian Book Review: “‘I dealt with everyone at a distance’: what do Joan Didion’s therapy diaries reveal about guilt, motherhood and writing?
  • The Atlantic: Joan Didion’s Books Should Have Been Enough.”
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.