Walking. The Day After.

4:14 a.m. Dark Sky app: 60° F.

Out the door.  Morning walk @ Daybreak @ Cove Island Park. 402 consecutive days. Like in a row.

Man Fishing. GIANT man. Long, LONG fishing pole. Ex defensive lineman type. He lumbers towards his bike, dwarfing his two wheeler. Eyes closed, it’s his third attempt to swing his leg up and over, and he’s successful. He pauses, composing himself, letting the pain subside.

Man. Senior citizen. Walking a senior dog on a long leash. Both laboring to advance. That’s me in 20 years. Without a Dog. Sigh.

Woman. Cargo shorts. Long dark hair. Neatly kept. Shoes off. Sitting cross-legged on rocks. Hands in her lap. Meditating.

Egret, snow, snowy white, lands a few feet away.

Flock of geese quietly pass overhead.

The shimmer of pink reflects on the stones and water. Nice. I snap a shot. That shot up top.

And all of This, somehow, isn’t enough today.

After the Ring of Fire yesterday, that Big Show, this was too quiet, too normal, too SAME. Continue reading “Walking. The Day After.”

Monday Morning Wake-Up Call

There’s a certain point in life at which you realise it’s no longer interesting that time goes forward – or rather, that its forward-going-ness has been the central plank of life’s illusion, and that while you were waiting to see what was going to happen next, you were steadily being robbed of all you had. Language is the only thing capable of stopping the flow of time, because it exists in time, is made of time, yet it is eternal – or can be. An image is also eternal, but it has no dealings with time – it disowns it, as it has to do, for how could one ever in the practical world scrutinise or comprehend the balance sheet of time that brought about the image’s unending moment?

— Rachel Cusk, Second Place: A Novel (Farrar, Straus and Giroux, May 4, 2021)


Photo: DK @ Cove Island Park, Stamford, CT. 5:44 am, May 3, 2021.

Lightly Child, Lightly.

Can you not sometimes feel how all pasts
grow light, when you’ve lived a while,
how they gently prepare you for amazement,
companion each feeling with images,—

Rainer Maria Rilke, from “The Singer Sings Before a Child of Princes,” The Book of Images, Trans. Edward Snow.


Notes:

  • Photo: DK @ Daybreak, 6:08 a.m., 35° F. March 26, 2021. Cove Island Park, Stamford, CT.
  • Poem Source: Thank you The Vale of Soul-Making
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Light child, lightly.

Can you not sometimes feel how all pasts
grow light, when you’ve lived a while,
how they gently prepare you for amazement,
companion each feeling with images,—

—  Rainer Maria Rilke, from “The Singer Sings Before a Child of Princes”, in The Book of Images


Notes:

  • Quote via memoryslandscape. Photo: Untitled, 2009 – by Marta Navarro, Spanish (via newthom.com)
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Running. With Perforated Edges.

6:39:47 a.m. April 10th. The time stamp on photo.

I recall the moment. The end of my run, I’m rounding the last corner before home, breathing heavily.

Morning sun. A light warm hue painting the tips of trees and bushes. Beautiful.

I slip off my glove, the tip of my index finger is moist, trembling, and sticking to the screen. I wipe it dry and slide the menu bar from Pano, Portrait, Video, Slo-Mo, Portrait, and stop on Photo. Pleased, I pause for a moment longer, admiring the view, so glad I was able to catch the moment. 

I walk the rest of the way home, catching my breath.

I’m sitting in the backyard, 30° F, sweat drying, goosebumps form on skin. I shiver. Legs sore, but that good sore after finishing a run.

I open the camera app to check out the photo.

I tap the image, and it pops up. It stutters for a moment, then a series of frames, and it stops. Irritated.

I tap the image again. And there on the top of the image, a “Live” tag.  WTF is that?

I tap the image again. It stutters, pans through a series of frames, and then stutters to silence. Jesus. You can’t even get this right.

I grab the phone and slide my index finger along the menu options, and don’t see a “Live” option. Damn it!

Index finger. Dotted line. Bad outcome. Mind draws up the Moment.

35 years later, like yesterday. My hands trembling. The course of Life would change based on the GMAT test results in that ever so thin envelope. Before I tear it open, the tip of my index finger slides along the perforated edge, my skin tingling as it passes each tiny raised dot.  I don’t recall who was with me at the time: “How’d you do?” I walked away, needing to be alone, needing to be quiet, needing to be still.

I’ve been dragging that anvil around for 35 years.

I turn back to the photo. Love photos. But it’s clear, cameras, are not my thing.

The photo syncs on iCloud to my laptop. (Magic!)

I convert the Live Photo to a still image.  Upload it to the blog post.  And pause.  Didn’t notice my shadow in the photo until now.

I run my finger around the silhouette. There you are DK. 

You caught yourself in the shot.

Your legs look a bit long, but you turned out to be ok.