Lightly Child, Lightly.

The answers were nearly always – light.

Light.

There.

The quick glow of a fierce sensation.

— Maddie Mortimer, Maps of Our Spectacular Bodies (Picador; March 31, 2022)


Notes:

  • Photo by DK @ Daybreak. 5:45 a.m. 60° F. September 17, 2022. Cove Island Park, Stamford, CT.  See more photos from that morning here.
  • Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

Why it was that the morning quietened so curiously this way?


Notes:

  • Post title by: Maddie Mortimer, Maps of Our Spectacular Bodies (Picador; March 31, 2022)
  • Photo by DK @ Daybreak. 6:45 a.m. 70° F. September 13, 2022. Cove Island Park, Stamford, CT.  See more photos from this morning here.

Feeding on all of Earth’s beauty, making everything of its light*


Notes:

  • Post Title from: Maddie Mortimer’s Maps of Our Spectacular Bodies (Picador; March 31, 2022). * Modified from the original “Feeding on all of Earth’s beauty, making nothing of its light.”
  • Other photos from this morning’s walk here.

What’s that, then?

The evangelical in Anne had always recoiled at ‘The Arts’, for they had no obvious place in the useful, pious life. But Lia had something. It was not simply an ability to accurately depict the world, to replicate the exact gradient of a crow’s beak or the detailed creases of a hand, held out. There’s real flair there, one of Lia’s teachers had told her, a year or so ago, when Anne had been parked outside the school…She can capture the very essence of a thing, whilst… imbuing it with a… startling newness.

The teacher was new there. New and young and pretentious, for what nonsense this was, Anne had thought, but smiled as politely as she could nevertheless, and started the car, so as to let the intrusive woman know she had heard quite enough. Lia came out, holding a painting of a single egg in the middle of a large blue bowl. There was no essence; no startling newness. Just an egg in a bowl. And no one, thought Anne, with any sense, kept their eggs in bowls in the first place. Except for the French, perhaps.

See you tomorrow, Amelia. The teacher had smiled and walked away, smart and smug in her shoulder-padded jacket.

What’s that, then? Anne had asked, glancing in the rear mirror as they neared home.

Quiet, Lia had said.

What?

The title. I’ve called it – Quiet.

And Anne had straightened her spine in the driver’s seat, unnerved by the odd little child in the back of the car, pretending that she couldn’t see how the solitary egg in the bowl was, indeed, a very quiet-looking thing after all, as the tyres ground loudly against the gravel of their driveway.

— Maddie Mortimer, Maps of Our Spectacular Bodies (Picador; March 31, 2022)

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