Go Scarlett (Oscars 8pm)

Even for the smartest and most talented actors, there are far more ways for a movie to fall short than succeed, so it’s a rare moment when project after project clicks seamlessly into place. Right now, Scarlett Johansson is clearly having such a moment. Earlier in the year, she played a pivotal role in what has become the highest-grossing movie of all time worldwide, Avengers: Endgame, and filming has just wrapped for the standalone movie about her character, Black Widow, scheduled for release in May. Meanwhile, her performances in two recent, smaller-scale movies, the searing relationship drama Marriage Story and the extraordinary, off-kilter Nazi-era comedy Jojo Rabbit, are drawing sustained acclaim; for the former she is widely considered a contender for best actress.

All of which seems to leave Johansson quietly proud, but also uneasy.

“I worked really hard for a really long time…So maybe this is the result of that.” There’s a carefulness about Johansson as she says this, not the kind that implies insecurity or a lack of self-belief, more that she is used to being someone for whom it is almost always too soon to really celebrate. “I definitely am the type of person who’s always waiting for the other shoe to drop,” she reflects. “But I’m learning to change that habit.”

~ Chris Heath, Best-Actress Contender Scarlett Johansson on Movies, Marriages, and Controversies (Vanity Fair, Nov 26, 2019)


Photographs of Scarlett Johannson by Andy Gotts

Piper (Best Animated Short)

Jep Gambardella, Brilliant.


Here’s the critic’s leading selection for the 2014 Oscar Foreign film of the year. And what a film it is. Introspective. Astonishing cinematography (EYE CANDY). Overwhelming.  And, Toni Servillo, oh what a performance. (The movie is long…strap in.)  HIGHLY RECOMMENDED.

  • NY Times Review (5/5 stars): “thrilling ode to sensibility and to some of its linguistic cousins, like sensation, sensitivity and sentiment.
  • RogerEbert.com (4/4 stars): “Servillo, a theatrically-trained actor, makes Jep arresting. He’s like an Italian Tom Wolfe. You hang on his every word, even when you’re about to hear something gossipy and mean-spirited, because you know it’ll probably be true, or at least well-said…You are overwhelmed with information, but each scene is constructed with such care and attention that it’s easy to miss that each new scene elaborates on Jep’s latest theory or dilemma. His character arc is engrossing because it’s not just full of complex ideas, thanks to the screenplay, but visual beauty as well, courtesy of Luca Bigazzi’s cinematography”

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