The Morning Show

The thing people don’t realize is that there is a cost to success and fame. There’s a story by Hans Christian Anderson. A young woman becomes enamored with these fabulous red shoes that are more attention-grabbing and exciting than the humble brown shoes she wears. In a moment of bad judgment, she succumbs to their charms and wears them to church. And lo and behold, her feet start moving and she is dancing, and she can’t stop. And she dances for hours and days and weeks until she is bloody and bruised from dancing like a whirling dervish through the countryside and towns unable to stop. She finally dances so much and so hard, faster and faster, that you know she’s going to bleed to death. So in a desperate attempt to stave off death, she finally implores a woodcutter to cut off her feet. And he does. Then she dies. Times were different back then. And I’m sure there’s some patriarchal message in this to women who wanted to step out of their role. However, I always took away from it as a kid — and it probably says something about me as a kid — is the idea that the world might have you running so hard that rather than running one step more, you would cut off your own feet. Never… And I never — I never forgot that image. I think success in the modern world demands a similar dance — soul sucking, grueling, never-ending. And I just wanted it to end. I wanted it to end so I could begin to live. I’ll let you know how it goes.

— Alex Levy (Jennifer Aniston), The Morning Show (S2:E1). “My Least Favorite Year.”


Notes:

Photo: Hello Magazine – Jennifer Aniston Wows In First Look at Series Two of the Morning Show

Monday Morning Wake Up Call

There is nothing more liberating than to realize you don’t have to live up to anything anymore.

— Betty Broderick, Dirty John (Netflix, S2:E6, The Twelfth of Never)


Photo: Esquire

Monday Morning Wake-Up Call

But now, Dorothy wondered: What was failure? What was success? Ribbons swirling in a cold tank. Life was not a story that ended on a resolution or a revelation. It was like this puppet show—a gentle, ongoing state of ups and downs that contained moments of illusory transcendence and ultimately built to nothing, no epiphanies, or so many epiphanies that they ran together and were forgotten. Maybe it breathed like a paper flower, expanding and contracting. Maybe it was something you did just to pass the time.

Christine Smallwood, The LIfe of the Mind (Hogarth, March 2, 2021)


Photo: Lily

Go Brené


Source: Brené Brown from her book “Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead” (via weltenwellen). Portrait via Isak

Monday Morning Wake-Up Call

There is no trace where we were.

No arrows pointing to the place we’re headed.

We are the trackless beat, the invisible light, the thought without a word to speak.

Poured water, struck match.

Before the nothing, we are the moment.

Louise ErdrichThe Bingo Palace: A Novel


Notes: Quote source – Thank you Whiskey River. Photo found @ Match