Monday Morning Wake-Up Call

The worst advice you can give to people trying to find themselves is to look within. That presumes a person is like an onion, with layers of social selves to peel off to get closer and closer to the inner core, the true self. The idea is that if you sit in a room with yourself and focus on yourself, you will get in touch with the “real you” or self-actualize the “real you.”

People who try this sometimes find there is no “real you,” or they just make up a bunch of stories and poses about who they think themselves to be.

That’s because a person is not a closed system that can be studied in isolation. A self exists only in relation to something else, while perceiving something and interacting with the world.

It’s more useful to conceive of a person as an artist. On the journey toward becoming themselves, artists often begin by copying some predecessor whose work they admire. Early on, the Beatles copied Buddy Holly and other artists. Countless writers started out by trying to copy George Orwell or Toni Morrison.

We’re mimetic creatures. We learn by imitating what excellent others have done before us…

Everybody is like that in a way. Everybody is grabbing from the world bits and pieces of thought and fashion that they can mishmash into their own personal way of being. The more sources you borrow from, the more interesting your self is likely to be…

“A man with few friends is only half-developed,” Randolph Bourne observed. “There are whole sides of his nature which are locked up and have never been expressed. He cannot unlock them himself, he cannot even discover them; friends alone can stimulate him and open them.”

Gradually, out of these interactions a self emerges. This is the hardest phase. You can pile up myriad influences. You can pile up performances. But eventually it all has to cohere into a distinct way of perceiving the world, a distinct way of expressing yourself in the world.

This simplifying process can make a person’s voice more powerful and focused. Zora Neale Hurston went back to her hometown Eatonville, Fla., as a setting from which she could express what she wanted to say about life. For his second Inaugural Address, Lincoln went back to the Bible to get the cadences and truths he needed to express his point of view.

Everybody who is writing a book or making a presentation or being a person in the world has to eventually wrestle with that cohering question: What’s the core here? Or as Miles Davis put it, “Sometimes you have to play a long time to be able to play like yourself.”

— David Brooks, from “How to Find Out Who You Are” (NY Times, July 28, 2022)


Notes:

  • Thank you Laila for inspiring this share.
  • Photo: Mart Production via Pexels

 

Quiet conversations that will not be publicized

So what’s a new possibility you’re inspired by? I love your questions. You’re pushing in the really important way. Here’s what I think of: I see the disarray. I see the broken power structures. I see the damage and the pain. I also see people tending to that. At the heart of some of these national-level or community-level conflicts, there is space to move below the radar and start stitching together relationships and quiet conversations at a very human, granular level. We’re going to work on quiet conversations that will not be publicized. That feels to me like a power move in this world…

A lot of people worry about finding their calling. Do you have any advice for them? I’m very aware that in this culture, in the 20th-century world, we’ve diminished the idea of a calling to mean your job title. I think there are many callings in a life. I want people to liberate the idea of their calling from what they’re being paid to do for a living. Your calling may be something that you do that gives you joy but that you’re never going to get paid for. It may be certain relationships that you’re holding that are primary. Being a parent or being a child, being a friend, being a neighbor, the service you do in your community. It can be how you show up through your day, how you treat strangers. You can play an instrument. You can write. It’s the things that amplify your best humanity.I don’t think I have to define that, because we all intuitively know what it is. I talk so much on this show about Rilke —

I know where you’re going: “Living the questions.” Yes! The notion of living the questions in a world that is in love with answers. I’ve been reading Rilke since I was in Berlin almost 40 years ago, what I feel coming back to our world is this idea that to do justice to a question means that you cannot rush to an answer. What you’re called to do is hold the question itself, dwell with the question respectfully, and love the question. Live your way into the answer. If you hold a question, if you’re faithful, the question will be faithful back to you.

OK, what was the last thing that blew your mind? For me the last two years have been one seismic event after the other. That experience of the ground shaking beneath our feet and that happening to every person on the planet — that is what all of our spiritual traditions tell us is the reality at any given moment, and it’s what our culture gives us a million devices to deny. But there it was: We are fragile. Civilization rests on something as tender as bodies breathing in proximity to other bodies. We were reminded of that. And living in Minneapolis when George Floyd was killed. The West Coast caught fire. Our political fragmentation that we’ve been walking into for such a long time. We have a war in Europe. We pretended like capitalism triumphing would lead to a moral universe. It just goes on and on. It’s all before-and-after now.

— David Marchese, excerpts of a interview with Krista Tippett in “Krista Tippett Wants You to See All the Hidden Signs of Hope” (NY Times Magazine, July 7, 2022).  Tippett created and hosts the public radio program and podcast On Being.

 

Monday Morning Wake-Up Call

Where to go from here?

—  Delia Ephron, Left on Tenth: A Second Chance at Life: A Memoir (Little, Brown and Company. April 12, 2022)


Notes:

Monday Morning Wake-Up Call

…We are trying to get off the damn treadmill so that we can remember the purpose and dignity that can come from the whole of our life.

So ask yourself this: Who would you be if work was no longer the axis of your life? How would your relationship with your close friends and family change, and what role would you serve within your community at large? Whom would you support, how would you interact with the world, and what would you fight for?

We are so overextended, so anxious, and so conditioned to approach our life as something to squeeze in around work that just asking these questions can feel indulgent. If you really try to answer them, what you’re left with will likely feel silly or far-fetched: like a Hallmark movie of your life, if you got to cast people to play you and the rest of your family who were well rested, filled with energy and intentionality and follow-through. Your mind will try to tell you it’s a fantasy. But it’s supposed to sound amazing, because you need to want it, really yearn for it, to a degree that will motivate you to shift your life in ways that will make the fantasy a reality.

Think back on a time in your life before you regularly worked for pay. Recall, if you can, an expanse of unscheduled time that was, in whatever manner, yours. What did you actually like to do? Not what your parents said you should do, not what you felt as if you should do to fit in, not what you knew would look good on your application for college or a job.

The answer might be spectacularly simple: You liked riding your bike with no destination in mind, making wild experiments in the kitchen, playing around with eyeshadow, writing fan fiction, playing cards with your grandfather, lying on your bed and listening to music, trying on all your clothes and making ridiculous outfits, thrifting, playing Sims for hours, obsessively sorting baseball cards, playing pickup basketball, taking photos of your feet with black-and-white film, going on long drives, learning to sew, catching bugs, skiing, playing in a band, making forts, harmonizing with other people, putting on mini-plays—whatever it was, you did it because you wanted to. Not because it would look interesting if you posted it on social media, or because it somehow optimized your body, or because it would give you better things to talk about at drinks, but because you took pleasure in it.

Once you figure out what that thing is, see if you can recall its contours. Were you in charge? Were there achievable goals or no goals at all? Did you do it alone or with others? Was it something that really felt as if it was yours, not your siblings’? Did it mean regular time spent with someone you liked? Did it involve organizing, creating, practicing, following patterns, or collaborating? See if you can describe, out loud or in writing, what you did and why you loved it. Now see if there’s anything at all that resembles that experience in your life today…

— Charlie Warzel & Anne Helen Petersen, from “How to Care Less About Work” in The Atlantic (December 5, 2021). This has been excerpted from their forthcoming book, Out of Office: The Big Problem and Bigger Promise of Working From Home.

Monday Morning Wake-Up Call

There’s time for everything except the things worth doing. Think of something you really care about. Then add hour to hour and calculate the fraction of your life that you’ve actually spent in doing it. And then calculate the time you’ve spent on things like shaving, riding to and fro on buses, waiting in railway, junctions, swapping dirty stories, and reading the newspapers.

George Orwell, from “Coming Up For Air


Quote: Alive on All Channels. George Orwell portrait.