Bernstein reminded me that the word “education” is related to the Latin educere—“ to bring forth what is within”— and then added: “Though I can’t prove it, deep in my heart I know that every person is born with the love of learning. Without exception. Every infant studies its toes and fingers, and a child’s discovery of his or her voice must be one of the most extraordinary of life’s moments. I’ve suggested that there must be proto-syllables existing at the beginnings of all languages— like ma (or some variant of it), which, in almost every tongue, means mother— mater, madre, mère, mutter, mat, Ima, shi-ma, mama. Imagine an infant lying in its cradle, discovering its voice, purring and murmuring MMM to itself… […]
Whether teaching children or adults, Bernstein understood that loving and learning are inextricably linked, that real knowledge is a concomitant of the desire to know, and that music itself— a meeting of living creator and creative listener— is one of the most efficacious vehicles for teaching. As a conductor, Bernstein experienced the relationship between himself and his orchestra as that of a lover and his beloved. As he remarked at the conclusion of his 1955 Omnibus television broadcast “The Art of Conducting”:
“The conductor must not only make his orchestra play; he must make them want to play…. It is not so much imposing his will on them like a dictator; it is more like projecting his feelings around him so that they reach the last man in the second violin section. And when this happens— when one hundred men share his feelings, exactly, simultaneously, responding as one to each rise and fall of the music, to each point of arrival and departure, to each little inner pulse— then there is a human identity of feeling that has no equal elsewhere. It is the closest thing I know to love itself.”
~ Jonathan Cott, Dinner with Lenny: The Last Long Interview with Leonard Bernstein
Notes: Original Source – Brainpickings
