Sunday Morning

But there’s not much in the Gospel about the afterlife—John is the only one who talks about it. And doesn’t that seem strange? If the afterlife is so important? When the rich young man asks Jesus how he might have eternal life, Jesus doesn’t give him a straight answer… But I’ve read those verses a hundred times. The rich young man asks about eternity, and Jesus tells him to give away his money. He says what to do in the present—as if the present is where you find eternity—and I think that’s right. Eternity is a mystery to us, just like God is a mystery. It doesn’t have to mean rejoicing in heaven or burning in hell. It could be a timeless state of grace or bottomless despair. I think there’s eternity in every second we’re alive.

Jonathan Franzen, Crossroads: A Novel (Farrar, Straus and Giroux, October 5, 2021)

Monday Morning Wake-Up Call

The present, we assume, is eternally before us, one of the few things in life from which we cannot be parted. It overwhelms us in the painful first moments of entry into the world, when it is still too new to be managed or negotiated, remains by our side during childhood and adolescence, in those years before the weight of memory and expectation, and so it is sad and a little unsettling to see that we become, as we grow older, much less capable of touching, grazing, or even glimpsing it, that the closest we seem to get to the present are those brief moments we stop to consider the spaces our bodies are occupying, the intimate warmth of the sheets in which we wake, the scratched surface of the window on a train taking us somewhere else, as if the only way we can hold time still is by trying physically to prevent the objects around us from moving. The present, we realize, eludes us more and more as the years go by, showing itself for fleeting moments before losing us in the world’s incessant movement, fleeing the second we look away and leaving scarcely a trace of its passing, or this at least is how it usually seems in retrospect, when in the next brief moment of consciousness, the next occasion we are able to hold things still, we realize how much time has passed since we were last aware of ourselves, when we realize how many days, weeks, and months have slipped by without our consent. Events take place, moods ebb and flow, people and situations come and go, but looking back during these rare junctures in which we are, for whatever reason, lifted up from the circular daydream of everyday life, we are slightly surprised to find ourselves in the places we are, as though we were absent while everything was happening, as though we were somewhere else during the time that is usually referred to as our life. Waking up each morning we follow by circuitous routes the thread of habit, out of our homes, into the world, and back to our beds at night, move unseeingly through familiar paths, one day giving way to another and one week to the next, so that when in the midst of this daydream something happens and the thread is finally cut, when, in a moment of strong desire or unexpected loss, the rhythms of life are interrupted, we look around and are quietly surprised to see that the world is vaster than we thought, as if we’d been tricked or cheated out of all that time, time that in retrospect appears to have contained nothing of substance, no change and no duration, time that has come and gone but left us somehow untouched.

—  Anuk Arudpragasam, A Passage North: A Novel (Hogarth (July 13, 2021)

Light Child, Lightly.


Notes:

  • Studio Ghibli (via Thisisnthappiness)
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”

 

Monday Morning Wake-Up Call

And if consciousness is being gradually perfected, then the area of choice is being gradually enlarged, isn’t it? That’s why, if I believe in order, I have to believe in search too… The alternative’s petrifaction, isn’t it? Everything would just stop. So we have to risk disorder to keep the order of the universe expanding and consciousness growing. Doesn’t it thrill you to think that, an inch at a time, we may be creeping toward wider and wider consciousness, until eventually man may just sort of emerge out of the tunnel and be in the full open?

Wallace Stegner, All the Little Live Things 

Lightly Child, Lightly

At Seventy-third Street I turn off Lexington and head for the Whitney, wanting a last look at a visiting collection. As I approach the museum some German Expressionist drawings in a gallery window catch my eye. I walk through the door, turn to the wall nearest me, and come face to face with two large Nolde watercolors, the famous flowers. I’ve looked often at Nolde’s flowers, but now it’s as though I am seeing them for the first time: that hot lush diffusion of his outlined, I suddenly realize, in intent. I see the burning quality of Nolde’s intention, the serious patience with which the flowers absorb him, the clear, stubborn concentration of the artist on his subject. I see it. And I think, It’s the concentration that gives the work its power. The space inside me enlarges. That rectangle of light and air inside, where thought clarifies and language grows and response is made intelligent, that famous space surrounded by loneliness, anxiety, self-pity, it opens wide as I look at Nolde’s flowers…

That space. It begins in the middle of my forehead and ends in the middle of my groin. It is, variously, as wide as my body, as narrow as a slit in a fortress wall. On days when thought flows freely or better yet clarifies with effort, it expands gloriously. On days when anxiety and self-pity crowd in, it shrinks, how fast it shrinks! When the space is wide and I occupy it fully, I taste the air, feel the light. I breathe evenly and slowly. I am peaceful and excited, beyond influence or threat. Nothing can touch me. I’m safe. I’m free. I’m thinking.

Vivian GornickFierce Attachments: A Memoir 


Notes:

  • Vivian Gornick’s book was named #1 in The 50 Best Memoirs of the Past 50 Years by the The New York Times (June 26, 2019. HIGHLY RECOMMENDED.
  • Fine Art: “Stillleben  – Emil Nolde, Expressionism. Watercolour, Gouache
  • Post Title & Inspiration: Aldous Huxley: “It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them.”